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2014年6月16日 星期一

"Nemesis" by Philip Roth (2010)


"They all joined the rabbi in reciting the mourner's prayer, praising God's almightiness, praising extravagantly, unstintingly, the very God who allowed everything, including children, to be destroyed by death.  Between the death of Alan Michaels and the communal recitation of the God-glorifying Kadish, Alan's family had had an interlude of some twenty-four hours to hate and loathe God for what He had inflicted upon them - not, of course, that it would have occurred to them to respond like that to Alan's death, and certainly not without fearing to incur God's wrath, prompting Him to wrest Larry and Lenny Michaels from them next."

Philip Roth won the Pulitzer Prize for his 1997 novel, "American Pastoral."  He has also written many other notable books, some of which have been adapted into movies.  After his recent announcement that he wishes to retire from writing at age 81, "Nemesis" became the last entry in his bibliography.

"Nemesis" is the story of a polio outbreak in and around Newark, New Jersey during World War II.  Much of this outbreak is viewed from the perspective of Bucky Cantor, a playground director and recent college graduate.  The outbreak begins in Bucky's neighborhood, which sees a disproportionate number of cases, and follows many of Bucky's students beyond the confines of their small community.

"Nemesis" is a great book, and much more accessible than some of Roth's other, weightier tomes.  While it didn't hit me as hard as "American Pastoral," it demonstrates a cohesiveness that was absent from that larger, more verbose work.  It is also less depressing than "The Humbling," which I also read not long ago.

My only complaint is that the conclusion of the book is somewhat unsatisfying.  It's almost as if there are two endings to the book, one next to the other.  In one ending we see the narrator confront and question an older Bucky over the course his life has taken, and in the other ending we see Bucky as a young man, in the prime of his youth, passing on to his students a love of sport, which is in some respects a larger love for life.  Either of these endings would have been perfectly satisfactory, but putting them together diminishes their respective impact.  It's almost as if Roth felt the second ending wasn't enough, and later added the more introspective "interview" portion to make the book seem more important, or its theme more universal.

Nevertheless, I would highly recommend this novel.  It is certainly one of the best books I've read in a long time.  And don't be put off by the fact that I have seemingly revealed the ending above.  The true ending - the conclusion you reach alongside the narrator - is something much deeper than the circumstances that surround this conclusion.

2013年9月23日 星期一

"The Humbling" by Philip Roth (2009)


"'Come inside,' he said.

"'No.'

"'Are you afraid of me?' he asked.

"'I've done something foolish for which I apologize.  I've trespassed and I'm sorry.  And now I'd like you to let me go.'

"'I'm not holding you.  You have a way of trying to turn the moral tables on me.  But I didn't invite you here in the first place.'

"'Then why do you want me to come inside?  Because of the triumph it would be to sleep with the woman that Pegeen used to sleep with?'

"'I have no such ambition.  I'm satisfied with things as they are.  I was being polite.  I could offer you a cup of coffee.'

"'No,' the dean said coldly.  'No, you want to fuck me.'

"'Is that what you want me to want?'

"'That is what you want.'

"The Humbling" is my second Philip Roth novel.  I have also read "American Pastoral," for which he was awarded the Pulitzer Prize in 1997.  "American Pastoral" was work of brilliance, but it was also extremely depressing.  "American Pastoral" sat on me for weeks.

"The Humbling" is another grim book, much in the vein of "American Pastoral."  It details the sufferings of Simon Axler, former star of stage and screen who suddenly finds himself unable to perform.  After a brief stay in a psychiatric facility, he seeks out the company of Pegeen Stapleford, a woman 15 years his junior.

The affair ends as you might expect, but Roth makes you hope for these characters.  He makes them very real, and very immediate.  You know their bid for domestic happiness is likely doomed, but you want to see them succeed anyway.  There is a desperation in Simon Axler that is eminently human, and likewise a mercenary element in Pegeen that is nothing if not based in practicality.  Their lives intersect briefly, they work their will upon one another, and are in turn left to plan new plans, and dream new dreams.  That is if they haven't given up hope.

I would not question the simple fact that Philip Roth is one of the greatest American writers yet living, but I would question the fame he has enjoyed of late.  Much of this fame seems generated by the Hollywood machine, and there is a certain mass-market, easily consumable element to his fame that I sometimes find offensive.  He is without question a great writer, but I sometimes feel that he is overexposed.

Whatever the nature of the author's popularity, I encourage you to read "The Humbling."  If you like this book, check out "American Pastoral."  Be warned, however, that his books get HEAVY.