顯示具有 2021 標籤的文章。 顯示所有文章
顯示具有 2021 標籤的文章。 顯示所有文章

2023年1月21日 星期六

The Best American Science and Nature Writing: 2021," edited by Ed Yong (2022)


"Song took a shallow, labored breath.  He worried that a deepening distrust of doctors was undermining end-of-life discussions: "It's impossible when the patient or the patient's family is thinking at every turn, Oh, is the doctor saying there's nothing we can do because that's really the case or because he doesn't think he'll earn enough to be worth his effort?"  Song adjusted his nasal tube.  "Everyone should know what's coming.  When that day comes, we have to know the difference between giving up and letting go."

2021, as I'm sure everyone still living knows, was a difficult year for most people.  In 2023 many of us are looking at COVID more retrospectively, but back in 2021 COVID was an omnipresent fact of life, informing both trends in journalism and the shape our daily lives took.  2021 wasn't a good year for anyone who read the news, enjoyed traveling, or who worried aver the prospect of continued, unhindered breathing.

So of course COVID is a major theme in this book.  It isn't the subject of every article, but it's almost always there, lurking in the background, if not placed front and center.  And in the pages where COVID is absent there's climate change, a subject which is often assessed and reassessed in connection with COVID, so it should come as no surprise that The Best American Science and Nature Writing: 2021 more often than not makes for depressing reading.

This book is divided into three sections: "Contagion," "Connections" and "Consequences."  I'm sure you can guess what the articles in "Contagion" are about.  "Connections" and "Consequences" are where the articles offered and the subjects they highlight are more diverse, and where COVID forms more of a backdrop to a wider variety of topics.

The first section, "Contagion," was the hardest for me to get through.  Part of my difficulty was the fact that I, like many of you, have been emotionally exhausted by discussions of emergency rooms, dwindling resources and the ways in which viruses are transmitted.  Part of my difficulty also lies with the fact that a couple of articles in this section are just badly written, poorly conceived exercises in journalism, "It's Not Too Late To Save Black Lives" and "The Soft Butch That Couldn't" being the word offenders in this regard.  But then again we were all quietly (or not so quietly) panicking in 2021, so I can't blame the editor too much for the inclusion of these pieces.

The second and third sections of this book are better, even if Emily Raboteau's "This Is How We Live Now" is one of the most hysterical, overwrought, misleading bits of "journalism" I've ever come across.  It's less an essay than a guide to the author's pretentious friends.  COVID?  Climate change?  I'd take both over the annoying urban types that populate this tired plea for relevance.  Talk about preaching to a very particular choir.

I can't say that I found much common ground with the climate change articles in this book.  They discuss ecosystems, sure, but I wasn't seeing much understanding of how ecosystems actually work.  What's that, you say, we can't just pick and choose the aspects of nature we like, managing them in perpetuity?  No we can't, and a more humble understanding of our place in nature might be in order.  At the end of each day it's not about the end of the world; it's not about saving the planet, it's about saving ourselves, and living in a way that puts less pressure on the environments we inhabit.

The last two articles in this collection, "The Friendship and Love Hospital" and "The Last Children of Down Syndrome," are far and away the best articles in this book.  The former discusses hospice care in China, and it's one of the most masterfully written articles I've come across in a long time.  The latter article explores the effect of prenatal DNA testing on expectant mothers, and reveals a complex web of choices with regard to who is born, who isn't, and how our understanding of genetics plays into public policy.

Overall I think that this collection is worth reading, but you could probably skip over the first section.  Those articles were written in the thick of things, and we've all been there and had those arguments with friends and family already.

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2022年5月16日 星期一

Some Other Movies From 2021 (2)


For more 2021 movies please visit the Some Other Movies From 2021 entry.  It's been a while since I wrote it, but the opinions expressed there still stand.

The following things happened in 2021:
  • It was a COVID party and everyone was invited.  Condolences to family members of those who didn't make it home from that particular party.
  • Supporters of Donald Trump invaded the U.S. Capitol.
  • Joe Biden became the 46th President of the United States.
  • In its buildup to the invasion of that country, Russia warned NATO against sending any troops to Ukraine.
  • The 2020 Summer Olympics were held in Tokyo, Japan.

Excellent

1. Pig

Like Uncut Gems this movie comes straight out of left field.  It's wonderful, really wonderful.  Nic Cage turns in a masterful performance as a hermit/ex-chef/ex-something hunting for his lost pig.  

Like any great movie this one ALWAYS turns right when you think it's going to turn left, and ALWAYS turns left when you think it's going to turn right.  A hearty round of applause to Alex Wolff as well, who co-stars as a businessman living in his father's shadow.

I often apply the term "excellent" relative to the year in which a given film appeared, but this movie really is excellent.  The first-time director, Michael Sarnoski, is probably going to stumble with his "Quiet Place spinoff," but keep your eyes peeled.  He'll probably rise to the occasion in the future.

Fun Fact: Wolff's father is played by Adam Arkin, brother of the much better known Alan Arkin, whose career in film stretches back to the 50s.

2. CODA

A high school student tries to balance the demands of deaf parents and dreams of being a singer.  This film won Best Picture, Best Supporting Actor and Best Adapted Screenplay last year, and I wouldn't argue against it.  When you think about how brilliantly it contrasts the perspectives of those who can hear and those who can't it's impossible to find fault with it.  That scene at the concert is especially well done.

3. Belfast

OK, I'm not going to badmouth Kenneth Branagh ever again.  Belfast is a legitimately masterful effort, and unlike other movies Branagh's directed it never feels like a play.  He impressed me with Cinderella, but this one's even better.

It's 1969, it's Ireland during a period of mounting unrest, and a family find themselves caught between their Protestant upbringing and their friendships with Catholics.  The way the director applies Van Morrison to this film rejuvenates the songs and brings an extra layer of meaning to the story.  

Belfast might not have won that many awards, but it was nominated for many and it's well worth seeing.  Like the two movies listed above it's definitely one of the best movies of 2021.

4. The Worst Person in the World

An impulsive (indecisive?) woman passes through a series of relationships.  This movie was well received by critics, and I'd have to agree that the director, cast and crew produced an impressively nuanced film.

5. King Richard

Many years ago there was The Snap, with which Thanos extinguished half the universe's population.  A few years later came The Slap, with which Will Smith extinguished half of his career prospects.  The irony being that Smith's character spends a lot of King Richard talking about being humble, about escaping the ghetto, and about not bringing the ghetto with you wherever you go.

Oh well.  King Richard is still a great movie and Smith is its centerpiece, playing a driven father who drives his daughters on to success in the world of tennis.  Smith, as everyone now knows, won the Oscar for this performance.  It's just too bad that what people are going to remember is him slapping presenter Chris Rock at the Oscars.

6. The House of Gucci

It boggles the mind that Ridley Scott directed both this and The Last Duel at about the same time, and that Adam Driver starred (or at least co-starred) in both movies.  The House of Gucci, like The Last Duel, is also LONG, but it's worth the effort.  Lady Gaga and Jared Leto's performances stand out in particular, and Tony Scott displays a steady hand throughout.  That transition between Jeremy Irons last conversation and his death?  Masterful.

Critics were on the fence over this one, but I thought it was great.  At the very least Lady Gaga deserved another Academy Award nomination.


Some Good Ones

1. Luca

A Disney/Pixar offering in which two amphibious boys travel to a small town in Italy in the hope of winning a Vespa.  It's very forgettable but it's not bad.

2. South Park: Post COVID: The Return of COVID

I can't say the jokes always land, but for the most part it's funny.

3. Sing 2

Various singing animals overcome their neuroses and - you guessed it - sing.  Definitely not as good as the first one, but it ends with the emotional outpouring of song that everyone came for.

Fun Fact: Wikipedia categorizes Sing 2 as a "jukebox musical comedy film."  If you didn't know that was a genre now you do.

4. Licorice Pizza

Paul Thomas Anderson's love letter to the/early 70s.  I suppose it's a movie about people trying out various roles, trying to convince themselves that they fit the part, and then finding out that the role they once wanted to fill so desperately wasn't what they really wanted at all.  The two leads are great actors, but despite a strong beginning and a couple amusing cameos I felt that this movie ran a little too long.

Another complaint about this movie is that some of Alana Haim's dialogue seems anachronistic.  I can't see someone living in that time period using "little bitch" that way, and her generous use of the word "fuck" seems a bit too contemporary at times.

Fun Fact 1: Cooper Hoffman, who stars in this movie as Gary Valentine, is Philip Seymour Hoffman's son.

Fun Fact 2: George DiCaprio, who appears briefly in the waterbed store, is Leonardo DiCaprio's father.

5. Ghostbusters: Afterlife

A surprisingly solid movie.  It strays too close to the original, but overall it hits all the right notes and the ending leaves you wanting more.  WAY better than the 2016 reboot.


WTF Did I Just Watch Part 2: The Return of WTF Did I Just Watch

1. Titane

Spiritual sequel to J.G. Ballard's/David Cronenberg's Crash?  Maybe.  Beyond that I won't attempt to describe the plot.  It'll ruin it for you, and even if it doesn't my description will subtract from you enjoyment of this movie.  I will say this: bring a strong stomach.  Director Julia Ducoumau's first film, 20186's Raw, was on the gross side, but parts of this are even worse.


Definitely not Bad, Just Not into It

1. The Green Knight

I have to be honest and say I fell asleep.  It's a great looking movie, but it's super slow.  I get why it scored so high with critics, I probably just wasn't in the right frame of mind for it.

I read T.H. White's The Once and Future King series not long ago.  I can remember reading that, seeing the preview for this film, and looking forward to seeing it.  I'll wait until I'm sufficiently awake and try it again someday.

2. The French Dispatch

If any movie ever tested my patience it was this one.  It's either everything or nothing, and nothing in-between.  I attempted it twice before finally soldiering through it, and I still can't say I enjoyed it.

Bill Murray and several others appear and then disappear in this movie about the last issue of a magazine.  It's more of an anthology than a single story, and while some of the parts are interesting I can't say the whole is easy to get through.  My takeaway?  Leo Seydoux is very beautiful nude, and Jeffrey Wright's bit is the best part of the movie.  Critics liked it - as you would expect - and with Wes Anderson's following it grossed double its budget.

3. Nightmare Alley

Like The Green Knight and The French Dispatch this movie was a struggle.  It's long, it's dark, and despite both tons of atmosphere and a well written screenplay I had trouble caring after a certain point.  Director Guillermo del Toro is on firm footing here: carnival types, desperate men and severe weather, but I never felt like the conclusion - which I'd guessed long beforehand - was worth the 2+ hours it took to get there.  This might be the best thing that Bradley Cooper has yet done, but I'd take "lighter" fare such as A Star is Born and The Mule over this movie.


Physics Need Not Apply

1. F9

In a higher dimensional space a 7 year old boy is in his backyard, playing with some toy cars and some G.I. Joes, and whatever he's imagining is this movie.

In F9 Vin Diesel gets the band (or should I say the family?) back together for an extended car chase that goes from the implausible, to the impossible, to the nonsensical in however long it takes a Pontiac Fiero to achieve orbit.

I enjoyed seeing the guy from Tokyo Drift (Lucas Black) again.  That's still my favorite movie in the franchise.

You know what this movie really reminded me of?  1979's Moonraker.  It approaches that level of ridiculousness, and I enjoyed both movies immensely.  Will I be seeing Fast X?  Probably - why not?

Fun Fact: Filming of Fast X is already underway.  Jason Momoa will be the villain.


Some Bad Ones

1. Resident Evil: Welcome to Raccoon City

The reboot nobody really wanted, brought to you by people you're not familiar with, and starring various attractive people who've put their gym memberships to good use.

This movie was a wasted opportunity.  It was 2021 after all.  They could have brought a lot of pertinent issues into the script, and they could have made the virus more threatening.  Instead we get more zombies and callbacks to the late 90s.  

2. Jungle Cruise

Got halfway through and had to turn it off.  The Rock does his usual "comedy" routine, cracking unfunny one liners, WWE-ing people into submission, and occasionally brandishing a ukelele.  Emily Blunt suffers stoically in his presence, probably using her next paycheck as a source of motivation.  

The director, Jaume Collet-Serra, will also be directing Dwayne Johnson in the upcoming Black Adam.  Hopefully he's better with darker material.

Doublethink: One one hand Disney's going to produce a sequel, but on the other hand Werner Herzog already did, way back in 1972.  The "Aguirre" seen in this movie could be conflated with the Aguirre of Herzog's Aguirre, the Wrath of God.  There's very little historical basis for either movie, and I like to think that Klaus Kinski floated on an existential raft full of monkeys before the events of Jungle Cruise.

3. Nobody

John WickThe Equalizer?  Nobody is somewhere between the two.  It piles up a lot of action movie cliches, and that would be fine if I'd had any kind of feeling for the characters.  But no, they're pretty much cutouts and the movie as a whole is forgettable.  The director, ironically enough, is Russian.

Fun Fact: Michael Ironside plays Bob Odenkirk's boss.  It took me a while to register this fact.

4. The King's Man

Matthew Vaughn returns with the prequel nobody asked for.  The whole charm of the first two movies was how they toyed with premises set forth in the Bond films.  Setting this during World War I means that this movie has to rely more on its characters, and in this case its characters just aren't that interesting.  Ralph Fiennes is game enough, but the script could have used some work.

There's a sequel on the way, Kingsman: The Blue Blood, due out next year.


Bad, but Entertainingly So

1. Mortal Kombat

Yeah it's not as good as the original.  But the fight choreography is better, and the fight between Cole, Scorpion and Sub-Zero is pretty good.  The dialogue is most definitely bad, and the plot makes little sense, but if you're willing to turn your brain off for a couple hours it's actually not bad.

Fun Fact: Lewis Tan, the star of this movie, also appeared as Shatterstar in Deadpool 2.

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NOTE: After this entry I'll be watching a few more movies from 2022, and after that I'll be going back, way back to the late 1960s.

2021年10月14日 星期四

Some Other Movies From 2021

I spent all of 2021 living and working in Fangliao Township, Pingtung County, Taiwan.  There was a lot of job-related uncertainty.  I lost a couple friends.  I gained a couple new ones.  All in all it wasn't a terrible year, but I've had better years for sure.

The top 5 movies of 2021 were Spider-Man: No Way Home, The Battle of Lake Changjin, Hi, Mom, No Time to Die and F9The Battle of Lake Changjin is about the People's Liberation Army forcing U.S. forces to withdraw from a key position during the Korean War.  Turnabout is always fair play I suppose, but this movie is still blatant propaganda, and the reduced status of the Hong Kong talent compelled to participate in it makes me sad.

Critics also liked The Power of the Dog, CODA, King Richard, Tick, Tick... BOOM!, Being the Ricardos, West Side Story, The Eyes of Tammy Faye and Belfast.  Of these movies I've seen The Power of the Dog (overrated), Tick, Tick... BOOM! (a solid movie), West Side Story (beautifully filmed, but made me sleepy) and The Eyes of Tammy Faye, which I genuinely enjoyed.

My favorite movies were Spider-Man: No Way Home, Godzilla vs. Kong, The Last Duel and The Eyes of Tammy Faye.  Then again there are many movies from this year that I haven't seen, and some of them will be discussed in the upcoming Some Other Movies From 2021 (2) entry.

My least favorite movie was, hands-down, No Time to Die.  That film just made me angry.  If the James Bond franchise has one rule, it's that James Bond isn't allowed to die in the end.  Especially not unnecessarily.  Sorry for the spoiler, but there it is.


Excellent

1. Godzilla vs. Kong

I like big stompy monsters.  That's kind of my thing.  This movie isn't perfect, but it features a few big stompy monsters stomping a lot of stompable things.  I appreciate that.  The people I went with were all rooting for Kong.  I was rooting for Godzilla.

2. The Last Duel

You could fault this movie for being too on the nose, right down to the youngish king passing judgment through the court of public opinion. But aside from that this is a well crafted film, and both Matt Damon and Adam Driver are good as two knights contending over the same woman. Is it the best movie Ridley Scott has ever done? No, but it's still better than most of the movies that came out this year.

3. Spider-Man: No Way Home 

That one conversation in Ned's house. FUCK. I managed to avoid online spoilers, and when that conversation happened I was like daaaamn.  The plot doesn't make a lot of sense, but it's great regardless. Top tier performances from Holland, Zendaya and... whoever else might be in this movie.


Some Good Ones

1. Shang-Chi and the Legend of the Ten Rings

In case you're unfamiliar with the comic books, Shang-Chi was always a street level character, tied to the neighborhood where he lived and isolated from most of the rest of the Marvel Universe.  He was very much a product of the 1970s, an era in which Bruce Lee was blowing people's minds.

The more recent movie incarnation is a whole other character.  It's not just that they retooled the Mandarin's backstory, but also the scale of Shang-Chi's powers, the magical elements, and the fact that he's untethered to any single (urban) location.  The MCU Shang-Chi is just a whole lot bigger, and I think this change of scale makes sense given the MCU films that have come before him.  Giving us another street level hero along the lines of the Netflix shows would have been disappointing.  It also wouldn't have made as much sense given the kind of continuity Marvel Studios is creating.

I enjoyed this movie a lot more than I thought I would.  I wasn't super excited going in, but by the time the fight on the bus started I was fully invested.  Simu Liu is a good actor, and Tony Leung, who's carried more movies than I can count, was an ideal choice for the villain.  If someone explained the ending to you beforehand you'd probably make up your mind against it, but as it is they do an excellent job of building up to that fantastical conclusion.

Awkwafina?  I think she was miscast.  She was great in The Farewell - a movie in which she plays a similar character - but her humorous dialogue in Shang-Chi lessened the movie.  The actress playing Shang-Chi's sister - a woman I found insanely attractive - could have just as easily filled the same function in the plot.

Fun Fact 1: Actor Brandon Lee, son of Bruce Lee, almost starred in a Shang-Chi television show in the 1980s.  Bruce Lee was the visual inspiration for Shang-Chi back in the 70s.

Fun Fact 2: Movie martial arts legend Yuen Woo-Ping almost directed a version of Shang-Chi for Dreamworks Pictures back in the early 2000s.  Yuen Woo-ping choreographed the fights in the The Matrix.

2. Zack Snyder's Justice League

Is it akin to the Second Coming of Our Lord and Savior Jesus Christ?  Of course not.  It's unquestionably better than the Joss Whedon version, but I won't argue that it's not too long.  It does fill in some blanks with regard to the earlier version, and I especially enjoyed the added scenes with the Flash, but after watching it I had no desire to see it again.  I think the best version of Justice League is somewhere between Snyder's (far more cohesive) vision and Joss Whedon's more "commercially acceptable" substitute.

If nothing else I'm happy this movie was released because it diffused all the #ReleaseTheSnyderCut agitation.  I'm sure all of those people have moved on to some other cinematic cause, and I'm happy to NOT know what that cause is.

Fun Fact: That scene with Martian Manhunter in the end originally featured John Stewart/Green Lantern.

3. Suicide Squad

SO much hype, but yeah, it's a solid movie.  I wasn't a big fan of James Gunn's Guardians of the Galaxy films, but this one worked much better for me.  I liked "the fakeout" in the beginning, I enjoyed the gratuitous violence, and in Bloodsport Idris Elba seems to have found a comic book character worthy of his acting ability.

My favorite parts of this movie were Bloodsport and Peacemaker's assault on the rebel camp, and also the scenes involving King Shark.  Harley Quinn shouldn't have been given so much screen time, and Joel Kinnaman - as in the first movie - doesn't have enough to do.  Starro was well done, and making his origins more gruesome was a great idea.

Future: At the present time Gunn seems to have drifted away from the DCEU.  He's been helping the Peacemaker series along, but after production on The Suicide Squad wrapped he'd already started work on the third Guardians of the Galaxy.  There's even a Guardians of the Galaxy Holiday Special on the way in 2022.

4. Venom: Let There Be Carnage

It's cheesy as hell, but after sitting through Dune and No Time to Die (below) it was exactly what I needed.  It reminded me a lot of earlier, pre-MCU comic book movies like Sam Raimi's Spider-Man or Blade II.  Silly but enjoyable dialogue, a completely predictable plot structure and less-than-convincing special effects - all delivered in about an hour and a half.

5. Eternals

At this point in the game it might be better to ask what kind of superhero movie this is.  Is it superheroes done as an action movie?  Superheroes done as drama?  Superheroes done as science fiction?  I think the last definition comes closer to what Eternals is, even though it's not completely satisfying in that respect either.  As an action movie it fails - it never manages to build that kind of tension.  As a drama it also fails - not all of the characters are introduced properly, and some of their actions remain enigmatic long after the credits roll.  But, as a science fiction movie it almost works, even if the comic book reasoning employed toward the end brings the whole thing down a couple notches.

While watching it I kept wondering what Jack Kirby would have made of the entire thing.  I'm a bit embarrassed to say I've never read any of his Eternals comics, but I think he'd be a bit disappointed by the lack of impact the action scenes have, while he'd be gratified by the cosmic scale of the movie.  In my opinion it's not bad, but Shang-Chi was both more complete and more aware of its audience.

Fun Fact 1: Bill Skarsgard, who voiced the Deviant Kro, also voiced Pennywise in It and It Chapter Two.

Fun Fact 2: That offscreen voice at the end?  That's Mahershala Ali, who'll be playing Blade in the near future.  The filming of Blade should begin next year.

Fun Fact(s) 3: Jack Kirby started work on Marvel's The Eternals after his New Gods series were summarily cancelled at DC.  He brought many of the elements he'd introduced in the New Gods to The Eternals.

Fun Fact 4: In the comics, the same process that created the Eternals and Deviants on Earth created the Kree and Skrull on other worlds.

6. Free Guy

Tron, The Thirteenth Floor, The Matrix, Ready Player One and countless other movies dealing with virtual reality, AI, and the implications of the two.  Free Guy doesn't offer anything new to the genre, but it's a fun (sometimes funny) movie that takes us on a tour of the usual tropes with a wink and a nod.  Ryan Reynolds does a good job of holding the thing together, and even though it's too long it's still a serviceable action movie.

7. Don't Look Up

It's tempting to dismiss this movie as Idiocracy 2.0, but it does make a more subtle (if less funny) point about objectivity in the age of social media. Leonardo DiCaprio turns in one of his best performances here, and writer, producer and director Adam McKay brings his incisive sense of humor to bear on the subject matter.

I have the feeling this movie, like Idiocracy before it, might be a slow burn. If people are quoting it in a few years I won't be surprised.


Some Bad Ones

1. Black Widow

I hated it.  Warmed-over Winter Soldier nonsense.  I never thought Black Widow deserved her own movie, and this movie is proof of that.  Spider Woman?  Bring it on.  Ms. Marvel?  I'd love that.  Captain Marvel 2?  Bound to be better than the first one.  But Black Widow?  Why?

I liked David Harbour, Rachel Weisz and Florence Pugh though.  They outshine Scarlett Johanssen in every scene they're in.  The rest of it?  Not doing anything for me.  The worst bit is the villain explaining his entire plot aboard the sky base near the end, and that skydive from said base after it gets exploded is pure impossibility.

Calling this "the seventh highest-grossing film of 2021" also isn't saying much.  That designation is probably untrue now anyway.  Many films had release dates delayed and even pushed to the following year due to the pandemic.

In a Parallel Universe: Emily Blunt almost played Black Widow in Iron Man 2.

2. Army of the Dead

I wanted to like this movie.  I really enjoyed Zack Snyder's Dawn of the Dead.  I just wasn't feeling it.  It tries a couple novel things: the zombie birth, the zombie animals, but those two gimmicks aside it's very dark and very boring.  I like the kind of actor Dave Bautista's shaping up to be, but this movie isn't that entertaining.

3. No Time to Die

People who entered the series alongside Daniel Craig will probably love it, those who've been a fan for longer probably won't.  For me this wasn't a Bond movie.  It's overlong, it's depressing, and it misses the point of the character.  He's a heterosexual male fantasy after all, and not many heterosexual males fantasize about beautiful women we can't have, villains who plan on torturing and/or killing our loved ones, or the personal sacrifice Bond has to make at the end of this movie.  I think Craig was a good Bond - maybe not the best Bond, but definitely good - and I don't think this was the right way to say farewell to his character.  

4. Dune

What?  I didn't like Dune?  No, I didn't.  Like No Time to Die above I thought it was too long, TOO LOUD, and a burdened by the impression it was trying to make.  If the sequels ever get made I'll happily consider this movie the first half of something better, but taken on its own it doesn't present a very compelling narrative.

I still think Denis Villenueve is one of the best directors out there, but he needs to back away from this "small character against an enormous background followed by loud, unidentifiable noises" thing he keeps doing.  It really worked in films like Sicario and Blade Runner 2049, but it's getting repetitious.  I'll agree that there's not much character development in the book, but this movie makes David Lynch's version look concise by comparison.

5. Red Notice

This movie is terrible.  I liked Ryan Reynolds in Free Guy (above), but in Red Notice he's both irritating and superfluous.  The Rock does his usual Rock thing, Gal Gadot tries desperately to do something that's not Wonder Woman (whatever that thing is), and along the way they stumble through plot holes large enough to swallow entire continents.

6. The Matrix Resurrections

Excuse me, but what the fuck?  The first half of this movie had me - I was fully onboard - but then they aborted mission on existentiality and science fiction, and it became a movie about... the power of love?  This movie is trying to walk a fine line between a thoughtful exploration of life in the digital age and action movie, and it fails on both counts.  I walked in wanting to like it: I walked in fully invested, but they lost me somewhere between Keanu Reeves' rescue and whatever it is that ending was about.  This is really too bad, because the first half of this movie has a lot going for it.  They seem to have lost their way somewhere down the line.

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