2024年7月19日 星期五

"The Naked Ape" by Desmond Morris (1967)


"The only sound biological solution to the dilemma is massive de-population, or a rapid spread of the species on to other planets, combined if possible with assistance from all four of the courses of action already mentioned.  We already know that if our populations go on increasing at their present terrifying rate, uncontrollable aggressiveness will become dramatically increased."

The author of this book was an English zoologist, ethologist and surrealist painter.  He followed up The Naked Ape with 1969's The Human Zoo, and in 1973 a comedy film was loosely adapted from both The Naked Ape and its sequel.
 
The premise of this book is relatively straightforward.  The author posits that humankind, despite pretensions to the contrary, is really just another type of ape, and that a study of our primate relatives is the surest way to understanding the human condition.  We still have, he reasons, a lot in common with gorillas, chimpanzees and monkeys, even when one considers our migration from the forest canopy to open grassland several million years ago.
 
The Naked Ape is divided into eight sections, these being: Origins, Sex, Rearing, Exploration, Fighting, Feeding, Comfort and Animals.  Throughout these eight sections the author offers a fairly comprehensive overview of human behavior, with special attention paid to areas in which our ways of being are paralleled within other species.  For the most part he avoids larger discussions of culture in choosing his examples, but these omissions makes sense given his stated goals and method of investigation.
 
I liked this book a lot and it was an easy read.  I can't say it's an unusually insightful work, but it did offer some perspectives on "the naked ape" that I found interesting. 
 
Related Entries:
 

2024年7月6日 星期六

Still More 60s Movies

I'm discontinuing the "Where Are They Now?" section.  The 60s were a long time ago, and I think we can safely assume that most of the adults in these films are no longer with us.



Film noir, sex, violence and a distinctly Italian sensibility with regard to color and proportion: the elements of giallo are all here.  Director Mario Bava had a big influence on the horror genre, both in his own country and abroad.

The Premise: Several young women employed by an Italian fashion house are killed by a mysterious assailant.

Overall: As you might expect it's extremely stylish.  The characters are a bit thin, but maybe that's beside the point.



The Premise: A stylish superthief stays one step ahead of both organized crime and law enforcement.

Overall: You don't get more 60s than this movie.  It's like they inverted one of the James Bond films, turned everything up to 11, and the result is a glorious love letter to primary colors, cool cars and improbable gadgets.  The skirts are SHORT, the men are impeccably dressed, and many of the sets look like Ken Adam's fever dreams.

Mario Bava directed this film after Blood and Black Lace, and like that movie Danger: Diabolik isn't trying to say anything profound.  For those who can sit back and enjoy this kind of film it's a lot of fun.

Fun Fact 1: This movie was produced in tandem with Barbarella.

Fun Fact 2: A new trilogy of Diabolik films was released in 2021, 2022 and 2023.


3. El Cid (1961)

The Premise: Charlton Heston defends medieval Spain from enemies at home and abroad.

Overall: As big, bombastic Hollywood spectacles go this one is strictly mid-level.  I had some issues with the story, in particular El Cid's knack for turning up at opportune moments and Sophia Loren's change of heart halfway through the film.  It's certainly watchable, but by the same token it's also extremely forgettable.
 

 
The Premise: A convict and a troubled priest cross paths on a remote Polynesian island.
 
Overall: Spencer Tracy and Frank Sinatra play the kind of roles they were known for, but the setting is relatively novel and the threat posed by the island's active volcano is present without being too present. 
 
My one complaint (three complaints, really) is the ending.  Why did Frank Sinatra drive back up the mountain?  Why the pointless religious discussion after that point?  And why the "boy" there, after their companion sacrificed his life to save them all?

Fun Fact: Some see in The Devil at 4 O'Clock one of the earliest disaster movies, a genre (arguably) perfected during the following decade.
 

5. Tomb of Torture (1963)

"A good enema is what you need, and above all don't get frightened!"
 
The Premise: Low budget, Grindhouse-style horror feature in which several people fall victim to a deranged man lurking beneath a castle.

Overall: It's a fun little movie.  A HUGE bomb in Italy, where it was made and first released, but it did slightly better overseas.
 


The Premise: Jimmy Stewart and Co. attempt to extricate themselves from the desert after a crash landing.

Overall: The music dates it a bit, but if you can get past that aspect of the movie The Flight of the Phoenix is genuinely great.  Just think of the risks they took with this one.  The cool, calculating German as... the hero?  That was a BIG ask at the time, and this movie pulled it off.
 
Best Picture?  Best Director?: Robert Aldrich was up against The Sound of Music that year, so yeah, it wasn't going to happen, but in a parallel universe I would have gladly handed him an Oscar.

Fun Fact: This movie was remade in 2004 with Dennis Quaid in the lead role.
 


The Premise: Hot women and motorcycles, and in-between the leader of the gang tries to make off with a sexy local girl.

Overall: Some of the worst acting ever committed to celluloid.  The Wild One it definitely isn't.
 


The Premise: Something something China after the Boxer Rebellion.  I'm sorry, that's as far as I got.  That is so obviously NOT Peking (Beijing), and those are so obviously British people doing yellowface in the presence of Charlton Heston.

Overall: Sorry, I've lived in Taiwan for 24 years, I've spent much of that time studying Mandarin and Chinese history, and I just couldn't do this one.  It may well be a good movie if you can look past the glaring historical inaccuracies and the yellowface, not to mention the signage obviously written by people who didn't know how to write the language, but for me it was a bridge too far.
 


The Premise: Several inexplicably credulous strangers find themselves stranded on a mountain highway, convinced that it's the end of the world.

Overall: Interesting concept, but the script fails to fully realize it.  The characters are cardboard-thin, and everyone takes everything at face value.  By the end -- nuclear holocaust or not -- it's impossible to care about them one way or another.
 

10. Holiday in Spain (a.k.a. "Scent of Mystery") (1960)

The Premise: A British mystery writer finds himself involved in a mysterious plot after crossing paths with a beautiful woman in Spain.

Overall: Denholm Elliot's voiceovers REALLY wear out their welcome.  Both he and Peter Lorre are charming in their respective roles, but Elliot's character's running commentary is/was  unnecessary.  This said, this movie isn't bad so much as extremely forgettable.

Fun Fact: This was the first Smell-O-Vision movie.  Scents were released into the theater during key moments in the film.
 


The Premise: An unhappily married couple moves into a haunted house.

Overall: Good.  The screenplay was tightly constructed and the ending -- while something of a foregone conclusion -- makes sense.
 

12. Man in the Middle (a.k.a. "The Winston Affair") (1964)

The Premise: An army lawyer with little experience is called upon to defend a fellow serviceman accused of murder.

Overall: An excellent motion picture.  It was the kind of role that Robert Mitchum excelled at, and in director Guy Hamilton's hands not a second of screen time is wasted.

Fun Fact: In the world of Asian-American stage and screen France Nuyen was a trailblazer.  She played the female lead in 1958's South Pacific and originated the role of Suzie Wong for the play The World of Suzie Wong.
 

13. Salt and Pepper (1968)

Directed by Richard Donner!  Yes, that Richard Donner!  This was his second movie as director after 1961's X-15.
 
The Premise: Zaniness results once a mysterious woman infiltrates Sammy Davis Jr.'s and Peter Lawford's swinging London nightclub.

Overall: The cast features some very beautiful women, and the whole thing passes by breezily enough, but those looking for meatier fare are hereby directed elsewhere.  Salt and Pepper is more of a time capsule, showcasing the time and place that produced it.

Fun Fact: All things being equal, one day we'll see a movie based on Sammy Davis Jr.'s life.  Lord knows such a movie is long overdue.  In 2017 a production team which included Lionel Ritchie entered into an agreement with Sammy's estate with this goal in mind.
 

14. The Cardinal (1963)

The Premise: An ambitious young man rises through the ranks of the Catholic church.

Overall: Otto Preminger directed a lot of great movies and this is one of them.



The Premise: Something about industrial diamonds?  I'm not entirely sure.

Overall: The characters are engaging and there are some funny scenes in this movie, but the plot verges on incoherent.

Fun Fact: James Garner and costar Tony Franciosa were not fond of each other.  That fight near the end became a real physical altercation in the midst of the shoot.



The Premise: Bing Crosby and Bob Hope run afoul of a secret organization searching for an even more secret formula.

Overall: Aside from a lot of white people doing yellowface and random Chinese words in the background it's not as "racial" as you might expect.  The plot is largely irrelevant, but some of the gags are still funny.

Fun Fact 1: There are 6 other Road to... movies, the others being The Road to Singapore, The Road to Zanzibar, The Road to Morocco, The Road to Utopia, The Road to Rio and The Road to Bali.  The franchise extended from 1940 to 1962.  An eighth film, The Road to the Fountain of Youth, was planned but later canceled after Bing Crosby died of a heart attack.

Fun Fact 2: This movie was only shot in black and white to maintain the tone established in previous installments.



The Premise: Pirates Anthony Quinn and James Coburn contend with a boatload of precocious children.

Overall: The script focuses on the cute kids at the expense of the story.  The conflict between Coburn and Quinn should have been front and center.  With it pushed into the background the ending of this film is far from satisfying.


18. Poisoned Trust (a.k.a. "Nine Miles to Noon") (1963)

The Premise: An American con-man journeys to Greece to track down his ex-wife and son.

Overall: The boy playing the con-man's son is a good actor, but his character is so annoying that it distracts from the rest of the film.  There are countless movies from the time period featuring an estranged spouse in search of payback or personal enrichment, so there's no reason to seek this one out.


19. The Long Duel (1967)

The Premise: Yul Brynner marginally disrupts the British Empire in India after they impinge on his nomadic lifestyle.

Overall: A solid historical adventure with great performances from both Yul Brynner and Trevor Howard.

Fun Fact: Charlotte Rampling is in this.  She was around 20 at the time.




The Premise: Architect Kirk Douglas and lonely housewife Kim Novak begin an extramarital affair.

Overall: One of the best movies of the decade.  The script is airtight, the characters are compelling, and the direction is spot-on.  Most contemporary takes on the subject matter would have doused the whole thing in sex, but this movie refrains from doing so and that's one of its many strengths.

Fun Fact 1: Director Richard Quine's The World of Suzie Wong was released the same year.  It was probably the biggest year in his career.  

Fun Fact 2: The house Kirk Douglas' character has built in this movie is still standing in Bel Air, Los Angeles, California.

Related Entries:

2024年7月1日 星期一

"Hellboy: The Complete Short Stories Volumes 1 and 2" by Mike Mignola & Others (2018)


"Jeez!"

I'm very late in reading Hellboy.  I've seen all the movies of course, but the comics went right by me.

If you can imagine the old EC horror comics with a recurring red, wisecracking, demonic character that pretty much sums up Hellboy.  Weird stuff happens, Hellboy shows up, Hellboy fights the monster (usually with his fists), and that's about it.  This isn't to say that Mike Mignola's Hellboy is bad or even derivative, just to say that there's a very specific formula involved in most of these short stories, even if this formula is used well.

I very much enjoyed "The Crooked Man," a story which features Richard Corben's artwork.  Milennium Media has used this story as the basis for an upcoming movie, with Jack Kesy appearing as Hellboy.  It was filmed in Bulgaria and sounds super low budget, but if the trailer's promising I'll give it a look.

I also liked the African myth story which closes out Volume 2.  Given that Hellboy is often an excuse to explore various mythologies, this story offers us a glimpse of wider possibilities, in which Hellboy is a kind of Sandman-like character, adaptable to myths and folktales from any number of cultures.

Related Entries:

"Black Hawk Down" by Mark Bowden (1999)


"From his position behind the car, peering down one of the streets at their intersection, Nelson saw a man with a weapon ride out into the road on a cow.  There were about eight other men around the cow, some with weapons, some without.  It was the strangest battle party he'd ever seen.  He didn't know whether to laugh or shoot at it.  He and the rest of the Rangers at once started shooting.  The man on the cow fell off, and the others ran.  The cow just stood there.

"And at that moment, a Black Hawk slid overhead and opened fire with a minigun.  The cow literally came apart.  Great chunks of flesh flew up in splashes of blood.  When the minigun stopped and the chopper's shadow passed, what had been the cow lay in steaming pieces on the road."

Mark Bowden began his writing career as a staff writer for The Philadelphia Inquirer, later contributing articles to The Atlantic, Vanity Fair, The New Yorker and other periodicals.  His first book, Bringing the Heat, was published in 1994.  Black Hawk Down remains his best known work.

Black Hawk Down is an account of a U.S.-led military action in Somalia during the early 90s, an incursion which led to widespread news coverage after the corpses of several U.S. military personnel were paraded through the streets of Mogadishu.

Bowden's version of events is very spare, free of the "introspective approach" so often seen in other modern accounts of warfare.  Rather than using the business of war to discuss himself and/or the foibles of humanity as a whole, he restricts his account to what happened and why, detailing for the reader troop movements, the dispositions of the "enemy," and the various other factors that led to what some called "the deadliest day in decades."

I liked it.  The acronyms grow a bit confusing, but aside from that it's a solid, visceral book that makes an impression.  I was glad the author did without the philosophizing that so often marks this type of book, even if I think the event itself could have used more context.  I wanted to know more about why the U.S. was in Somalia, and I wanted to know more about what effect the Battle of Mogadishu had on U.S. foreign policy.

I also felt that the author's attempt to present the Somali side of the conflict was insufficient.  Taken as a story, the Somalis seen in Black Hawk Down are very undeveloped characters, and in the absence of sufficient information about them the author probably should have removed them from the narrative altogether.  As it is their presence weakens the book to some extent, rather than balances it as he probably hoped it would.

I haven't seen Ridley Scott's cinematic version since it appeared in theaters, and my memory of is extremely fuzzy.  I'd like to watch it again soon.

Related Entries:

2024年5月16日 星期四

Still More 70s Movies 2

A lot of horror here.  I was in that kind of mood.

1. House of Evil (a.k.a. "The Evil" and "Cry Demon") (1978)

The Premise: A group of people (doctors?) attempt to open a rehabilitation center in -- you guessed it -- a haunted house.

Where Are They Now?: Richard "Colonel Trautman" Crenna passed on in 2003.  His last movie was 1998's Wrongfully Accused.

Overall: It covers all the usual bases.  The spooky basement, the religiously inclined psychic, the old book found in a corner of the house, warnings from pets, windows and doors that lock themselves, etc., etc., etc.  I can remember seeing the VHS a lot when I was a kid in the 80s.  Now I know why no one I knew mentioned seeing it.


2. Alucarda (1977)

The Premise: Uh... religious hysteria?

Where Are They Now?: The beautiful Tina Romero is, as it turns out, American.  She was born in New York, and her family relocated to Mexico when she was around nine years old.  Since the release of Alucarda she's enjoyed a long career in Mexican television.

Overall: I make no assumptions about the kinds of movies you watch, but this will probably be the weirdest thing you've seen in a while.  It reminded me a bit of 1971's The Devils, which explores many similar themes.


3. Diary of a Murderess (a.k.a. "La Encadenada") (1975)

A dumb way to kill someone if you ask me.  She knew there were people downstairs.  Wouldn't they smell the gas?  And can't her husband still blackmail her regardless?  Why would she think her position was secure?

The Premise: A "psychiatrist" with a troubled past is hired as a governess by a wealthy industrialist.

Where Are They Now?: Marisa Mell appeared in increasingly lower budget European films up to 1991.  She died two years later, in 1993.

Overall: It's relatively suspenseful up to the one hour mark, and star Marisa Mell is certainly easy to look at, but her character's plan doesn't make much sense.

I enjoyed the twist at the end, however.  A very Italian ending!



The Premise: A young man moves out on his own with hopes of becoming an actor.

Where Are They Now?: Keep your eyes peeled.  If you look very closely you'll see Bill Murray in both the local bar and at the party.  This was his very first movie.  He'd start his run on Saturday Night Live a year later, and he most recently appeared in Ghostbusters: Frozen Empire.

Christopher Walken already had a long career in film and television prior to Next Stop Greenwich Village.  He'd appear in Annie Hall the following year.  Dune: Part Two is his most recent movie.

Jeff Goldblum appears in this movie very briefly.  He was also discussed in the Still More 70s Movies entry.  In 2019 a reality show centered around him appeared on Disney+.

Shelley Winters passed on in 2006.  Her film career lasted from 1943 to the year of her death.  She was often typecast, but I think that given a good role she always rose to the occasion.

Antonio Fargas might be recognizable from numerous Blaxploitation movies.  He was self aware enough to later appear in 1988's I'm Gonna Git You Sucka.

Writer and director Paul Mazursky died in 2014.  He voiced a minor role in Kung Fu Panda 2 prior to his death.  The last big movie he wrote and directed was 1988's Moon Over Parador.

Overall: The dream sequences feel unnecessary, but otherwise it's a good coming of age tale.



The Premise: Prison authorities discover that an inmate has a talent for running.

Where Are They Now?: Star Peter Strauss now runs a citrus production business.  He's married to actress Rachel Ticotin, who you may remember from 1990's Total Recall.

Brian Dennehy passed on in 2020.  He had a long and varied career which included films such as 10, First Blood, Cocoon, Tommy Boy and many others.

Overall: It's nice to see a Michael Mann movie this ISN'T some work of crystalline perfection.  The Jericho Mile suffers from pacing issues, it includes several "moments" that don't feel earned, and the ending is a head scratcher if there ever was one.  Even so, it's gratifying to see what Mann was doing earlier in his career, long before movies like Heat elevated him to the level of directors like Scorsese and Spielberg.  The Jericho Mile is a movie full of missteps, and I appreciate it for that reason.  Yes, it won Emmy awards, and in some respects it led to the far superior Thief, but no, it's not perfect.


6. Claudine (1974)

The Premise: An unmarried mother of six finds love after a series of setbacks.

Where Are They Now?: Diahann Carroll -- whose name I will always have difficulty remembering how to spell -- passed away in 2019.  Despite the moderate success it enjoyed, Claudine was the only movie she appeared in during the 70s.  Most of her career consisted of roles in TV shows.

James Earl Jones is still alive!  He's around 93 years old now.  His film career started with a minor role in 1964's Dr. Strangelove.  His most recent movie was 2021's Coming 2 America.

Overall: An excellent movie from beginning to end.  The editing was especially well done, and some of the points Claudine's characters make about economic inequality ring true today.



The Premise: Wild Bill Hickok and Crazy Horse team up to bring down a supernaturally strong buffalo.

Where Are They Now?: Charles Bronson's career has been discussed here many, many times already.  He went to his Great Reward back in 2003.

Will Sampson, who plays Crazy Horse, might be familiar.  He played Chief Bromden opposite Jack Nicholson in 1975's One Flew Over the Cuckoo's Nest.  He died relatively young in 1987.

Overall: The titular white buffalo looks very fake and there are some unintentionally funny moments, but otherwise it's not a bad movie.


8. Deranged (1974)

Not sure what's going on with that narrator in the beginning.  I'm guessing that scene was shot at the last minute, and he was reading his dialogue off of cue cards for the first time.

The Premise: Good 'ol Ed Gein.  This movie will remind you a lot of the much earlier Psycho, but aside from that film it's loosely based episodes in Gein's life.

Where Are They Now?: Star Roberts Blossom was in a ton of movies.  His first movie was 1971's The Hospital, one of those gloriously overblown Paddy Chayefsky efforts featuring George C. Scott.  His last movie prior to his death in 2011 was 1995's The Quick and the Dead.

Overall: A good, if unsurprising stomach-churner from the mid-70s.  This said, I can't help but wonder if the dinner scene in this movie inspired a similar scene at the end of The Texas Chainsaw Massacre, which came out later the same year.


9. Spectre (1977)

NO ONE has ever been cockblocked harder than the Watson stand-in during the first night at the manor.  Succubi or no, that's just a damn shame.

The Premise: Robert Culp plays a detective battling demonic forces in this TV pilot.

Where Are They Now?: Gene Roddenberry, creator of Star Trek, wrote the script.  He passed on in 1991.  

Robert Culp lived until 2010.  He appeared in movies and television up until the same year.

John Hurt is best remember as the Alien franchise's first victim, famously expiring on the lunch table after his foray into the alien ship. He died in 2017.

Overall: It's very much in line with the occult craze of its time.  Astrology, TV shows like In Search Of..., comic books like Son of Satan, movies like The Fury.  Powers of the mind, ghosts, bigfoot and aliens.  Taken on its own merits Spectre does a decent job keeping it light while at the same time keeping it spooky.

Fun Fact: OF COURSE there's a metal band by the name "Asmodeus."  Here you go.


10. The Devil with Seven Faces (a.k.a. "Bloody Mary" and "Nights of Terror" (1971)

Wow, those outfits.  This movie couldn't be more early 70s if it tried.

The Premise: A pair of twins find themselves pursued by knife-wielding strangers.

Where Are They Now?: Carroll Baker had a celebrated career on Broadway before becoming a Hollywood actress.  The Devil with Seven Faces represents her "European period," which ended in 1975 with her return to American film and theater.

Her costar Stephen Boyd might be familiar from his role in Ben-Hur.  He died of a heart attack in 1977.

Overall: Overdubs aside it's a genuinely good movie.



That theme by Albeniz is one of my favorite pieces of classical music.  Excellent choice.

The Premise: A young woman travels back in time after encountering the Devil on the street in Italy.

Where Are They Now?: Mario Bava was one of the great horror directors.  He didn't always hit it out of the park, but at his best he was very, very good.  Blood and Black Lace is a personal favorite -- you just don't get any more giallo than that.

Bava's last movie was 1998's Rabid Dogs, which wasn't released until long after his death in 1980.

The beautiful Elke Sommer is still around.  She lives in Los Angeles, and hasn't appeared on film since 2010.

None other than Telly Savalas plays the Devil in Lisa and the Devil.  The 60s were probably the height of his film career, while in the 70s and 80s he was better known as Kojak.  He did a few movies in the 80s and 90s, but I doubt many people hearken back to the likes of Cannonball Run II and Mind Twister.  He died in 1994.

Overall: One of the best movies here.  It veers away from gore and nudity, but in terms of atmosphere it surpasses any of the other horror films discussed in this entry.


12. Doomsday Machine (1976)

This one's more a product of the 60s than the 70s.  It began production in 1967, but wasn't completed until 1972.

The Premise: A mission to Venus is launched ahead of schedule after a potentially world-ending weapon is discovered in China.

Where Are They Now?: Most of them are no longer with us.  Actress Chia Essie Lin (林嘉) had a somewhat interesting career, veering between Hong Kong, Blaxploitation and American television.

Overall: It's just as bad (and thus just as "good") as you'd expect.  On a scale of 1 to 10, 10 being Moonfall, I'd give this one an 8.

Fun Fact: The "distant future" in which the events of this film take place is 1975.  Doomsday Machine's original title was Armageddon 1975.


13. Don't Look in the Basement (a.k.a. "The Forgotten") (1973)

The Premise: A nurse arrives for work right after the inmates have taken over the asylum.

Where Are They Now?: Nobody in this movie went on to become famous, though Don't Look in the Basement does enjoy a cult following.

Overall: You'll probably see the plot twist coming from far away, but it's an enjoyably cheesy horror movie.


14. The Summertime Killer (a.k.a. "Target Removed") (1972)

The Premise: A New York detective chases an assassin through Europe in this Spanish-Italian co-production.

Where Are They Now?: Christopher Mitchum is the son of actor Robert Mitchum.  He now divides his time between movies and California politics.

Karl Malden passed on in 2009.  Towards the end of his life he was primarily working in TV.

The beautiful Olivia Hussey's star was on the rise in the early 1970s.  She appeared as Juliet in Franco Zeffirelli's Romeo and Juliet in 1968, and in 1972 she was two years away from Black Christmas, a movie fondly remembered by fans of horror films.  These days she does a lot of voice work for animation.

Former Bond girl Claudine Auger died in 2019.  Up until the late 1990s she was appearing in French films.

Overall: A good, entertaining movie with some nice twists and turns.


15. Night Slaves (1970)

The Premise: A man recovering from an automobile accident discovers a small town hiding a sinister secret.

Where Are They Now?: Leslie Nielsen went on to star in the Naked Gun movies, though he'd been in films like Forbidden Planet and The Poseidon Adventure long before.  He passed on in 2010.

James Franciscus, who died in 1991, was, I kid you not, the man to whom Jane Fonda lost her virginity.  He did a lot of TV during his lifetime.  His biggest movie was probably Beneath the Planet of the Apes.

Overall: By-the-numbers TV thriller.


16. Straw Dogs (1971)

The Premise: A pacifist learns he has a capacity for violence after clashes with villagers in the English countryside.

Where Are They Now?: Dustin Hoffman appears in Francis Ford Coppola's Megalopolis, which was recently screened at Cannes.  He also voiced "Master Shifu" in Kung Fu Panda 4.  Anyone interested in 70s films would do well to work their way through his movies from that decade.  Little Big Man, Straw Dogs, Papillon, Lenny, All the President's Men, Marathon Man, Kramer vs. Kramer and Straight Time are all great.

Susan George was an underrated actress.  Her conflicted portrayal of "Amy" in Straw Dogs is one of the things that make it so good.  Critics at the time derided the controversial rape scene, but I think the ambiguity of that scene adds a lot to the movie.  And who's to say that women can't be perverse?  Isn't imposing that type of limiting factor on artistic depictions of women just another kind of sexism?

Director Sam Peckinpah's substance abuse was a constant issue in his career.  One of the reasons he shot Straw Dogs in England was that he'd been largely blackballed from Hollywood due to his propensity for going overbudget and getting bogged down in reshoots.  He went on to do some classic movies as the 70s wore on, but his one movie of the 80s, The Osterman Weekend, wasn't well received by critics.

Overall: An excellent movie, one of the best of the decade.


17. End Play (1976)

The Premise: A serial killer attempts to hide his deeds from his inquisitive brother.

Where Are They Now?: Between the two leads and the director there's a lot of Australian television work, but no one in this movie went on to become especially famous.

Overall: The filmmakers probably thought that such a slow pace built tension, but in my opinion End Play moves too slowly for its own good.  Some of the exchanges between the brothers and the detective also seem implausible.



For a second I thought this movie was going to detour into Salo country.  I'm glad that it didn't?

The Premise: Two young lovers find themselves imprisoned in a remote mansion.

Where Are They Now?: None of the cast or crew are well known outside of Spain, where this movie was filmed.

Overall: It's an entertaining movie.  Subtitles aside, it's the kind of thing Cinemax would have shown late at night back in the 80s.



It's Ingmar Bergman, so strap yourself in.

The Premise: An American Jew living in pre-WWII Germany struggles through a series of misfortunes.

Where Are They Now?: David Carradine's death via auto-erotic asphyxiation was widely reported on in 2009.  After the success of the television show Kung Fu he was offered many high profile roles up until the end of the 70s.  Kill Bill Vol. 1 & 2 could have rejuvenated his career if Bangkok hadn't happened.

Actress Liv Ullman was a favorite of Bergman's, appearing in many of his films.  She was offered roles in Hollywood movies, but chose to remain in Europe where she continues acting and directing.

Ingmar Bergman died in 2007, two years before David Carradine.  His last movie as director was 1982's Fanny and Alexander, an excellent film.  His last movie as writer was 2007's Faithless, which was directed by Liv Ullman.

Overall: It wasn't loved by critics, but if you're in the right mood The Serpent's Egg is alright.  It pales next to other Bergman films (it lacks that kind of punch), but it does have many redeeming features.

I don't think Carradine was the best choice for the lead.  Bergman originally wrote the role for Elliot Gould, who would have been much more convincing, but the studio insisted on Carradine instead.  

The script (or perhaps the way in which the movie was edited) also fails to draw a clear line between what its characters are experiencing and its theme of human-engineered suffering.  It's not a bad movie, but I don't think they quite hit what they were aiming for.



The Premise: A young woman comes to terms with her own and other's sexuality.

Where Are They Now?: Diane Keaton was already an established star at the time of this movie's release.  I briefly discussed her career in relation to Lovers and Other Strangers in the previous entry.

Tuesday Weld has also been discussed here.

Richard Gere, Tom Berenger, Brian Dennehy and LeVar Burton (!) all appear in this movie.  It was Brian Dennehy's first.  He passed on in 2020, but the other three men are still around and still active in the world of film.  Richard Gere appeared in two movies, Oh, Canada and Longing, this year, Tom Berenger was in the direct-to-video One More Shot, and LeVar Burton voiced a character in The Imaginary.

Fun Fact: While sitting at the bar Diane Keaton is holding a copy of Mario Puzo's The Godfather.  She starred in the movie version of the book five years before.

Overall: A very good movie.  I particularly enjoyed Diane Keaton and Tuesday Weld's scenes together.  They complimented each other nicely.

Related Entries: