2024年10月6日 星期日

"Graveyard of the Pacific" by Randall Sullivan (2023)


"I struggled even as a young boy to understand how my father could be such a genuine he-man and at the same time such a bully, a bully to me and to my two younger brothers.  Those two aspects didn't fit together in my mind, and even now, so many years later, I was still trying to sort it out."

Randall Sullivan was a contributing editor at Rolling Stone for over two decades, and besides that he's written several other books.  He lives in Oregon, where the Columbia River Bar is located.

First of all though -- "National Bestseller?"  I have trouble believing that this book, as locally specific as it is, is a national bestseller.  True, I bought it in an airport bookstore in Las Vegas, but I still have trouble believing this book enjoys such widespread popularity.  It's not that I'm trying to malign Randall Sullivan's work in terms of quality, it's just that this book is very regional in nature.  I have trouble imagining it flying off the shelves in Bangor or Tempe.  It's possible that the "National Bestseller" label simply indicates that it sold best in a very specific category, but what that category might be I have no idea.

This book, by the way, doesn't even have its own Wikipedia entry.  It's hard to fathom a national bestseller published only a year ago not having a Wikipedia entry.

Anyway, to get on to the actual content of this book, Graveyard of the Pacific is centered around the Columbia River Bar, the place where the Columbia River meets the Pacific Ocean between the states of Washington and Oregon.  The Columbia River Bar is, as the title suggests, an extremely dangerous place to pilot a boat.

At the outset of the book the author, aged 70, and his good friend Ray decide to cross the Columbia River Bar in a trimaran, a type of sailboat/kayak hybrid designed for two people.  This "crossing of the Bar" is intended to celebrate their decades-long friendship.  While detailing their crossing the author explores this friendship, the two friends' strained relationships with their fathers, the history of the Columbia River Bar, and how this history has been informed by several spectacular shipwrecks.

For me this book brought back a lot of memories.  I spent around half my childhood in Bay City, on the Oregon coast, and while there my grandmother often took me to Warrenton and Astoria to eat in one of the local cafes or purchase books.  I have many fond recollections of things that happened within sight of the Columbia River Bar, and that area will always be special to me.

Aside from triggering a sense of nostalgia, I would say that this book has a lot to recommend it, questionable bestseller status or no.  The author, his egocentricity aside, is an engaging guide to the Columbia River Bar, and I never felt bored by his account of all the love, hate, greed and sacrifice that have marked the human effort to bend a river mouth toward commercial activity.

I do think, however, that the "crossing of the Bar" which frames the author's narrative isn't big enough to tie the two other strands of this book together.  At the end of the day this crossing, no matter how ill-advised or well-executed, is just two older guys in a little boat, and I don't think the "near death experience" the author relates in this context is very convincing.  It certainly isn't convincing enough to bring the whole thing together in the way he intends.

Graveyard of the Pacific reminded me a bit of Barbarian Days, a surfing travelogue I read a while back.  Both books show a facility with the language, and both books make a less accessible subject more accessible by offering a "way in" to the subject through the author's conflicted personality.  I liked Barbarian Days a lot better, but Graveyard of the Pacific is still very entertaining.

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2024年10月1日 星期二

"The Late Great Planet Earth" by Hal Lindsey (1970)


"Almost immediately after the Antichrist declares himself to be God, God releases the dreaded second of the four horsemen of the apocalypse.  This is a figure of the unleashing of war upon the earth."

Hey, check it out, "Now Generation!"  You might think astrology is "where it's at," you might even think the devil is "cool," but let me tell you, the Rapture's on the way and you'd better be ready!

...and sure, the author might be using the Bible to prove the Bible, and he might be overlooking the fact that much of the Bible was written after the events it describes, and he might even be drawing false conclusions from extremely questionable premises, but I guarantee you that after reading this book you'll be ready for the End of Days!

(No, not the Arnold Schwarzenegger movie from the 90s.  I'm talking about the end of the world!)

Long story short, keep an eye on Israel, true believers.  Once the Israelis rebuild the Temple on the spot where the Dome of the Rock now stands, that's your signal to either bunker up or engage in some serious Bible study.  You'll see that once they reinstitute animal sacrifices in the Temple the armies of the Earth will gather against them, real Book of Revelations-type drama.

Oh, and there will be some kind of Arab-African alliance mixed up in there, and a European coalition ("union?") headed by the Antichrist.  Once they finally convene for Armageddon the missiles will really start flying, and the rest will be a rather unenjoyable bloodbath for those not already partying with the angels in heaven.  Are YOU ready for such developments?  Have YOU prepared yourself?  I pray that it is so!

Someone also, by the way, made a movie out of this book, and yes, it's as laughably pretentious as you'd expect.  It was the 70s after all, and given the spiritual seekers who inhabited that decade there was a definite audience for this sort of thing.  Orson Welles plays host for this biblical spectacle, and does so with all the gravitas he was known for.  Leonard Nimoy?  Maybe he was... busy that day?

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2024年9月25日 星期三

"Earthchild" by Sharon Webb (1981)


"This was the beginning, he thought.  The day it all began, the first day into forever.  It seemed so long ago now, that first day... and there would be no last."

Sharon Webb was a science fiction writer and nurse.  This novel, Earthchild, is the first entry in her Earth Song trilogy.  It was followed by Earth Song in 1982 and Ram Song in 1984.  She wrote a few other books, but they're all relatively difficult to find.

Earthchild concerns itself with a corporate solution to the problem of human mortality.  At an undisclosed point in the near future, a corporation releases a chemical into the atmosphere, and the result is a race of people who will grow to physical maturity and stop aging thereafter.  Those mortals untouched by this process descend into a state of relative barbarity, often lashing out against those they perceive as a threat to all that humanity stands for.

It gets off to an excellent start -- the concept is the kind of thing that Arthur C. Clarke would have written to perfection -- and then loses momentum about halfway through.  I can't tell if this is because the author was building up to the book's sequel, or if she just didn't realize this concept as fully as she could have.  The book's central premise, that immortality is the death of human creativity, is a fascinating one, but this premise isn't explored in any meaningful way.  Exacerbating this critical flaw is the fact that the antagonist's motivations are never really explained, and at the end of the book he simply vanishes from the scene without facing any kind of consequences for what he's done.

Maybe the author got to that part in the sequel.  I'll probably never know, because I'm not likely to come across Earth Song at any point in this (or any other) future.

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2024年9月21日 星期六

"Rebels' Seed" by F.M. Busby (1986)


"Cray Malden stood to face his prisoner.  The man's stance told nothing: hope, defiance, or even fear.  Malden said, 'Traitor, you're in your last hour.  Is there anything you wish to say?'"

F.M. Busby won the Hugo Award for Best Fanzine.  And no, I didn't know that a Hugo for Best Fanzine was a thing until I came across it on Busby's Wikipedia page.  He spent most of his writing career living in the Seattle area, where he passed away in 2005.

In Rebels' Seed a group of "space pirates" are attempting to reintegrate into intergalactic society.  Their emissary to this end is a young girl, Lisele, who becomes part of a military expedition.  After her ship is stranded in orbit around a distant planet, both her training and her decisive nature become crucial factors in her shipmates' survival on a hostile world.

It's fairly standard stuff in the realm of science fiction, with the scientific aspects being the orbital mechanics involved in the ship's journey, and the engineering challenges related to rescuing a downed spacecraft. Aside from these mostly convincing assays into future technologies, the characters in this novel are well written and believable.

It's just too bad this book was burdened with such a terrible cover. Really, that spooky face above the stupid-looking spaceship is one of the worst ever. Who commissioned that?

Two other problems with this novel: the first chapter, which tries and fails to recapitulate the three books that came before it, and the engineering problem near the end, which is described in WAY too much detail. These problems don't completely undermine the story, but they're annoying imperfections in what was otherwise a worthwhile book.

Rebel's Seed won't impress anyone already versed in the genre, but it's an engaging read. The author took his craft seriously and it shows.

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2024年9月11日 星期三

"The Void Captain's Tale" by Norman Spinrad (1983)


"At this imbalance in the ecstasy of our pas de deux, Lorenza displayed a sincere concern and bent her neck and her energies to oral caresses designed to redress it."

Norman Spinrad is a science fiction author and critic.  His biggest claim to fame is being the author of the script for "The Doomsday Machine," an episode of the original Star Trek TV series.  He's had a lot of trouble getting his books published over the years, partly because they deal in controversial subject matter, partly because they simply lack commercial appeal.  I'm willing to give him the benefit of the doubt, but after reading The Void Captain's Tale I can easily imagine the attitude of most editors toward his work.  Words to the effect of "Naw, we'll pass" were probably sent Norman Spinrad's way on a number of occasions.

In The Void Captain's Tale, which is one of the author's better known works, spaceships traverse interstellar space with the aid of a "jump circuit," a heavily symbolic technology which operates upon the principle of the female orgasm.

And no, you didn't read that last sentence wrong.  This is really he premise of the book.

Anyhow, this "jump circuit," which I suppose is part of a "jump drive," is in turn operated by a flight crew working at both a physical and social distance from the female upon whose orgasm the ship's propulsion depends.  Things go awry once the captain of this flight crew inadvertently develops an emotional attachment to the woman whose unique sexuality propels their ship toward its next destination.  Should he continue utilizing her sex drive out of a sense of duty?  Or does a greater destiny lay in store, a destiny which outweighs his sense of responsibility?

Put another way, The Void Captain's Tale is the "French" erotic-philosophical science fiction novel that no one really wanted.  The characters speak in a weird patois of English, French and Spanish (NO non-European languages), they act like libertines occupying a salon traveling faster than the speed of light, and they're altogether unlikeable.  The main character, the titular Void Captain, spends an inordinate amount of time brooding over his ultimate choice, while his ladylove is a somewhat interesting if underutilized character who might have been better cast as the protagonist.

Oh, and there's a lot of fucking.  The author, of course, would never, ever stoop to the word "fucking," but there's a lot of that as well, usually reduced to a kind of tantric exercise that's far from titillating.

All in all it's an extremely difficult book to get through, especially since almost nothing of consequence happens in its first half.  IF you can make it through this first half, however, it does have some redeeming features.  The "captain's dilemma" at the heart of the story is the kind of nihilistic thing one doesn't often come across in science fiction, and I liked the ironic ending.  There's a nice turnabout there, I just wish the rest of the book had been that entertaining.

...maybe this novel would have worked better as an adult film?  It would have been a very, very strange adult film, but I could see one of the more ambitious adult film directors doing something more with the concept.

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2024年9月1日 星期日

"Cloudcry" by Sydney J. Van Scyoc (1977)


"Tormenting uncertainty filled Tiehl's craw with gravel.  He uttered a harsh, cawing challenge.  When none of the humanoids responded, he stepped forward and deliberately slashed his talons across one bare back, drawing lines of black blood."

I finished Syndey J. Van Scyoc's Darkchild prior to reading Cloudcry.  If you're interested in this author feel free to peruse that entry.  I bought two of her books during my last trip to the States, and for all intents and purposes this will be the last entry relating to this author.  She remains a relatively obscure (if very overlooked) writer, and I doubt I'll happen upon her other books anytime soon.

In Cloudcry two humans and a bird-like humanoid are quarantined on a distant planet after contracting a contagious disease.  Upon arriving on this planet they discover the existence of several other races of humanoids, each having made its mark on their shared planet long before the humans' arrival.

Unlike Darkchild, Cloudcry is kind of a mess.  At best it represents an uneasy marriage of the older, more traditional form of science fiction embraced in the late 50s and early 60s with the newer, more "psychedelic" kind of science fiction emerging in the late 60s and early 70s.  Most of the "adventures" undertaken by the two human characters resemble nothing so much as an episode of the original Star Trek TV series, while the trippier aspects of this book feel like something imported from a more recent, more polished, and more heartfelt book that the author hadn't gotten around to finishing.

There was potential in Aleida, one of the nonhuman characters.  She's an impulsive, elemental sort of person not unlike the princess character in Darkchild, but her reasons for doing what she does are often obscured by the humans' disjointed attempts at reasoning out what they experience in her presence.  Making her the focal point of this novel would have improved it considerably, especially since the two humans she contends with are little more than cardboard cut-outs.

The ending of this book is also disappointing.  It's obvious that the author couldn't manage to get where she was trying to go, and the last few chapters of this novel feel both random and extremely forced.  There were some interesting aspects to the lost race of explorers, the ill-defined disease from which the humans suffer, and the race of "gods" encountered through hallucinatory experiences, but none of these aspects of the story are really brought together in the end, and the reader is left to wonder what kind of story the author was trying to tell.

Darkchild was a lot better.  Cloudcry is a less accomplished effort, and there were far superior science fiction novels widely available in 1977.  Were I to assign Cloudcry a score out of 10, I'm thinking it's a solid 6.  It's not derivative, but it's also very flawed.

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