2022年4月28日 星期四

"2312" by Kim Stanley Robinson (2013)


"She turned away, face scrunched in a knot.  In their final transmissions, cameras and AIs left behind in... had recorded the city igniting in the sunlight -- burning, melting, exploding, and so forth, until the recording instruments had failed.  It had not been a general inferno but rather a patchwork of smaller fires, starting at different times.  Some heat-resistant AIs were still transmitting data, documenting what happened as everything heated to seven hundred K.  A collage of all those images gave a good impression of the incineration, though it seemed pretty clear that Swan would not want to see it."

Kim Stanley Robinson is an American writer of science fiction living in California.  He's won the Hugo, Nebula and Locus awards, and has written over twenty books.  While not writing science fiction, he champions various environmental causes.  His most famous works are The Mars Trilogy, which form a kind of prequel to 2312.

In the year in which this novel takes place, Swan Er Hong, a well known artist in residence on Mercury, discovers that a close acquaintance has died under mysterious circumstances.  This death leads Swan to a mysterious message, and after delivering this message she finds herself involved in a police investigation which spans the solar system.

2312 is, in other words, another detective story set in space.  The author, a man well versed in scientific concepts, punctuates this detective story with discussions of life on different worlds, with meditations on an increasingly gender-fluid society, and with speculations on what it means to be human in the presence of artificial intelligences and life extending technologies.  It's nothing that writers like Asimov and Clarke haven't done before, though 2312 does offer a more modern insight into what the future might hold, both bad and good.

In science fiction there has been a longstanding division between the "hard" and "soft" varieties of the genre.  An example of hard science fiction would be a novel like Permutation City, in which an understanding of virtual reality is essential to both a comprehension of the story and its resolution.  An example of soft science fiction is - I hate to say it - a novel like Dune, in which a scientific understanding of the world isn't necessary to the story.  Both Permutation City and Dune are good books, but in one a scientific understanding of the world is essential, and the other could have been written at any time between its actual date of publication and the Abbasid Caliphate.

This said, 2312 would, I think, fall firmly into the realm of soft science fiction.  You could skip over almost all of the scientific stuff in this book and its plot would still make sense.  This plot also isn't resolved through any technological process, or with an understanding of any scientific concepts.  The authorities clamp down on the perpetrators, some characters go off to brighter futures, and some characters face punishment.  That's it.  Quantum mechanics plays into how the artificial intelligences work, but you need not understand what the author means by "decoherence" to grasp that the thinking machines are a concern for those in power.  The way in which a city meets its end is also dependent on orbital mechanics to some extent, but I'm guessing that more than one reader skimmed over this part of the book.

But the above is far from a damning criticism of 2312.  It is in fact not a criticism at all.  Science fiction doesn't always need to be science-y to be effective, and sometimes a detour into the world of robots and rocketships is enough.  It is fiction after all, and a good story's the most important thing.  2312 definitely has a good story, alongside some excellent characterization to boot.

The part about the artificial intelligences?  Not really resolved or explained to anyone's satisfaction, but the ending is upbeat and it'll put a smile on your face.

I look forward to reading the author's Mars Trilogy this summer.  Hopefully I can track down copies in a local bookstore.

Related Entries:

2022年4月21日 星期四

Movies of the Early 1970s, Ranked in the Order I Enjoyed Them


The movies below are ranked in the order I enjoyed them.  The ones I enjoyed most are near the top, and the ones I enjoyed least are at the bottom.  Sometimes I like "bad" movies.  Sometimes I find "good" movies to be less than good.  Don't be surprised to find "bad" movies ranked higher than many "good" movies in this list.

The Devils (71)
Hearts and Minds (74)
Johnny Got His Gun (71)
Performance (70)
The Abominable Dr. Phibes (71)
Beyond the Valley of the Dolls (70)
Wake in Fright (71)
Roma (72)
Catch-22 (70)
Vanishing Point (71)
Scarecrow (73)
The Wicker Man (73)
Siddhartha (72)
Across 110th Street (72)
What's Up, Doc? (72)
Death in Venice (71)
Diary of a Mad Housewife (70)
Harold and Maude (71)
Two-Lane Blacktop (71)
The Blood on Satan's Claw (71)
Twins of Evil (71)
The Ballad of Cable Hogue (70)
Pat Garrett and Billy the Kid (73)
The Paper Chase (73)
The Taking of Pelham One Two Three (74)
Enter the Dragon (73)
The Brotherhood of the Bell (70)
Patton (70)
Paper Moon (73)
Dr. Phibes Rises Again (72)
Pets (73)
Walkabout (71)
Five Easy Pieces (70)
World on a Wire Part 2 (73)
Flesh for Frankenstein (73)
The Legend of the 7 Golden Vampires (74)
Frenzy (72)
Mark of the Devil (70)
The Day of the Jackal (73)
Black Christmas (74)
Get Carter (71)
The Other (72)
The Friends of Eddie Coyle (73)
Mona the Virgin Nymph (70)
Red Sun (71)
Waterloo (70)
10 Rillington Place (71)
White Lightning (73)
Touki Bouki (73)
Soylent Green (73)
Killdozer (74)
Lady Snowblood (73)
The Dunwich Horror (70)
My Name is Nobody (73)
The Bird with the Crystal Plumage (70)
Theatre of Blood (73)
Arabian Nights (74)
Pastoral Hide and Seek (74)
Death Wish (74)
It's Alive (74)
All Fear Eats the Soul (74)
Sisters (72)
Le Cercle Rouge (70)
Bed and Board (70)
Blacula (72)
Twinky (70)
Lancelot du Lac (74)
The Night Porter (74)
Pretty Maids All in a Row (71)
The Heartbreak Kid (72)
Zabriskie Point (70)
The Big Boss (71)
Horror Express (72)
Clickety Clack (70)
Your Vice is a Locked Room and Only I Have the Key (72)
Mean Streets (73)
Even Dwarfs Started Small (70)
Santa Claus is Coming to Town (70)
The Private Life of Sherlock Holmes (70)
The Hellstrom Chronicle (71)
They Call Me MISTER Tibbs! (70)
A Swedish Love Story (70)
Willy Wonka and the Chocolate Factory (71)
Valerie and Her Week of Wonders (70)
Fat City (72)
The Cowboys (72)
Avanti! (72)
Darker Than Amber (70)
The Last of Sheila (73)
The Hunting Party (71)
Flesh Gordon (74)
The Getaway (72)
A Charlie Brown Thanksgiving (73)
And Now for Something Completely Different (71)
Captain Kronos - Vampire Hunter (74)
Scream, Blacula, Scream (73)
Bedknobs and Broomsticks (71)
The Golden Voyage of Sinbad (73)
The Island at the Top of the World (74)
The Marseille Contract (74)
Fiddler on the Roof (71)
Mr. Majestyk (74)
Robin Hood (73)
The Hot Rock (72)
The Mechanic (72)
Cromwell (70)
The Great Gatsby (74)
The Life and Times of Grizzly Adams (74)
Mes Petites Amoureuses (74)
Emmanuelle (74)
The Trial of Billy Jack (74)
Slap the Monster on Page One (72)
Duck, You Sucker! (71)
The Harder They Come (72)
Coffy (73)
The Year Without Santa Claus (74)
The Front Page (74)
Animals are Beautiful People (74)
Dark Star (74)
Thriller: A Cruel Picture (74)
Bloodsuckers (70)
Angels Die Hard (70)
Sweet Movie (74)
The Train Robbers (73)
Kelly's Heroes (70)
The Organization (71)
Emperor of the North Pole (73)
Battle for the Planet of the Apes (73)
Charley Varrick (73)
Walking Tall (73)
Throw Away Your Books, Rally in the Streets (71)
Dracula A.D. 1972 (72)
Start the Revolution Without Me (70)
The Odessa File (74)
Play It As It Lays (72)
Blood Orgy (72)
The Magnificent Seven Deadly Sins (71)
Dirty Mary Crazy Larry (74)
Buck and the Preacher (72)
Trinity is Still My Name (71)
Heavy Traffic (73)
The Mad Adventures of Rabbi Jacob (73)
Solaris (72)
Please Sir! (71)
1776 (72)
Girls are for Loving (73)
The Abductors (72)
F is for Fake (73)
Sleuth (72)
Play It Again, Sam (72)
Richard Pryor: Live & Smokin' (71)
The Last House on the Left (72)

Related Entries:


Note: Check out this list of Rare 70s Movies in Full on YouTube.  I can't say it's all good, but it's an interesting detour through the decade.

Some Other Movies From 1970 (2)


For further background on the year in film, please visit the Some Other Movies From 1970 entry.

The following things happened in 1970:
  • An earthquake struck China, killing 14,621 people.
  • The NFL was formed after the merger of the American Football League and the National Football League.
  • The Chicago Seven were found not guilty of inciting a riot at the Democratic National Convention.
  • The Nuclear Non-Proliferation Treaty went into effect.
  • Four students were killed by national guardsmen at Kent State University.
  • 100,000 people demonstrated against the Vietnam War in Washington D.C.
  • The Isle of Wight Festival took place in England.
  • The Ford Pinto and the Chevrolet Vega were introduced.
  • Jimi Hendrix and Janis Joplin died.
  • The Khmer Republic was declared in Cambodia, leading to an escalation of the Cambodian Civil War.
Linked entries can be viewed in their entirety on YouTube.


Excellent

1. Performance

OK, David Bowie in The Man Who Fell to Earth makes a lot more sense now.  His buddy Mick Jagger had already been there in Performance.

And FUCK this movie's weird.  Aside from the unconventional sound design, it starts off in a fairly formulaic manner, thereafter progressing into a bizarre cat and mouse game between a gangster (James Fox) and a worldly artist (Jagger).  Mushrooms are consumed, roles are reversed, and chaos ensues.  It's a disorienting mashup of gangster film and acid trip, and it works really well.

Fun Fact 1: James Fox look familiar?  Let's just say 1970 was a long time ago.  He's still in movies.  He played Veruca Salt's father in 2005's Charlie and the Chocolate Factory.

Fun Fact 2: Nicholas Roeg co-directed this with Donald Cammell.  Roeg would go on to direct The Man Who Fell to Earth in 1976.

Fun Fact 3: Roeg's co-director Donald Cammell would go on to direct Demon Seed in 1977.  Demon Seed is another movie that could have only come from the 70s.

2. Catch-22

Not only does this movie capture the tragic absurdity present in the novel, but it also expands upon it, fleshing out parts of the narrative that the author (understandably) didn't touch upon.  Alan Arkin stars as Joseph Heller's conscientious objector, with Mike Nichols (who'd go on to helm Silkwood, Postcards from the Edge and The Birdcage) onboard as director.

Fun Fact: At the time Anthony Perkins, star of Psycho, was probably the best known of the cast members.  Other cast members include Norman Fell, Art Garfunkel (!), Charles Grodin, Bob Newhart, Martin Sheen and Jon Voight.  None of these actors were big names at the time, but as the 70s wore on they'd become much better known.


Hats off to Richard Benjamin for doing this movie.  Dude is HATEFUL throughout.

But why is Carrie Snodgress billed below both Richard Benjamin and Frank Langella in the opening credits?  Not cool, Hollywood.  She's excellent in this story of a housewife pushed too far, and her name should have come first.

Fun Fact: That's Alice Cooper playing at the party.


A Fun Little Movie


I've never been a big believer in conspiracies.  I have trouble believing that any group of people is smart enough, patient enough, and disciplined enough to carry off any conspiracy for long.  Insider trading?  Sure.  Multinational conspiracies involving multiple branches of the U.S. government?  It's a harder sell.  Such a conspiracy might, given the average person's apathy, exist for a short time, but I have difficulty imagining how anything as formidable as the Brotherhood of the Bell could exist over the course of several generations.

If star Glenn Ford looks familiar, it's because he played Jonathan Kent in 1978's Superman.  He had a very successful career in Hollywood up to that point, but once the 70s rolled around he'd faded into the background.  This made-for-TV movie isn't the kind of production he would've considered in the 60s, but despite its occasional cheesiness it's well written and employs some interesting camera angles.


Some Good Ones

1. Mark of the Devil

Udo Kier (!) stars as a man on the wrong side of the Holy Inquisition.  Mark of the Devil is definitely gratuitous, but I can't say it's bad.  It reminded me a lot of The Devils, which I also saw recently.

Fun Fact: While not banned outright, this West German film was seized and confiscated in the UK.

2. Waterloo

If nothing else producer Dino De Laurentiis poured a lot of money into this movie: thousands of extras, thousands of costumes, cavalry engaged in complex maneuvers, explosions in the midst of troop movements.  Some of the reenactments in this film are a wonder to behold.  It's just too bad that the story's so thin.

Rod Steiger stars as Napoleon, with Christopher Plummer as Wellington.  Both actors turn in great performances, but this movie doesn't go very far toward separating Napoleon the man from Napoleon the myth, and as a result he comes off as something just slightly removed from a comic book villain.

This, and there are two slightly embarrassing storytelling devices at work in this film.  At about the halfway mark a "conscientious objector" emerges from Wellington's troops, just in case we missed out on the horrors of war.  At about the same time we're treated to voiceovers from both Steiger and Plummer, indicating their thoughts at a certain key moments.  Both devices feel very forced, and I wish the director had simply stepped back a bit, and shown more of what was going on away from the front lines.

Was 1970 a big year for movies about famous generals?  I don't know, but I can tell you this is the year that saw Patton, Cromwell and Waterloo released in theaters.  Of the three Patton is the best by far, Cromwell is the worst, and Waterloo is somewhere between the two.

Fun Fact 1: This movie was filmed in Ukraine, under the direction of Russian Sergei Bondarchuk.

Fun Fact 2: This movie still holds the record for highest number of costumed extras in a film.  Many of these extras were members of the Soviet Army.

3. The Bird with the Crystal Plumage

Dario Argento kicked off the 70s with this tale of an American in Italy who witnesses a murder.  It was Argento's first movie as director.  I guessed the ending early on, but I still enjoyed the film.  It borrows (and then inverts) aspects of Psycho, and in terms of quality I'd rank it below Suspiria and Deep Red.

Fun Fact: Reggie Nalder, who appears briefly in this movie as "Needles," also appears in Mark of the Devil (above) as Albino.

4. Le Cercle Rouge ("The Red Circle")

Heist movie featuring Alain Delon.  It's one of the most meticulously crafted movies I've ever seen, BUT it's really slow and also really dark in parts.  Hollywood would've cut many of the scenes leading up to the heist, and also lit those rooms better, but I suppose the French director considered and then dismissed such an approach.

Alain Delon, by the way, tried to cross over into Hollywood movies.  He appeared in a few, but never achieved the level of fame in America that he enjoyed in Europe.  By the time Le Cercle Rouge hit theaters he'd given up on Hollywood and returned to France, where his accent wasn't a handicap.

5. They Call Me MISTER Tibbs!

Sidney Poitier stars as a detective out to catch a murderer in San Francisco.  There are some definite plot holes in this movie, but it's WAY better than its sequel, The Organization, which was also reviewed here recently.


"Nautical film noir."  Is that a valid subgenre?  I can think of several movies that fit this category, some of them good, some of them quite awful.

Rod Taylor stars as a boat captain who rescues a mysterious woman, with William Smith as the one guy you don't want to cross.  William Smith, by the way, is the leader of the biker gang in Angels Die Hard (below).  He was in a lot of forgettable movies, but his career prospered as the 70s wore on.

Roger Ebert gave this movie 3.5 stars out of 4.  It's good, but I wouldn't give it that many stars.  I mean, what really happened to William Smith after he was arrested?  Were charges pressed?  Did anyone have evidence of what he'd done?


Two Hours of Dwarves Breaking Stuff and Making a Mess

1. Even Dwarfs Started Small

That smallest dwarf's chuckle is going to stay with me.

Don't ask me why the dwarves are so angry.  Don't ask me why the "boss dwarf" is trapped in the house.  Don't ask me why the strange silent dwarf is tied to the chair.  Don't ask me why they all speak German even though they're obviously not in Germany.

This was Werner Herzog's second film, following Signs of Life and preceding Aguirre, the Wrath of God.  It has a 100% rating on Rotten Tomatoes and I have no idea why.  Maybe it's weird enough to make everybody happy?


Not Enough Weirdness for You?  Try this One.

1. Valerie and Her Week of Wonders

Czech movie about... vampires?  A loss of innocence?  Sex?  I dunno, but this movie invites those kinds of interpretations.


Some Bad Ones

1. Kelly's Heroes

What?  I didn't like Kelly's Heroes?  No I didn't.  It's a movie riddled with implausible happenings and marred by a jarring lack of military discipline.  It's played for laughs, yes, but it's just not that funny.  Clint Eastwood and Telly Savalas grimace their way through two hours of it, and Donald Sutherland does his best to provide countercultural commentary, but the whole thing feels bloated, slow and uninspired.

Fun Fact 1: Brian G. Hutton also directed Clint Eastwood in 1968's Where Eagles Dare.

Fun Fact 2: This movie was based on an actual robbery during WWII, but the details of this robbery only emerged after the movie's release.


I can't hate on it too much.  It was obviously filmed for peanuts over a very brief period of time.  A motorcycle gang butts heads with small town America while a young girl flirts with danger.  The best thing about this movie is the soundtrack, which makes the whole thing much more bearable.


"Show don't tell."  But this movie sure does a lot of telling.  Several pretentious people search for a lost pretentious friend in Greece... until (of course) the vampire shows up.  The characters spend a lot of time saying things that would be obvious to other people in the room, all for the sake of explaining a plot that isn't particularly interesting.

This movie makes you feel sorry for Patrick Macnee.  He's ostensibly the star, but it feels like he's playing a secondary character.  Did something go wrong in the editing room?  Is this why the director disowned the movie?

The best thing I can say about this movie is that the Greek girl (Imogen Hassall) is smokin' hot.  Aside from that this movie has little to recommend it.

Related Entries:


NOTE: I need a break from the 70s.  I've seen a lot of good movies, but it's been a deep dive for sure.  I'm going to watch the movies of 2021 I missed, and after that I'll be delving into the late 60s.

2022年4月18日 星期一

Some Other Movies From 2022

What you see below is what I've seen in the theater, on Netflix or on Disney+.  I'll be adding to this entry as the year goes on.
 

Excellent
 
1. Father Stu
 
I doubt Mel Gibson cares much what the general public thinks about his past indiscretions.  He probably figures that's between himself and God.  I also doubt Mel Gibson cares much about how thoroughly Catholic this movie is, right down to a Christlike figure appearing in a bar.  Mel Gibson probably figures that's another matter between himself and God, and I can't say he's wrong.

I'm not familiar with director Rosalind Ross, but she did a masterful job directing this movie.  Mark Wahlberg, who's been great in other things, is even greater here, turning in a performance that's not only the best thing he's ever done but maybe also the best thing he ever will do.  The supporting cast, including Mel Gibson, is excellent, and although the story might seem a bit rote it's presented in a very heartfelt manner.

Critics haven't been kind to this one -- some even going so far as to say that Wahlberg was miscast -- but critics are often wrong and scores on various websites can be misleading.

2. Nope

Jordan Peele's first genuinely great movie?  I liked Get Out, but I felt that in Us he kind of outsmarted himself.  Nope, by contrast, is a more straightforward movie that dispenses with racial metaphors.  The revelation toward the end is a haunting spectacle, and the characters are all extremely well written.
 

Weird Enough For Ya?

1. Men

Don't ask me what it's about.  In Men director Alex Garland capitalizes on some of the themes he built up in Ex Machina and Annihilation, with this movie being a step further toward the grotesque.  Viewers might struggle with the slow build up, but stick around for the truly astounding effects sequence near the end.  Whatever that effects sequence means, it's likely to remain with you long after the closing credits.

2. Dual

A terminally ill woman chooses to have herself cloned.  The way in which the actors deliver their lines reminded me of Killing of a Sacred Deer.  It's definitely good, even if a couple of the plot points are very predictable.
 

Overrated?

1. Everything Everywhere All At Once

The little big movie of the year.  People are talking Oscars now, and I'm just not sure what Oscars this movie deserves, if any.

On the one hand this movie resonated with me, in that my Taiwanese-American family bears some similarities to the Chinese-American family portrayed in this movie.  I've seen the relationship between my Taiwanese wife and my half Taiwanese daughters play out in ways similar to Michelle Yeoh's relationship with her daughter, but then again neither my wife nor myself have had to deal with parents as strict, and our marriage was never - as far as I know - an object of disapproval.

On the other hand?  As a huge fan of the science fiction genre, I don't get what all the fuss is about.  Jumping between universes is nothing new, moving forward and backward through decision trees is also nothing new, and the martial arts + virtual/augmented reality approach is as old as The Matrix, if not older.  In conceptual terms nothing in this movie seems like a step beyond what's come before, and I have a great dislike for any science fiction movie in which the plot is resolved through the power of love.  You could argue that this movie parodies such trends in science fiction, but even that angle isn't new.

I liked it, but I have no desire to see it a second time.  Is it the movie of the year?  I really don't think so.

Fun Fact: Does Michelle Yeoh's husband look familiar?  That's Ke Huy Quan, who played both Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies.

2. Avatar: The Way of Water

I watched a few interviews with director James Cameron before seeing this movie, and I have to say that some of his criticisms of superhero movies seem a bit strange after watching his newest film.  You know what films Avatar: The Way of Water reminded me of most?  Avengers: Infinity War and Avengers: Endgame.

Hear me out here.  I'm completely aware that Avatar 2 isn't working with a cast of hundreds (or at least dozens) battling for the fate of the universe, but the feeling I got from Avatar 2 and the feeling I got from the last two Avengers movies was almost exactly the same.  They're all really big movies reliant on tons of CGI, and they make a certain emotional sense, but if you think about certain characters' motivations and how these motivations shape their actions through the course of each movie you'll get a headache.

Don't get me wrong, I enjoyed Avatar 2, but a lot of things in this movie just seem to happen without having any reason for happening.  I understand his reasons for doing so in the movie, but does it really make sense for Jake Sully to take his family from their village?  Do his kids' actions, apart from an adolescent sense of alienation, always ring true?  Ultimately a "character driven" movie like this comes down to a series of decisions, and given the information supplied by the script many of these decisions don't make much sense.

That, and after a while I felt like James Cameron was playing us his greatest hits.  You don't have to look too hard to find elements from Aliens, The Abyss and even Titanic in this movie.  The only things this film is missing is cyborgs and time travel, and for all I know those two things are on the way in Avatar 3.


Some Good Ones

1. The Batman

No, I wasn't blown away by it.  I thought it was good, but they could've cut an hour out of it and had a much better movie.  My favorite part was the car chase.  As beautiful as Zoe Kravitz is, my least favorite part was Catwoman.  I never felt like she was integral to the plot, and removing her scenes would have gone a long way to achieving that two hour runtime.

For me the most frustrating part was the ending, which wasn't quite the plot twist it was made out to be.  I feel that those looking for this type of story - a story of revenge taken to its extreme - would be better served by David Fincher's Seven, which is a far better film.

Is The Batman good?  Yes, I would say that it is.  But it's not The Dark Knight, not by a long shot.

2. Doctor Strange in the Multiverse of Madness

Critics complaining about the pacing don't know Sam Raimi.  Go back and watch Spider-Man 2 - that's Sam Raimi.  Go back and watch Army of Darkness - that's Sam Raimi too.  He was obviously trying to get the story underway as quickly as possible, so that he could get to what he's good at: weird, haunted-house type stuff employing odd camera angles and unusual sound effects.  This movie is basically Evil Dead writ large, with a possible difference being that Doctor Strange has more agency.

I liked it but I didn't love it.  It never felt slow to me (unlike The Batman), and the plot is fairly cohesive.  Then again, once you throw magic into the mix most plots are going to feel cohesive, given that the audience isn't aware of magical limitations beyond information characters provide.  If I have a complaint it's that Scarlet Witch should have been the center of this movie, not Doctor Strange.  Making her the protagonist would have streamlined the plot quite a bit, and Doctor Strange, in cinematic terms at least, still doesn't have enough of a personality to merit his own movie.  Multiverse of Madness gives him a bit more backstory, but it's still not enough to empathize with.

Some of the visuals in this movie are a wonder to behold.  I highly recommend watching it in a theater, on the biggest screen possible.  The big reveal everyone's been waiting for?  It's actually somewhat forgettable, and those characters aren't onscreen for very long.

Some of the dialogue in this movie is extremely corny but I'll let that pass.  That's Sam Raimi too, and I think that some of this movie's corniness serves to lighten the overall mood.

I could be wrong, but with all the talk of "incursions" in this movie the MCU seems to be moving toward something like Jonathan Hickman's Secret Wars.  Given the Fantastic Four's role in that storyline and the release order this seems likely to me.  I get why people would think Secret Invasion after the appearance of the Skrulls earlier on, but I'm betting on Secret Wars.  Only time will tell if I'm right or wrong in this assumption.

3. The Contractor

Chris Pine and Ben Foster, who also appeared together in Hell or High Water, star as two Army Rangers sent to Germany by a private contractor.  It was a box office bomb and critics weren't fond of it, but beyond the formulaic subject matter there are still some good performances in this movie.

4. X

A group of people find themselves hunted by a killer in the course of shooting an adult film.  I was fully prepared to hate this movie, but despite its heavy reliance on the Texas Chainsaw Massacre franchise it was well done.

Fun Fact 1: This movie was shot entirely in New Zealand.  This isn't the first time New Zealand has stood in for Texas.

Fun Fact 2: There actually is a pornographic film from the 70s titled The Farmer's Daughters.  I saw it not long ago.  The plot of that film has nothing to do with this one.

5. Top Gun: Maverick

Better than the original in my opinion.  Tom Cruise is again called upon to defend America from her enemies abroad, this time leading a group of younger pilots into battle.  Aside from an improbable F-14, the screenplay was tightly written, trading in enough nostalgia to satisfy fans of the original while adding newer elements to keep things interesting.  Tom Cruise, by the way, delivers some great acting in this film.  It's one of the best things he's ever done. 

6. Hustle

Adam Sandler transfers his Uncut Gems credits over to Netflix.  Hustle isn't nearly as good as Uncut Gems, but Sandler makes for a convincing NBA scout and this story hits all the right notes.

7. Thor: Love and Thunder

Forget about any of the comic books, whatever this movie is has nothing to do with what those comic books are.  It's a fun ride for sure, but you'll want to forget about the source material.  In this installment Thor in both male and female incarnations face(s) off against Gorr the God Butcher.  If you walk in expecting an action comedy you won't be disappointed, but if you walk in with a more critical mindset you'll be picking this movie apart in no time.

Korg could have been eliminated from the story altogether, but as we all know it's Taika Waititi's movie, and Korg gives him an excuse to inject more of his sarcastic humor into the script.  Thor: Love and Thunder is Thor: Ragnarok writ even larger, and that fact won't please everyone.

For me the highlight of this movie was Christian Bale.  More scenes of him chopping his way through various pantheons would have made this movie much better.
 
8. The Northman
 
Conan the BarbarianThe OdysseyThe Northman invites those kinds of comparisons, but that doesn't mean it's an unoriginal film.  No, director Robert Eggers actually drew on much older material to craft this story of revenge, and the result is a very stylish movie that pulls no punches.  I get why it didn't do that well at the box office though.  It's very dark and not exactly action packed.

9. Day Shift

Jamie Foxx hunts vampires.  It's ridiculous, it doesn't make a lot of sense, but it's also a lot of fun.

10. Werewolf by Night

It's not very long, and it's not especially deep, but this movie scores serious style points.  Anyone else remember those late 70s/early 80s monster-y Marvel Comics?  Werewolf by Night captures that mood exactly.

11. Hellraiser

I'm sure there's a subset of horror fanatics who've enshrined the original, but in almost purely objective terms this movie is the best in the series by far.  The setup makes sense, the characters are believable, and even if it gets a bit derivative toward the end it's never boring.  I've always felt that the Hellraiser movies wasted a great concept, and this film goes some distance to finally getting it right.

12. DC League of Super Pets

It's a funny movie.  Krypto leads a group of newly-empowered pets against a guinea pig bent on world domination.  It hits all the right notes without taking itself too seriously.

13. Black Adam

I don't get why so many people are so down on this movie.  I thought it was really good.  The fight scenes were great, Dwayne Johnson is a convincing Black Adam, and it was fun to finally see Dr. Fate on the big screen.  

Sure, this movie has problems.  Black Adam speaking English like a native after several thousand years' imprisonment was baffling.  The Justice Society has a weird agenda.  The villain at the end is set up about as well as Ares in Wonder Woman.  But overall it's entertaining.  Why all the hate?  If you're avoiding this movie because of sites like CinemaScore and/or Marvel fans with an agenda, you should really give it a chance.

14. Bullet Train

I can't say it's a bad movie, it just made me a bit sleepy.  Brad Pitt stars as a courier trying to get a briefcase off a speeding train, with several lesser known actors as heroes and villains caught up in a gang leader's sinister plans.  Aaron Taylor-Johnson is well used in this movie.

15. Elvis

I can't say it's bad, but is it really about Elvis?  A lot of the music playing in the background isn't his, and what remains is often more of an adaptation of his music than the music itself.  I've never been a fan of director Baz Luhrmann, and this movie hasn't really changed my mind.  Tom Hanks?  Sure, he's great, but I'm still not certain that this is really a movie about Elvis.

For a more down to earth portrait of The King, you might check out 1957's Loving You, which is to some extent based on Elvis's early career.  It's not a great movie, but I think it's a better reflection of Elvis as a person.

Food for Thought: What if they'd made a movie about Little Richard (who appears in this movie) instead?  You think Elvis's life got dark?  You think Elvis's life got weird?  Just check out Little Richard's Wikipedia page.  I can't believe they haven't made a movie about him already.

16. Three Thousand Years of Longing

Tilda Swinton either experiences a psychotic break or frees a genie from a bottle.  Director George Miller shows a great deal of versatility with this movie, and while it's undeniably well done it's a bit too long for its own good.  Back in the 60s they would have inserted an intermission, and that kind of pause would have made this movie better.

17. Black Panther: Wakanda Forever

As I watched this movie I couldn't help but compare it to two other recent films, these being Thor: Love and Thunder and Black Adam.

Why Thor: Love and Thunder?  Because both Thor 4 and Wakanda Forever are very personal statements by their respective directors.  In Thor 4 Taika Waititi showed us that he doesn't care much about comic book canon, character development or coherent storytelling, but that he DOES care a lot about stylistic choices, Guns N' Roses and placing tragic events in a story so that he can make light of them later.  In Wakanda Forever Ryan Coogler shows us the complete opposite: character development and storytelling.  Does this mean that he's disregarded style completely?  By no means.  This movie has its own aesthetic, and this aesthetic never comes at the expense of its characters or the world they inhabit.

Why Black Adam?  Because both Black Adam and Wakanda Forever put superheroes into a third world context, offering us nations and (anti)heroes unwilling to align themselves with the current order of things.  Black Adam happily destabilizes the larger powers he comes into contact with, while the characters in Wakanda Forever walk a much finer line between asserting dominance and pretending submission.

Black Adam was the stompy superhero movie I was waiting for, but I liked Wakanda Forever too.  Hats off to what this movie did with Namor, "Atlantis" and Namor's origin story.  Not only did the script succeed in differentiating Namor from Aquaman, but Namor's origin also ties nicely into the larger narrative.  No, Namor was never Mayan in the comics (NOT canon!), but I think the change was necessary given the story they were trying to tell.


Not As Bad As I Was Led To Believe

1. Morbius

Jared Leto stars as the living vampire.  Is this the worst movie ever made?  Far from it.  Is it the worst superhero movie ever made?  No, not even close.  It's a 90s-style superhero film along the lines of Venom 2: Let There Be Carnage.  The actions taken by the two detectives don't bear thinking about, but overall it's harmless fun and the fight at the end is cool enough.

I can only hope that Michael Keaton doesn't visit casinos.  Between Sony's Whatever-It-Is Cinematic Universe and The Flash his future in superhero movies isn't exactly bright.  I'm sure he'll be fine, but I'm not expecting to see either the Vulture or his version of Batman in too many future films.
 

Uh... What?

1. Dirty Little Secret

It's a Lifetime movie, I'm a high school student with dreams of attending the "Fashion Institute of Technology," and... my mom's a hoarder!  Standard Lifetime fare, right?  The difference being the ending, which is so dark and depressing it's almost worth sitting through the rest of the movie for.  I really don't know what happened there, maybe they ran out of money and/or stopped caring, but whatever happened it's certainly the most nihilistic Lifetime movie ever.


Some Bad Ones

1. Uncharted

Half as plausible as both F9 and Spider-Man: No Way Home, while at the same time only half as interesting as either of those movies.  Tom Holland spends a great deal of time hopping around, trying to remind us that he's not Spider-Man, and Mark Wahlberg is always one step behind him.  In F9 you can pretend they're Hot Wheels, and in Spider-Man you can remind yourself that they're superheroes, but in this movie the historical inaccuracies pile up to the point where it takes you right out of the movie.  It's not Indiana Jones, it's not National Treasure, and it's not even Tomb Raider.  It kind of just is, and its being there isn't enough to make it worth watching.

Fun Fact 1: This was originally going to be a very, very different kind of movie.  Mark Wahlberg was attached early on, but he was going to star in a film directed by David O. Russell, who'd recently directed Wahlberg in The Fighter.  There were also plans to have Robert De Niro and Joe Pesci appear alongside Wahlberg, but David O. Russell and Robert De Niro went on to do Silver Linings Playbook instead.

Fun Fact 2: This movie is banned in both the Philippines and Vietnam.  Both countries objected to the inclusion of the nine-dash line in a map of the region.  This nine-dash line supports China's claim to territories that both the Philippines and Vietnam claim sovereignty over.

2. Scream

Yawn.  I liked the opening, but after that I had trouble paying attention.  Sure, it's more meta for your money, but the characters are really bad at defending themselves and no one ever thinks to call the police.  Or what about, you know, just leaving town?  Isn't it really that town that always kills them?  I know people are clamoring for a sequel, but I'm officially done with this franchise.  Back in the day it was fun to guess who the killer(s) might be.  Now it's not.

Fun Fact 1: Jenna Ortega, who plays Tara Carpenter, is also in X above.

Fun Fact 2: Jack Quaid isn't the only son of famous parents in the cast.  Mason Gooding is Cuba Gooding Jr.'s son.

3. Jurassic World Dominion

Like Scream another "legacy sequel."  In this one people continue to run from dinosaurs.  If they are virtuous they eventually run to safety, or at least to a continued niche in an uncertain ecosystem.  If they are greedy or vicious they are chomped by said dinosaurs, and denied repeat appearances in inevitable sequels.

4. Spiderhead

A scientist tests out his emotion-inducing compounds on a group of convicts.  I thought Miles Teller was excellent in this movie, but Chris Hemsworth was miscast.
 
5. Followers
 
British.  Found footage.  Social media influencers.  Ghosts.  If you're 14 you'll be all over this one, if you're older and you've seen a few horror movies you won't.

6. Prey

The Predator vs. Native Americans!  Sounds interesting, but the Native Americans seemed implausibly modern to me, while the Predator seemed strangely forbearing.  I was fully invested in this movie for about twenty minutes and then completely lost interest.

7. Blonde

I'm not trying to score points here, and I'm not trying to be politically correct, I just really, really didn't like this movie.  Why is it necessary to oversexualize someone who was already oversexualized during their lifetime?  I won't argue that there aren't some amazing shots in this film, but I don't feel that it's really about Marilyn Monroe.  What's next, a movie about Jayne Mansfield featuring double anal penetration?  If I want to watch porn I'll just go watch porn.  I have no desire to watch a mean-spirited drama hiding behind a famous name.

Director Andrew Dominik seems to have adopted a scorched earth policy with regard to the press tour.  In a way I get his frustration, but I also think a lot of the criticism is justified.  They could have easily NOT made this movie about Marilyn Monroe.  They could have used a stand-in.  The resulting film would have been much better received.

8. Halloween Kills

"Suicide or cherry blossoms," huh?

The thing that really kills this movie, if you'll excuse the slight pun, is Laurie Strode's voiceovers.  That, and a badly written script.  I've never been a fan of the franchise, but this movie makes the ones that came before it look relatively polished.  The actor who plays Michael Myer's protege is good, but he's drowning in a sea of bad dialog and nonsensical plot points.

9. Samaritan

Sylvester Stallone stars as a retired boxer - sorry, as a retired superhero - who strikes up a friendship with a young boy.  The second half of this movie has some cringy moments but it's obviously for kids.  As with Morbius above it seems more like something we would have seen in the 90s.

10. Where the Crawdads Sing

I finished the novel right before watching the movie.  The novel is WAY better.  The movie fails spectacularly to capture Kya's sense of loneliness and alienation, and it is this sense of otherness that drives the plot of the book.  Without that sense of otherness we're left with a tired romantic triangle overshadowing an inexplicable court case, and neither the romantic triangle nor the court case make any kind of impression on the viewer.


Gloriously Terrible

1. Moonfall

I f*&king loved it from start to finish.  This is indeed Roland Emmerich's masterpiece, a bizarre, disorienting concatenation of scientific concepts, bad acting, laughable dialog and special effects that detract rather than add to the story.  Sign me up for the sequel - I'll be there the first day.

Related Entries: