2026年10月23日 星期五

Thoughts on 1967-1968's Ultraseven 1


By 1967 the creators of the third Ultra series knew what they were about.  This show is a lot more streamlined that the earlier Ultraman, which is either a good or bad depending on why you like these shows.

A negative for me was the relative lack of kookiness.  Sure, Ultraseven retains the kaiju, slow motion martial arts, and vehicular coolness of the preceding series, but a lot of the sillier/more slapstick elements that made Ultraman so much fun are largely absent from Ultraseven.

This said, let's get into it, shall we?



This episode introduces the Ultra Guard, a subdivision within the Terrestrial Defense Force, a planetwide organization which defends the Earth from extraterrestrial threats.

As for the hero, Dan Moroboshi (Hayata and Akiko's son!), there's not a whole lot to say.  He shows up halfway through this episode, turns into Ultraseven, and is later inducted into the Ultra Guard.  His eyes glow a lot, he puts on a pair or ridiculous glasses before his transformation, and that's about it.

One big difference in this series is that our hero has capsule monsters that he can use to fight other kaiju.  These capsule monsters were one of the inspirations for Pokemon much later on.

The theme song is super catchy.  "Seven!  Seven!  Seven!"



Another vampire plant person?  Didn't we do this in Ultraman already?  The producers must have been very attached to the idea.

The vampire person's wife is hot though.  Prone to fits of hysteria, yes, but hot nonetheless.



The Ultra Guard investigates a spacecraft in the mountains and finds a hot girl in a bikini.  Sounds like a win, right?  But no, the hot girl in the bikini is actually another extraterrestrial invader, this one controlling the mighty Eleking from the safety of her spaceship!

I'm 80% sure that the young girl is played by the same actress who played Amazoness in the Japanese Spider-man TV show over ten years later.  I'm not completely sure, but there certainly is a resemblance.



A sub (?) gets transported into the depths of space and Dan somehow loses track of his Ultra Eye yet again.  Dude, put it on a chain or something?

Not entirely sure how Ultraseven manages to bring those stranded sailors/astronauts back through the Earth's atmosphere but whatever.



"Build the wall!"  Some scientist dude accuses Dan (gasp) of being an alien spy, but really HE'S the alien spy!  Dan's all like "WTF?" until he manages to turn the tables on the alien invaders.



This is definitely the most boring episode in both the original series and Ultraseven so far.  It crawls by like a lower grade version of The Twilight Zone or The Outer Limits until reaching an unexciting conclusion.

I'm a bit hazy on the details (I fell asleep halfway through), but Dan and Anne find this weird, shadowy alien in Anne's room, and they're all like: "Is this alien a friend or nah?" until they finally up their minds and end up repelling yet another alien invasion.  I hope the Ultra Guard are eligible for overtime, because protecting the Earth is a more than full time job.



A bit early for a widespread understanding of relative motion, but if they'd only had the stars behind the space station moving it would have looked SO much better.

The most hilarious thing about this episode is that the Ultra Guard never bothers to check the foreign woman for vital signs.  Having passed out after her encounter with the gas-guzzling alien she's just left there, unconscious, before the Ultra Guard leaves to investigate a gunshot nearby.



THIS, my friends, is why they instituted indoor smoking bans.  Not only cigarettes unhealthy, but they can also turn you into rage monsters intent on homicide!

It takes the Ultra Guard quite a while to put two and two together though.  After the gunman mentions smoking just before he loses the plot Dan gets a warning from the aliens to stay away from a particular town.  But what does he do, instead of investigate?  He goes back to headquarters, oblivious to the pack of cigarettes brought back there by his comrade!

"Space opium poppy seeds" sure do sound like a good time though.  Perhaps they work better in a muffin?



One of the weirder ones, but satisfyingly so.

In this episode an evil (probably alien) toymaker plans on using "hypnosis waves" to hypnotize the world's children, and Dan Moroboshi and Co. are tasked with bringing him down.

Androids in the 60s, it must be said, were on average very fragile.  Knock 'em over and that's it.  Super strength or no, bye bye android!

My favorite part of this episode was the glimpse at a 60s-era Japanese department store.  Such a glimpse is also present in one of the earlier Ultraman episodes where the Space Patrol meets a friendly monster.  It's always fun to see what people were buying back then.



Like episode 9 this is another of the weirder ones.  It feels a lot like something salvaged from the much earlier Ultra Q series.

Dan gets trapped in the fourth dimension by an adversary operating out of that extra dimensional space.  But hey, you might be asking, isn't the fourth dimension time?  No, my friends, not according to Ultraseven.  Through this episode we glimpse a netherworld full of balloons and long green ropey things, where Dan's powers are rendered useless and time moves much slower.

Not to worry, however, it all works out in the end.  This conclusion goes on to exhort us to keep an eye on our neighbors, because you never know where alien threats will manifest themselves.



Who the hell are these ridiculous Japanese cowboys living around Demon Mountain?  Where did they pick up those outfits, and why do they inflict those outfits on the rest of humankind?

And oh yeah, plot twist: Dan gets KILLED in this one, not long after the snakey, dragoney thing rather conveniently crashes on Demon Mountain.  Not to worry though, he comes back to life in the end.


12. Episode 12: From Another Planet with Love

This episode isn't available on YouTube.



This one's a real snoozefest.  I think they were going for Cold War paranoia but failed to pull it off.

The kaiju at the end is kind of fun though, something of a rehash of the starfish thing seen in the earlier Ultraman series.



Shape shifting aliens cause a ruckus after killing and/or impersonating several TDF scientists.  And to top it all off they have a robot capable of beating Ultraseven!

Given human history I can understand the Pedan's point.  We have tendency to offer "friendship" as a way of acquiring resources.  She's probably also right about that "exploratory rocket."  The human scientists probably had ulterior motives for sending it to their planet.

...not that the Ultra Guard spends much time pondering this topic.  They exhaust most of the second episode developing a super weapon to destroy the robot.



New title sequence!  Looks better than the sand settling effect used in the earlier episodes.

In this one a boy befriends an alien distrustful of humanity's motivations.  This alien, like the earlier Pedan (civilization), has a point.  This episode is unusual in that Ultraseven actually reasons with the alien following their initial battle, the alien deciding to go home of its own accord after that point.

Gotta wonder, however, at the inconvenience of living in Ultraseven's future.  They're regularly visited by aliens, but they're also using, for the most part, technology available to people during World War II.  How irritating would be it be to occupy a galaxies-spanning civilization that still communicates via radio waves?



Probably one of the "key episodes" if you're into this kind of thing.  In this one Ultraseven is tasked with rescuing his "doppleganger" from a mine cave-in, this doppleganger being the person he modeled his human form after once he'd arrived on Earth.

But didn't he state in the first episode that he was the son of Hayata and Akiko from the first series?  And if so, wouldn't he have had a human form already?

Mysteries within mysteries, riddles inside enigmas.  I doubt an explanation be forthcoming.  I'll just have to accept it and move on?

Related Entries:

2026年10月19日 星期一

"Batman: Year 100" by Paul Pope and Others (2006)


This graphic novel is set in the year 2039, one hundred years after Batman's first appearance.  Exactly how is Batman so spry at the ripe old age of 100+ years old?  I have no idea - the comic book doesn't say.

It's very well written though.  For the most part it's a detective story set in a future Gotham police state.  The Batman which appears in this police state is a figure forgotten by his city, and as such he's an enigma to those in power.

And as I type those words I realize that they sound a lot like a description of Frank Miller's much earlier Dark Knight Returns, but I think Paul Pope manages to put his own, unique spin on the idea of Libertarian Batman.  His art style also suits the subject matter, even if his way of rendering the character veers far from traditional depictions.

Appended to the end of this graphic novel is also a "Berlin Batman" story that I liked a lot.  What if Batman was born a Jew in Nazi Germany?  This story is more a question posed than a question answered, but it's an intriguing question nonetheless.

This Elseworlds series won two Eisner awards and I think it deserved both.  I wouldn't call it revolutionary in the way a few other Batman stories have revolutionized the medium, but it's still very good and I recommend it.

Related Entries:

"The New Gods" by Ram V, Evan Cagle and Others (2024)


Sometime (somewhere?) within DC continuity Darkseid dies - or is killed, I'm not exactly sure which - and in the literal and figurative vacuum left by his demise a new race of alien conquerors threatens New Genesis and its host of godlike denizens.

I was intrigued by the idea of this one.  I figured that Ram V, a newer, Indian comic book writer and Eisner award-winner, would bring some of his own culture into the story, and the result might be something resembling the Mahabharata or other Indian/Hindu epics of antiquity.

Is it?  Does it?  Yeah, in a sense it does, but it doesn't go far enough toward that extreme.  This take on Jack Kirby's famous Fourth World more resembles Jason Aaron's run on Thor, and lacks the philosophical/existential weight I was hoping for.  To make matters worse, the Justice League (somewhat inevitably) shows up near the end of the first volume, and from that point on the New Gods are more like supporting characters in their own story.

Darkseid?  He'll be back at some point, if he's not back already.  He's one of DC's most famous villains after all, and he can only remain on the shelf so long before someone decides to use him again.

The art in this series is good, but the narrative's very thin.  I liked the way the writer used Orion, but this take on the New Gods isn't the head trip I was hoping it would be.  It's a step in the right direction, but not a step far enough.  We needed to venture further out into the cosmos in this story; we needed to unmask reality and wonder at the majesty of creation.

Related Entries:


NOTE: The death of Darkseid triggered the in-continuity creation of the Absolute Universe, and is used to account for this universe's darker tone.

2026年10月15日 星期四

"Abbadon's Gate" by James S.A. Corey (2013)


"'If your next word is 'sorry,' ' he said, 'I'm going to hop over there and kick your ass.'"

Abaddon's Gate is the third book in S.A. Corey's The Expanse series.  The first two books in this series, Leviathan Wakes and Caliban's War have also been reviewed here.

Abaddon's Gate picks up where Caliban's War left off, with James Holden and Co. working odd jobs aboard their ship the Rocinante.  Free of his former association with the OPA and looking forward to profitable ventures in the near future, Holden yet again finds himself caught up in interplanetary politics after the Protomolecule creates a wormhole on the other side of the solar system.

I liked the beginning and end of this book, but the middle section was a real slog for me.  Unlike the first two installments in S.A. Corey's sprawling series could have been a lot shorter.

I did, however, enjoy the inclusion of Anna, a new character who adds a religious dimension to humanity's encounter with the unknown.  I think she poses some interesting questions throughout the book, even if some of the characters' attitudes toward her seem a little too charitable at times.

Is Abaddon's Gate terrible?  No, I wouldn't say that it is, but it's certainly not as good as the first two books and it effectively put me off reading the rest of the series.  It could be that Abaddon's Gate is the "Children of Dune part" of The Expanse series, and that the following books are better, but I'm in no hurry to find out whether or not this is the case.

Related Entries:

2026年9月22日 星期二

"Exhalation" by Ted Chiang (2019)


"Tibo is one of the oldest digients aside from the mascots, owned by a beta tester named Carlton.  He suspended Tibo about a month ago; Ana's glad to see that it wasn't permanent.  As the digients chatter, she walks her avatar over to Carlton's and talks with him; he explains that he just needed a break and now is feeling ready to give Tibo the attention he's been demanding."

Ted Chiang's bibliography consists of two short story collections: this one and Stories of Your Life and Others.  One of the stories in Stories of Your Life and Others was adapted into the movie Arrival.  He lives near Seattle in the state of Washington.

Exhalation collects nine stories and an afterword.  What follows is a synopsis of each story.

1. The Merchant and the Alchemist's Gate

A (very) observant Muslim stumbles upon a gateway to the past and future in the back of an alchemist's shop.

This story reminded me of Stanislaw Lem.  I liked both its historical setting and its sense of whimsy.

2. Exhalation

This story's a little tough to explain, but it involves lifeforms which operate on "air" living in an enclosed space.

It was my favorite story here by far.  Very weird but satisfyingly so.

3. What's Expected of Us

A story too brief to leave much of an impression, this one involves a gadget which challenges people's conceptions of their own free will.

4. The Lifecycle of Software Objects

It's the near future, and several tech industry types develop maternal (or paternal) feelings for the versions of AI in their charge.  This story brought Greg Egan's Permutation City to mind, though it lacked the resounding ending of that novel.

5. Dacey's Patent Automatic Nanny

An eminent Victorian develops an automated replacement for nannies.  In my opinion this is the weakest story here, and it would have benefitted from a venture into still darker territory.  As it is it's neither jokey enough nor disturbing enough to elicit much feeling on the reader's part.

6. The Truth of Fact, the Truth of Feeling

An exploration of memory's role in human relationships.  I liked the juxtaposition of the advent of writing in a small village and a father's reevaluation of his relationship with his daughter.  This tale makes a nice point about the accuracy (or inaccuracy) of memories and how this (in)accuracy is often self-serving.

7. The Great Silence

Endangered parrots and the possibility of life beyond Earth.  It tries to pull at the heartstrings but leaves you feeling annoyed with the parrots.

8. Omphalos

An archaeologist living in a world where Darwin never formulated his famous theory confronts some disturbing facts.  I liked this one a lot.

9. Anxiety is the Dizziness of Freedom

The last story here.  In a world where people are in constant contact with "paraselves" living in parallel universes, a recovering drug addict tries to get ahead.  It works well enough, but I think the point it tries to make about free will and character is a bit labored.

10. Story Notes

This section should have been left out.  It's not usually a good thing when an author explains what his/her/their stories are about and why.  Let the reader decide that.  Some of his asides are mildly interesting, but overall this section felt like padding.

On the whole I enjoyed this book and found it to be an easy read.  Ted Chiang is certainly one of the best science fiction writers working today, and I can't help but wonder if he'll ever sit down and write a novel to truly cement his reputation.

Related Entries:

2026年9月10日 星期四

"Stand on Zanzibar" by John Brunner (1968)


"The display that had caught their attention was of genetically moulded pets.  Processes that already worked well with viruses and bacteria had been applied to their germ-plasm, but on this more complex level the side-effects were excessively random; each pet on show probably stood proxy for five hundred that never left the lab.  Even so, the solemn, over-sized bushbaby in the window looked miserably unhappy for all the splendour of its purple pelt, and the litter of bright-red Chihuahua pups below staggered continually as though on the verge of epilepsy."

John Brunner was a British science fiction author.  His best known work is this one, Stand on Zanzibar, for which he won the Hugo for Best Novel in 1969.  According to many accounts he was a rather difficult person to work with, and towards the end of his life his deteriorating personal relationships were at least partly to blame for the majority of his books going out of print.

A note on the title: this book has absolutely nothing to do with Zanzibar.  In Brunner's time there was an adage that every person on Earth, if gathered together, would fit on the island of Zanzibar.  As Stand on Zanzibar is set in what was (for the author at least) the distant future, the Earth is even more overpopulated than it was in 1968.  The novel's title thus refers to the fact that in the book's "distant future" all of the Earth's people couldn't fit on the island of Zanzibar, and that this is why population controls were enacted.

This book is one of those "important" things like Gravity's Rainbow or Infinite Jest that certain, "more literate" people think you should read.  On this front they point to the novel's prescient aspects, given that some of the things Brunner postulates as existing in the future have actually come to be to some extent.  I can't give him too many points for his predictions, however, as I think the similarities between the world of Stand on Zanzibar and our own present day are merely lucky guesses.  This book's predictive capacity also pales in comparison with some other novels in the same genre, written around the same time.

Its plot is somewhat hard to explain.  The author even calls it a "non novel" at the book's close.  It has characters, and these characters do things, but there's no real overarching narrative here, at least not a narrative with any kind of conclusion.  People pop in and out of the story, many of them meeting grisly ends, but none of them are very likeable or easy to relate to, and even fewer of them have character arcs that sustain themselves for any length of time.

What plot this book has mostly centers around Donald and Norman, two roommates living in New York.  Norman is an executive at a firm managing the world's smartest computer.  Donald works as something called a "synthesist," someone who synthesizes various branches of human knowledge.  They aren't really friends and they aren't really adversaries.  They just kind of are.

In the course of the story Norman is drawn to the African nation of Beninia, an impoverished state whose people share a peculiarly nonviolent nature.  Donald, on the other hand, is drawn to the Pacific island of Yatakang, where a project to create a race of supermen is well underway.  The fates of both Beninia and Yatakang are underpinned by an understanding of genetics, and it is through Donald's and Norman's drive to understand these genetic factors that they become enmeshed in the local politics of their respective countries.

It's a lot to take in, and I don't think it amounts to much.  The "ending" of this book is particularly frustrating, as it's something of a cop-out involving pheromones and a geneticist unable to continue his work.  Another mark against Stand on Zanzibar is the fact that no one really comes off better or worse at the end of this novel, and that the only character that really develops is the book's AI, Shalmaneser, which doesn't feature in that much of the story.

I wouldn't recommend Stand on Zanzibar.  Certain prognosticators might stroke themselves over it, but I don't think there's much here for those uninterested in confirming their own biases.  In terms of science fiction novels that anticipate the future I think you'd be better served by Arthur C. Clarke's novels, or by some of Isaac Asimov's earlier works.

Related Entries: