2025年1月29日 星期三

"Batman: The Court of Owls Saga" by Scott Snyder and Greg Capullo (2011-2012)


Holy sh&t, Batman!

Gotham City's in the grip of a criminal conspiracy spanning generations, and the bad guys have you in their sights!

Time to fight crime!

But wait -- how is it you didn't know about your own family history?  How is it you didn't know about all the buildings with the secret hideouts installed on their "missing" thirteenth floors?  Aren't you supposed to be the "world's greatest detective" or something?  I dunno man... it seems like a lot of suspect things happen right under your nose...

...and then there's the first part of this story, which made me wonder what the point of Batman is anyway.  If Gotham is always getting worse, how is the presence of Batman making anything better?  Maybe that's a debate for another day, but even so this Court of Owls Saga had me wondering.  What's the point of Batman if various gangs control all the train lines?  And if the inmates can so easily escape their asylum?  And if a gang above all other gangs is running the city from behind the scenes?

I'd been hearing about the Court of Owls for a while, and the best I can say is that it's just OK.  Scott Snyder has an ear for dialogue, regardless of how verbose and/or long winded his fight scenes might be.  Greg Capullo is a good artist, and I enjoyed the fight inside the maze.  But yeah, the overall premise behind this saga seemed a bit silly to me.

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2025年1月28日 星期二

"The Passenger" by Cormac McCarthy (2022)


"In Juarez Mexico.

"Yes.

"What happened to the cabin?

"It burned down.

"Was there anyone living in it?

"No.

"How did it happen to burn down?

"I don't know.  Maybe it was struck by lightning.

"Struck by lightning.

"One might suppose.

"You left school after that.

"Yes.

"Why?"

Cormac McCarthy's books have been discussed here several times already.  My sometimes almost coherent, sometimes barely incoherent thoughts on All the Pretty Horses, Blood Meridian, Cities of the Plain, No Country for Old Men, Outer Dark, Suttree and The Crossing are linked here for the sake of a dubious posterity.

The Passenger is McCarthy's second-to-last novel.  His last novel, Stella Maris, is a companion novel to The Passenger.  In this review of The Passenger I may be missing aspects of a much larger story, but I have no idea when I'll be reading that more recent book, or even if I'll happen upon it anytime soon.  Whatever the case, I find that I have to take breaks between McCarthy novels, and I'm not in a rush to read Stella Maris, however entertaining (or turgid) it might be.

On to the novel at hand.  The Passenger is about a man by the name of Western mourning his sister's recent death.  This story opens on a salvage operation involving a missing plane, and to some extent the novel leads you to believe that this salvage operation will somehow tie into the book's conclusion, but no, it adds little to the final chapters aside from both a sense of paranoia and the protagonist's reason for being in a certain place at a certain time.  Ultimately he doesn't know what forces are acting against him or why, and in this respect he's no different from you or I, however world-wise we may think we are.

Apart from the salvage operation there are digressions into quantum physics, automotive maintenance and several other, seemingly unrelated topics.  The section on quantum physics seems especially detached from the plot, and one gets the feeling that the author was using this section to parade his knowledge of obscure subjects at the expense of the story he was trying to tell.  I'm not sure, again because I haven't read Stella Maris.

The Passenger is also a long book, and at several junctures I found my patience tested.  Given the way in which conversations are described (or not described) in this book, I had trouble keeping track of who was talking and why.  This approach to such exchanges also makes interactions between three or more characters almost impossible, given that it would be very, very hard to know what was being said and to whom.  This (dare I say it) shortcoming also makes these conversations seem somewhat artificial, and especially so given how well similar conversations worked in previous novels by the same author.

Was The Passenger entertaining?  I'd have to say that no, it wasn't, and that compared to many of McCarthy's other novels this one gave me the most trouble.  It seemed very random to me at times, and far from the concentrated effort that I enjoyed in Blood Meridian or the author's Border Trilogy.

It's possible that after reading Stella Maris I'd find that the parts which don't seem to fit in The Passenger suddenly make sense within a larger narrative.  Maybe.  Whatever the case, I'm in no hurry to read that other book.

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Still More 60s Movies 3



1. Black Sunday (a.k.a. "The Mask of Satan") (1960)

Barbara Steele was FINE.  "Bride of the Devil" or no, she was FINE.

The Premise: Two travelers wake a slumbering vampire on their way through scenic Moldavia.

Overall: Another horror classic from Mario Bava.  This movie has more atmosphere than most horror movies today, and could easily serve as a template for how to make a great scary film with a limited number of sets, costumes and other resources.  The Italians, at the height of their powers, contributed a lot to the genre.

Fun Fact: This movie was Bava's directorial debut.  It was in many ways a direct response to Hammer Films' 1958 movie Dracula, though I think Black Sunday is the better film of the two.


2. John and Mary (1969)

Ah, the late 60s.  So many battle of the sexes-type movies.

The Premise: A man and a woman come to terms after a one night stand.

Overall: The voiceovers were completely unnecessary, but Dustin Hoffman and Mia Farrow are great together.  A little too much like a play for my taste, but charming regardless.

Peter Yates, it should be said, not only directed 1968's Bullitt but also went on to direct several notable movies during the 70s.  The Friends of Eddie Coyle, Mother, Juggs & Speed, The Deep and Breaking Away are all worth a look.



The Premise: Three passengers aboard a plane are confronted with the consequences of future decisions.

Overall: A very schlocky attempt at science fiction that doesn't make much sense.


4. Boom! (1968)

The Premise: Richard Burton and Elizabeth Taylor chew their way through a Tennessee Williams play, this particular Tennessee Williams play being about a rich, reclusive woman living on an island.

Overall: I'm guessing a lot of alcohol (and a lot of whatever else was available) was consumed by both stars in the course of filming.  It's weird enough to be interesting, but to call this film a vanity project would be an understatement.

Fun Fact: John Waters is a big fan of this movie.  Makes sense to me!

5. The Fast Lady (1962)

Speaking of Elizabeth Taylor, Julie Christie was among the crop of newer, younger actresses that eclipsed Taylor as the 60s wore on.  In my opinion she never appeared in anything half as interesting as Taylor's better movies, but she was very beautiful and the public is always fickle.

The Premise: A young Scotsman tries to impress a girl by buying a Bentley he's unable to drive.

Overall: It's not a movie you're likely to remember, and its zany brand of humor hasn't aged well, but it passes by pleasantly enough.


6. Thunder Alley (1967)

"Track tramps!"  They're a problem!

And is it fair to call Fabian "Elvis Lite?"  I could be wrong, but I feel like just a few years earlier Elvis would have starred in this movie.  Same look, same breezy charm.  The script would have been a little risqué for The King, but of course The Colonel could have demanded rewrites.

The Premise: A NASCAR driver accused of recklessness finds redemption in the stock car circuit.

Overall: Annette Funicello is super cute, and Fabian is an engaging lead.  The surprising thing about this movie (if you'll excuse the pun) is how racy some of the scenes are.  That party seems to be headed toward orgy town, and some of interactions between male and female characters were definitely pushing boundaries.


7. Stolen Hours (a.k.a. "Summer Flight") (1963)

Susan Hayward was in a lot of good movies.  Was she in any bad movies?  Maybe, but I haven't seen any of them... yet.

The Premise: A doctor becomes romantically involved with a terminally ill patient.

Overall: The ending is... abrupt, but aside from that it's a good movie.  My one complaint is the score, which sometimes overwhelms what's happening onscreen.

Ironic Fact: Susan Hayward herself died under similar circumstances.  Would that be dramatic irony or literal irony?  I'll let you be the judge.


8. Press for Time (1966)

The Premise: The Prime Minister's incompetent grandson goes to work for a newspaper.

Overall: Agonizingly unfunny British comedy.  This one has aged even worse than The Fast Lady above.



This one hits completely differently in 2025.  Trump, the discussions of the Constitution, conspiracies... it's hard not to reflect on how far short we've fallen (in some respects at least) of the ideals expressed by various characters in this film.

The Premise: Kirk Douglas uncovers a conspiracy which threatens to unseat an unpopular President.

Overall: One of the best political thrillers I've ever seen.  Kirk Douglas and Burt Lancaster deliver fantastic performances, and director John Frankenheimer manages to juggle a lot of plot points within the film's two hour run time.  The military jargon used in the opening scenes may test some viewers' patience, but after that point this movie hits the ground running.

Hats off to Rod Serling's screenplay.  That in itself was a major accomplishment.

Fun Fact 1: This film is, to some extent at least, science fiction.  The videoconferencing technology seen in the film wasn't used in the White House at the time, and there are indications in the movie that it could be set as late as 1986.

Fun Fact 2: John F. Kennedy, who was assassinated halfway through the production of this film, to some extent facilitating filming of the White House.  He was a big fan of the book upon which Seven Days in May was based.



I often get Connie Stevens and Debbie Reynolds confused.  It doesn't help that one of them was Carrie Fisher's actual mother while the other was her stepmother.

The Premise: A young woman spends a week in her magician father's house in accordance with his will.

Overall: This movie doesn't know what it wants to be.  At times it feels like a love story, at other times it feels like a horror picture.  Connie Stevens and Dean Jones had mountains of chemistry, but the more interesting scenes they share are overshadowed by repetitious horror cliches punctuated by Stevens' incessant screaming.

It feels like they had the ending worked out before they really had a story to get them there.


11. The Wizard of Mars (a.k.a. "Horrors of the Red Planet") (1965)

The Premise: Four astronauts crash land on Mars.

Overall: An incredibly dull movie with one of the most head scratching endings ever.  According to Wikipedia it was based on The Wizard of Oz, but... why?


12. The 7th Dawn (1964)

The Premise: Three comrades at arms find themselves at odds over the future of colonial Malaysia.

Overall: A good movie.  The love triangle subplot reminded me a bit of Graham Greene's novel The Quiet American.

Fun Fact: There are some Bond connections here.  Maurice Binder also created the iconic title sequences for the early 007 films, director Lewis Gilbert also directed You Only Live Twice, The Spy Who Loved Me and Moonraker, and Tetsuro Tanaka played "Tiger Tanaka" in You Only Live Twice.


13. Cyborg 2087 (1966)

Shades of T2, and I'm not the first to make the comparison.  In times past I've pointed out the uncomfortable similarities between James Cameron's Avatar and the novel The Jesus Incident.  In this case, however, I think the similarities are coincidental.

The Premise: A cyborg is sent back to the year 1966 to warn a scientist about the ultimate outcome of his "radio telepathy" invention.

Overall: The budget was small and they were in a big hurry.  So bad it's actually pretty good.

Fun Fact: Actor Michael Rennie also played "Klaatu" in the original The Day the Earth Stood Still.


14. The Old Dark House (1963)

The Premise: An American car salesman living in England is entangled in his deceased friend's family drama.

Overall: Humor is a very generational thing, and I won't judge this movie too harshly in terms of whether it is or isn't funny.  The lead, Tom Postman, might be recognizable from his many, many TV appearances.



The Premise: A criminal organization steals a death ray.

Overall: Fans of Danger: Diabolik will be all over this one.  Italian-made, 007-style espionage cartoonishness.



The Premise: A woman encounters supernatural beings following a car accident.

Overall: Well directed and well acted.  A very surprising movie, in that I was expecting run of the mill horror.  As it turns out there's an inventive side to this film that I really enjoyed.


17. Nurses for Sale (1968)*

The Premise: A German boat captain rescues a group of nurses taken hostage in South America.

Overall: By turns comedic, by turns lewd, by turns dramatic, this one's very... German I suppose?  I haven't seen many "lighter" German movies, but I'm guessing this one falls into that bracket.  It's actually not bad, though it'll have you scratching your head at times.

Fun Fact: Curt (Curd) Jurgens, the star of this movie, also played the villain in 1977's The Spy Who Loved Me.


18. Paris Blues (1961)

Martin Ritt directed a lot of good movies.  He was nominated for many awards and directed many of Hollywood's biggest stars.  My favorite of his films is probably Norma Rae.

The Premise: Two jazz musicians fall in love with two tourists in Paris.

Overall: It's an undeniably good film, but it could have done without the drug addiction subplot.  I get that they thought it would make Paul Newman's character more sympathetic, but the movie really didn't need that.

Besides this minor flaw it's a lot of fun to see Paul Newman and Sidney Poitier in a film together.  They're both great in their respective roles, with Newman exerting an arrogant charm and Poitier playing a man at odds with his country.

Fun Fact: In the original draft of the screenplay Newman ended up with Diahann Carroll's character, while Poitier ended up with Joanne Woodward.  The studio feared this interracial aspect of the story would cause controversy, and demanded script changes at the last minute.



Sharon Tate's last movie before her murder at the hands of the Manson Family the same year.

The Premise: An Italian immigrant and an American woman living in the UK search for a chair in which a vast fortune is hidden.

Overall: A truly bad movie, and not enjoyably so.  The whole thing feels very random, as if they made up certain scenes on the spot and didn't bother to think about a larger continuity.


20. Ski Troop Attack (1960)

The Premise: It's 1944.  Ski troop(s), attack!

Overall: This one's a Roger Corman picture, so you probably know what time it is: low budget, filmed in a very short time frame, etc., etc., etc.  And no, none of the people in the cast or crew went on to become famous.

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*The release dates for this one vary.  Some say 1966, others say 1968, others say 1971.  A lot of it is composed of archival footage, so the release date is debatable.

2025年1月11日 星期六

"The Hundred Years' War on Palestine" by Rashid Khalidi (2020)


"In the third paragraph of the Mandate's preamble, the Jewish people, and only the Jewish people, are described as having a historic connection to Palestine.  In the eyes of the drafters, the entire two-thousand-year old built environment of the country with its villages, shrines, castles, mosques, churches and monuments dating to the Ottoman, Mameluke, Ayyubid, Crusader, Abbasid, Umayyad, Byzantine, and earlier periods belonged to no people at all, or only to amorphous religious groups."

Rashid Khalidi is the Professor of Modern Arab Studies at Columbia University.  His family is from Palestine and he has written many books on the subject of Arab-Israeli relations.

The Hundred Years' War on Palestine covers some very thorny issues, so I'm a bit unsure of how to synopsize it properly.  I'm also not that well-versed in the present and historical contexts involved, and I have to say that I'm a bit ignorant when it comes to modern Arab history.  I'm fairly solid up to the establishment of the first Caliphate, but after that my knowledge of the time periods discussed veers away from the Middle East.  I've read the Quran in English translation, and like anybody else I've watched the news, but I had to take many of the finer points discussed in this book on faith.

To make a decades-long story short, around the end of World War 1 Britain collaborated with members of the Jewish diaspora to create what would eventually become the state of Israel.  This new state was at the outset a colonial venture, in that most of the Jews settling in the new state had only a tenuous, religious and/or historical connection to the land to which they were relocating, and their settlement in what was then Palestine took place with little consideration for the Arab population that was already living there.

As years passed attitudes hardened.  The new Israeli government took an increasingly hard line with their Palestinian neighbors, and an ever larger number of these Palestinians were displaced to settlement camps in the West Bank, Lebanon, and elsewhere.  The Israelis, possessing one of the the world's largest military forces, pursued military methods in their treatment of the Palestinians, with the result that uprisings and acts of terrorism became the Palestinian's only recourse with regard to voicing grievances against the expansive, ethnic nationalist policy put into action on the Israeli side.

Fast forward to 2025, and now Israel is contending with Hamas, a spinoff of the Muslim Brotherhood founded in Egypt.  Radicalized Palestinians, stripped of their land through a multitude of illegal maneuvers, have less and less to lose as the nation of Israel attempts to grind them into nonexistence, and the Israelis, for their part, have less and less reason to engage in negotiations with a hostile group on the other side of their borders.

Both sides, in other words, have backed or been backed into corners, and opening dialogues between them has been a problem for Israel, Palestine and the rest of the world for as long as most living can remember.

All of the above, I should state, accords with the author's point of view.  There may well be an Israeli side to this argument, but I haven't read it yet.  I will say that Rashid Khalidi's account is extremely well-researched and extremely well-informed, and I could find no fault with it in terms of my own understanding of the region.  It was a little too anecdotal for my taste, but I can't fault the author's scholarship and his grasp of large, complicated issues.

I suppose I have some further reading to do.  Perhaps I can grab a book on this topic from an Israeli source next time.

I'll tell you one thing though, the photographs in this book will make you grateful for whatever you have and however long you've had it.  Gazing at pictures of what the Israeli army has done to the West Bank will really put things in perspective.  Got a flat tire today?  Spilled some coffee on your new pants?  Don't worry about it -- at least you didn't have to climb over rubble to get to work this morning.

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2025年1月2日 星期四

"The Grace of Kings" by Ken Liu (2015)


"Queen Gin has always argued that if one goes to war, one should do all one can to win.  A knife is not malicious merely because it is sharp, and a plot is not evil merely because it is effective.  All depends on the wielder.  The grace of kings is not the same as the morals governing individuals."

Ken Liu's short story collection was reviewed here some time ago.  He's best known as the translator of Cixin Liu's (no relation) novels and short stories.  The Grace of Kings is the first book in his Dandelion Dynasty series, of which four books have been published so far.  He was born in China but grew up in Connecticut.

The Grace of Kings follows the exploits of Kuni Garu, a clever man who rises to a career in politics after the empire of Xana disintegrates.  As Kuni's legend grows, he is opposed by Mata Zyndu, an imposing figure bent on conquest.  Mata and Kuni's disagreements over the nature of honor and the value of tradition frame this saga of empires, with both men slowly coming to new understandings of how their collective history shapes their present day.

While reading this book three other works of fantasy came to mind, these being The Lord of the Rings, George R. R. Martin's Game of Thrones and the type of Chinese wuxia novel Ken Liu was channeling when he wrote The Grace of Kings.

Tolkien's books are, like Game of Thrones, one of the pillars of the fantasy genre.  They are books heavily reliant on the Icelandic sagas which Tolkien studied before writing his famous trilogy, and more than anything they are products of language, of the fusion of modern English, Middle English, German and the shared pre-Christian history of northern Europe.  Tolkien wasn't just fascinated with these subjects, he was steeped in them, and these interests produced the lyrical, highly poetic work that has proved an inexhaustible source of inspiration to so many who followed in his wake.

The Grace of Kings, as you might imagine, dabbles in the same kind of linguistic myth-making, but to a far less satisfying degree.  I wouldn't, however, blame the author too much for this.  At this point in time it's just part of the genre.  His digressions into "classical Ano" fall short of the mark, but they can be ignored at the reader's discretion.

George R. R. Martin's Game of Thrones, to the delight of readers and viewers alike, offered a morally ambiguous take on fantasy tropes.  In this respect Martin was imparting more Medieval history and less Medieval literature into his novels, and the results, dragons and zombies aside, feel a lot more immediate than what Tolkien was doing.  It's to some extent easier to see ourselves in Martin's novels, even if we're not always comfortable with what we're seeing.

The Grace of Kings embraces this same kind of moral ambiguity, but here the weakness of its attempts at characterization impair the reader's enjoyment of the moral dilemmas present in the story.  For all of the ambiguous moments to matter we have to care about the people experiencing them, and The Grace of Kings never really makes us do so.  Ken Liu does a decent job with the two "heroes" of his story, but despite the size and scope of his tale he never manages to give us a feeling of who the other people in this story are, and why they're doing what they're doing.

Which leads me to what is, I think, one of the more unfortunate choices in this book.  About halfway through two of the characters decide, almost completely out of the blue, to give polyamory a try, and this "modern," "enlightened" decision seems so out of step with the times in which they live that it takes you almost completely out of the book.  Likewise a woman sacrificing herself and her reputation for the sake of her people falls just as flat.  The sentiment she expresses in that moment, valid as it might be, seems out of step with both the times in which she lives and the person she's supposed to be, and claiming that a deity informed her choice only makes this choice less compelling.

Lastly, there is the Chinese wuxia genre to consider.  I haven't read much of this genre, but I am well enough acquainted with it to say that yes, wuxia is this book's direct ancestor.  The emphasis on naming weapons, feats of strength and military maneuvers are all there, right down to "Marshal Gin" learning strategy through a game that sounds a lot like Go.  Unfortunately The Grace of Kings shares another thing with wuxia novels, and that thing is its paper-thin characterization.  Western readers are probably going to find this aspect of Ken Liu's novel particularly hard to relate to, given the more personal, less objective type of fantasy many of us are used to.

Is The Grace of Kings bad?  I wouldn't say so.  It is in fact the most thoroughly OK fantasy novel I've ever read.  This said, it's also extremely forgettable, and aside from a well-paced scene near the end involving Mata Zyndu there's just not much in The Grace of Kings for those who enjoyed Tolkien's or Martin's more famous works.

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Still More 80s Movies 3



1. Christmas Evil (a.k.a. "You Better Watch Out" and "Terror in Toyland") (1980)

The Premise: Slasher Claus is coming to town.

Overall: It's not a bad movie, but it could have been a lot better.  That scene in the beginning, the killer's relationship with his brother, his fixation on Santa Claus, the ending -- all of these things could have had a lot more impact.  It's hard to tell whether this one was hacked to death in the editing room, if the budget wasn't up to the task, or if those financing the film lacked faith in the film or its audience.  Whatever the case, a reboot of this film could do really well.

Fun Fact: Brandon Maggart, the star of this movie, was also a big star on Broadway.  He's been nominated for many, many awards, and he also happens to be Fiona Apple's father.



The Premise: Four small town vigilantes attempt to avoid their just desserts in the guise of a scarecrow.

Overall: An excellent movie.  There are a lot of great character actors in this one, and their performances bring a concisely written script into focus.

Fun Fact: The director of this made-for-TV film, Frank De Felitta, also wrote the novel upon which 1978's The Entity was based.


3. Secret Admirer (1985)

Back in 85 ten year old me would've been all about Lori Laughlin.  In 2025?  I'd pick Kelly Preston's mom.

The Premise: The good 'ol 80s love triangle.  She's into him but he's into her best friend.  The complication here is the lovers' parents, who engage in their own silliness after an anonymous love letter is circulated between them.

Overall: An extremely forgettable film.  I'm guessing it wasn't played on cable much due to a distinct lack of boobies.

Where Are They Now?: C. Thomas Howell currently appears in the Netflix series Obliterated.  Four years after Secret Admirer he married Rae Dawn Chong (daughter of Tommy Chong!), though they were divorced a year later.

Kelly Preston passed away in 2020.  The last of her movies released during her lifetime was 2018's Gotti, in which she appeared alongside her husband John Travolta.

Lori Laughlin went on to TV's Full House.  She was implicated in a college bribery scandal around 2020, and she still appears on TV in minor roles.


4. Heaven Help Us (1985)

The Premise: Coming of age story set in a Catholic school for boys.

Overall: An engaging movie.  There's a lot of "Where Are They Now?"-type people in this one, so I'll just skip ahead to that part.

Where Are They Now?: Donald Sutherland famously passed away last year.  His last (live action) role was 2023's Miranda's Victim.

John Heard (a.k.a. "Kevin's dad" in Home Alone), that "voice of reason" in so many 80s movies, passed away in 2017.  From the 2000s onward he appeared in a ton of B movies.  His last "big" movie was 2004's White Chicks.

Andrew McCarthy, of Mannequin and Weekend at Bernie's fame, is still doing movies.  Last year he directed the documentary Brats, about the 80s Brat Pack he once belonged to.

Heaven Help Us was Mary Stuart Masterson's second movie.  She still appears in lower budget movies, more recently Five Nights at Freddy's.

Kevin Dillon, brother of Matt, most recently appeared in 2024's ReaganHeaven Help Us was his first feature film.

Fans of 80s horror movies might remember Stephen "Evil Ed" Geoffreys, from classics such as Fright Night and 976-Evil.  He still turns up in the occasional scary movie.

Heaven Help Us was also Patrick Dempsey's first feature film.  He has to some extent given up on acting in favor of racing cars.  In 2023 he appeared in Michael Mann's Ferrari.

You might remember Dana Barron from National Lampoon's Vacation and one of its sequels.  In the 90s she transitioned into TV.

Anyone else remember the TV show Herman's Head?  Yeardley Smith, the voice of Lisa Simpson, is also in Heaven Help Us.  These days she's doing a podcast.



The Premise: Martin Sheen chases the Son of Sam.

Overall: Bad dialogue is in the forefront here, with characters often explaining way, way too much in the midst of what start out as normal conversations.  Was Martin Sheen's career in a bad place in the mid 80s?  I can't think of any other reason why he'd do this decidedly lukewarm TV movie.


6. Pulse (1988)

The Premise: An electromagnetic entity possesses a suburban home.

Overall: It's a bit hard to empathize with the father character, but other than that Pulse is a well written, well acted and well directed horror movie.  My favorite part was the shower scene.

Fun Fact: Future teen heartthrob Joey Lawrence is in this.  ...and what's he up to these days?  Well, as of 2023 he was trying to get a podcast going.



This movie could have used "Evil Ed."  In the absence of that character Charley Brewster is even less interesting than he was in the first installment.

The Premise: Chris Sarandon's vampire has a sister, and she's back for REVENGE.

Overall: There was a lot of forgettable vampire schlock like this toward the end of the 80s, movies that were a far cry from The Lost Boys, Near Dark and the oft-overlooked Lifeforce.  I wasn't a huge fan of the first Fright Night, and this sequel does absolutely nothing with concepts established in the first movie.

Fun Fact: The director of this movie, Tommy Lee Wallace, was one of John Carpenter's close collaborators.  He was the art director on Dark Star and Assault of Precinct 13, co-editor on both Halloween and The Fog, and 2nd unit director on Big Trouble in Little China.

Where Are They Now?: Another Herman's Head connection!  William Ragsdale, who plays Charley Brewster in this movie, would go on to play "Herman" in Herman's Head.  He's still doing movies and TV.


8. One Dark Night (a.k.a. "Entity Force") (1983)

This movie must have freaked out a lot of kids in the early 80s.  It's somewhat tame now, but the corpses piling on, the dead psychic with the lightning eyes -- freaky stuff.

The Premise: A sorority pledge spends a night in a mausoleum.

Overall: It gets way better toward the end.  Not a classic by any stretch of the imagination, but the ending is memorable.

Where Are They Now?: Meg Tilly, sister of Jennifer, still appears in movies and TV, but she's better known as an author.

Adam West, a.k.a. TV's Batman, passed away in 2017.  He was voicing Batman in animated films up to that point.


9. Little Darlings (1980)

The Premise: Two girls attending a summer camp bet on who'll lose their virginity first.  (And no, it's not porn.)

Overall: An excellent movie.  I didn't really "get" Kristy McNichol until seeing this one, but having seen it, yeah, she was a great actress.  Tatum O'Neal, Ryan O'Neal's daughter, is also good as her sometime friend, sometime adversary.

Where Are They Now?: Tatum O'Neal is still appearing in movies.

Kristy McNichol retired from acting in 2001.  Up to that time she was doing a lot of voice work.

Armand Assante is still around, though his last "big" movie was 2007's American Gangster.

Matt Dillon, brother of Kevin Dillon (above), most recently played Marlon Brando in 2024's Being Maria.


10. The Pit (1981)

The Premise: A weird little kid pushes people into a pit where they're devoured by subterranean humanoids.

Overall: One of the weirder movies I've seen lately.  Don't expect any kind of resolution to anything, but if you're looking for something decidedly odd you might enjoy The Pit.


11. Who Dares Wins (a.k.a. "The Final Option") (1982)

The Premise: An SAS operative infiltrates a terrorist group in the UK.

Overall: Not exactly a Hollywood blockbuster, but it works well enough.  Judy Davis chews a lot of scenery, and the dispute around the banquet table could have been both longer and expanded upon more, but overall it's not bad.  It resembles a British take on The Dirty Dozen at times.

The soundtrack is odd.  Very 70s near the beginning and ending, very 80s in the middle.

Fun Fact: Ian Sharp, the director of this film, also directed the action sequences in GoldenEye.

Where Are They Now?: Judy Davis last appeared in 2021's Nitram.


12. Warrior of the Lost World (a.k.a. "Mad Rider") (1983)

The Premise: Uh... a messiah and his motorcycle?  Beyond that it's a lot of car chases and shooting.

Overall: Memorably bad.  It doesn't make much sense and the low budget is glaringly obvious throughout.

Fun Fact: Persis Khambatta also played "Lieutenant Ilia" in Star Trek: The Motion Picture.  She came to Hollywood via Bollywood.

Where Are They Now?: Donald Pleasence, who plays the villain here, would go on to movies such as Phenomena, Prince of Darkness and Halloween 4: The Return of Michael Myers.  He passed away in 1995.



I despised this movie when I first saw it in the theater.  I couldn't have been older than nine at the time.  My brother and I worshipped the first Conan, and this one felt like a huge letdown.

The Premise: Conan takes a hot princess on a journey to retrieve a magical horn.

Overall: Not nearly as bad as I remember.  Rewatching this as an adult, I kind of get the lighter tone that the studio was going for.  Is it as good as the first one?  Not even close, but at least Grace Jones is good.

Fun Fact 1: Screenwriters Roy Thomas and Gerry Conway were borrowed from Marvel Comics, where they wrote the popular Conan the Barbarian comic book.

Fun Fact 2: The WWF's Andre the Giant plays the giant monster which appears at the end.

Where Are They Now?: Grace Jones is still around.  More recently she provided backing vocals on Beyonce's song "Move" in 2022.

Basketball star Wilt Chamberlain had a long history of heart problems.  He finally succumbed to these heart problems in 1999.

Mako (Iwamatsu) passed away in 2006.  Up to that point he was doing voice work for Samurai Jack and Avatar: The Last Airbender.


14. Savage Dawn (1985)

Lance Henriksen!  He must've filmed this around the same time as Aliens.  We think of "classic films" and often come to the (false) conclusion that the filming of said "classic film" was some momentous event in the lives of its cast members, when it was more likely just another job in a long series of jobs.

The Premise: Yet another biker gang terrorizes yet another small town for the umpteenth time.

Overall: An enjoyably cheesy movie.  The citizens of this small town are so weird and devoid of common sense that you'll be rooting for the biker gang within the first half hour.

Fun Fact 1: Lance Henriksen has described this film as "his most embarrassing movie."

Fun Fact 2: Henriksen's leather jacket has some history.  It was worn by air force personnel serving in the Pacific Theater during World War II.  The flag on the back represents the Republic of China, the Chinese Nationalist government which the Allies were propping up in the face of Japanese Imperial aggression.  This flag serves as the flag of Taiwan to this day.

Fun Fact 3: Sam Kinison (billed her as "Sam Kennison") is in this for a minute.  Keep your eyes peeled during the barber shop scene.

Where Are They Now?: Lance Henriksen is still appearing in horror movies.

George Kennedy (yep, he's in this too!) passed away in 2016.

Karen Black passed away even earlier, in 2013.


15. Off Beat (1986)

The Premise: Judge Reinhold stars as a librarian impersonating a police officer.

Overall: It's a cute movie.  If you enjoyed Ghostbusters (and really, who didn't?) you'll like the New York vibe also present in this movie.  I don't know if this vibe is something New York ever really possessed, but it's a nostalgic, enjoyable thing regardless.

Where Are They Now?: Most recently Judge Reinhold reprised his role from the original Beverly Hills Cop in Beverly Hills Cop: Axel F.  His post-1994 filmography consists of films you've probably never heard of.  I must say, however, that The Santa Clause 2 and its "fascist Santa" is worth a look.

John Turturro went on to much bigger and much better things.  His last "big" movie was 2022's The Batman.

Harvey Keitel appears in this film toward the end.  His last "big" movie was 2019's The Irishman.

Joe Mantegna is mostly doing TV now.

Penn Jillette, remember him?  He's doing a regular show at The Rio in Vegas.  He's done his share of low budget movies and he's an advocate for both atheism and scientific skepticism.


16. The Video Dead (1987)

The Premise: Supernatural entities (zombies?) enter our world via a haunted TV.

Overall: The acting (or lack thereof) in this film is truly something to behold.  And even beyond that I'm not sure if this movie has a plot to speak of.


17. Ghosthouse (a.k.a. "La Casa 3") (1988)

The Premise: A young couple follows a radio transmission to a haunted house.

Overall: Slightly better acting than what's on display in The Video Dead, and they obviously had a bigger budget to work with.  Still not quite good, but in terms of late 80s horror it's OK.  The filmmakers didn't hold back on the gore, and some the scenes involving the doll are genuinely spooky.

Fun Fact: Don't be fooled by the American-sounding names in the credits.  This was an Italian production filmed in Massachusetts.



The Premise: A solicitor settles an old widow's estate in this British TV movie.

Overall: I've heard of "slow boils" but this is ridiculous.  There are some spooky moments, but my patience wore very thin during the second half.

...oh, and if this movie sounds familiar it might be because it was remade in 2012 with Daniel Radcliffe.

Fun Fact: Speaking of Daniel Radcliffe, the star of the original The Woman in Black, Adrian Rawlins, wound up playing Harry Potter's dad in that franchise.


19. Terror Train (1980)

Jamie Lee Curtis!  She appeared in this between Prom Night and Halloween II.

The Premise: A killer stalks college students aboard a train.

Overall: Higher-budget horror.  Definitely not as memorable as other slasher entries from around the same time, but it was professionally made and well thought out.

Fun Fact: Vanity is in this for a while.  It may surprise you to know that she, like many of the cast and crew of this film, was Canadian.



The Premise: A recovering alcoholic squares off against a local drug dealer.

Overall: This movie is a sad thing when you think about where (the great) Hal Ashby was just a few years earlier.  Jeff Bridges does his best with the material, and for what it's worth none other than Oliver Stone co-wrote the script, but certain scenes and aspects of the plot are just plain dumb.  Yeah, it was a sad way to close out Ashby's career.

Fun Fact #1: Many of the scenes in this film were improvised.  The scriptwriter charged with revising the script didn't complete this task until well into filming.

Fun Fact #2: This film has a 0% score on Rotten Tomatoes.

Where Are They Now?: Jeff Bridges is due to appear in Tron: Ares this year.

Rosana Arquette is still appearing in movies, but you probably haven't seen her more recent ones.

Andy Garcia's career is still going strong.  He had smaller parts in both Pain Hustlers and Expend4bles.

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