2020年10月15日 星期四

Some Other Movies From 1992 (2)

For further background in the year in film please refer to the Some Other Movies From 1992 entry.


The following things happened in 1992:
  • Bosnian Serbs declared their own republic.  This would lead to the Bosnian War later on.
  • Related to the above, Yugoslavia began to break up.
  • Deng Xiaoping embarked on his "Southern Tour."
  • Boris Yeltsin announced that Russia would stop targeting cities in the U.S. with nuclear weapons.
  • George H.W. Bush and Boris Yeltsin met to declare an end to the Cold War.
  • The European Union was created.
  • People rioted in Los Angeles after the televised beating of Rodney King.
  • The Falun Gong movement was founded in China.
  • The North American Free Trade Agreement (NAFTA) was signed into law by the United States, Canada and Mexico.
  • The Cartoon Network was launched.
  • Bill Clinton defeated George H.W. Bush to become President of the United States.
  • CDs began to outsell cassette tapes.
  • Isaac Asimov died.  He was 101 years old.
Linked entries can be viewed in their entirety on YouTube.


Excellent

1. Reservoir Dogs

Still one of Quentin Tarantino's best movies, and the carnage at the end is just as impactful as it was in 1992.   Harvey Keitel, who co-produced this movie, is its heart and soul, and Tim Roth is also great as one of his accomplices.


Some Good Ones

1. Man Bites Dog

Belgian film about a film crew profiling a serial killer.  It's got a strange sense of humor.  One of the better horror movies I've seen lately, even if it's a bit slow.

2. Porco Rosso

Studio Ghibli production about a flying ace who happens to be a pig.  I enjoyed it a lot more than the recently seen Kiki's Delivery Service.  It has more of a plot, and the characters are more engaging.

3. Bitter Moon

A reserved British couple cross paths with a free-thinking American and his French wife.  I wanted to put this in the "Excellent" category, but the American's literary style of speaking took me right out of the movie.  Nevertheless Peter Coyote was an excellent choice for the lead, and Emmanuelle Seigner was perfectly cast as his vindictive spouse.  Polanski has done more cohesive movies.

4. Baraka

Freeform documentary about...?  I have no idea.  Whatever it is, a documentary crew spanned the globe filming it, and it highlights a range of topics.  There are some religious ceremonies, some factory farming, some volcanoes...  I couldn't tell you what it's about, but it's a beautifully shot two hours.

5. Emily Bronte's Wuthering Heights

Ralph Fiennes stars as the famous Heathcliff, with Juliette Binoche as his ladylove.  I can remember reading the novel in college, but I'd forgotten most of the story.  Fiennes does "smoldering" well, and Binoche is equally good at pining.  It's very formulaic at times but still worth seeing.

6. Ramayana: The Legend of Prince Rama

I was hoping this would be a Bollywood musical full of hot Indian women, yet upon watching it I discovered that it's a Japanese-Indian animated feature based on the classic Sanskrit epic.  It's a fairly entertaining adventure story which both sanitizes and demystifies the original.  Is that a bad or a good thing?  I guess that depends on your level of interest in Hindu theology.

Fun Fact 1: The release of this movie in Japan marked the 40th anniversary of India-Japan relations.

Fun Fact 2: Unsurprisingly, news of a Japanese-led animated version of The Ramayana created controversy in India.  Certain sectors of Indian society voiced the opinion that The Ramayana was their exclusive cultural property (regardless of all the other Southeast Asian nations in which it is celebrated), and that turning it into a cartoon amounted to sacrilege.

7. The Hand That Rocks the Cradle

On one level this movie is silly.  Why would you hire a nanny just to build a greenhouse?  And without references?  And how slow on the uptake IS her husband, really?

On another level this movie is a well executed thriller, and Rebecca De Mornay steals the show as the vengeful nanny.  The Hand That Rocks the Cradle went a long way toward reinvigorating her career, and her newfound popularity was well deserved.

If you liked The Hand That Rocks the Cradle, you might also like a French movie called Inside (A l'Interieur).  Just be careful with Inside.  It's a lot less restrained in terms of the carnage inflicted by the "villain."

Fun Fact 1: Curtis Hanson directed this the year before The River Wild.  He'd go on to direct L.A. Confidential five years later.

Fun Fact 2: This was Julianne Moore's second movie.  In it she has a small role as a real estate agent and family friend.

8. Rebels of the Neon God 青少年哪吒

Taiwanese film about a group of young people struggling to find happiness in urban Taipei.  I moved to Taiwan 7 years after this movie's release, and it brought back a lot of memories of Taipei as it used to be.  It's on the slow side, but the characters are interesting.  I'd be happy to see other movies by the same director.

9. Sarafina!

High school students in Soweto battle Apartheid.  It's a musical - and I usually HATE musicals - but Hugh Masekela's contributions to the soundtrack made it an easy watch for me.  It was released just after South Africa's Apartheid laws were lifted and Nelson Mandela was released from jail.

My only complaint about this movie is Whoopi Goldberg getting top billing.  She's barely in this movie.


Things go from bad to gross as zombies invade a small New Zealand town.  Pre-1997, most of us had a hard time imagining Peter Jackson directing anything as ambitious as Lord of the Rings, and movies like Dead Alive were the primary reason.  In the early 90s he more closely resembled a kiwi version of Sam Raimi.

Fun Fact: This movie begins on Skull Island.  Years later Jackson would go on to direct King Kong.


I'm unclear as to what this "NCC Camp" is.  A school?  Some kind of class?  Some kind of military training?

Ah, here it is.  "National Cadet Corps."  Apparently it's a voluntary thing in India, intended to create "disciplined and patriotic citizens."  I'm not sure what Govinda or the other guys in this movie get out of attending NCC Camp, but apparently getting expelled from it is a big deal.

I'm also not entirely sure what the plot of this movie is.  The brother of the local gangster attends NCC Camp, Govinda is there, Govinda falls in love, songs are sung, and then Govinda is unjustly accused of improprieties with a girl at the camp.  It's an entertaining 2.5 hours, even if I wasn't entirely sure what was going on.

Fun Fact: As I'm sure all Indians are aware, Govinda would go on to be a member of the Parliament of India in 2004.  He was absent a lot, and eventually resigned.

Not-So-Fun Fact: Divya Bharti, Govinda's love interest in this movie, died a year later.  She fell from the balcony of her apartment building under "mysterious circumstances."


Some Bad Ones

1. Hellraiser III: Hell on Earth

A.K.A. The One with the CD-Slinging Cenobite.  What really hampers this movie is the low quality of the special effects.  The beginning isn't bad, but once the movie advances into more effects-heavy shots the low budget becomes obvious.  I've always viewed this franchise as a wasted opportunity, and revisiting Hellraiser III has done nothing to change my opinion.


If they'd taken the subject matter more seriously it might have been a good movie.  As it is child psychopath Mikey finds a new family after murdering his previous one.  If Mikey's teacher looks familiar, it's because she's played by Ashley Laurence, a.k.a. Kirsty from the first Hellraiser.


So Bad It's Good

1. Universal Soldier

Was this the height of Van Damme's career?  I'm not sure if it's this movie or Hard Target.  At any rate it's silly fun, and one gets the feeling that costar Dolph Lundgren was in on the joke.  Roland Emmerich directed, and as you might imagine it displays his typical lack of subtlety.

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2020年10月14日 星期三

Harriet Beecher Stowe's 1852 Novel "Uncle Tom's Cabin" Presented as a Reader's Theater Script


I'm an American guy living in Taiwan and teaching English here.  I've been so employed for over 20 years, with lengthy tours of duty in private kindergartens, vocational schools, cram schools, public junior high schools, public elementary schools and universities.  I'm not laying out my resume to brag over it, but rather to set the stage for something far more masturbatory.

In the public elementary school where I work I have to deal with a Reader's Theater competition every fall semester.  What, you ask, is a Reader's Theater competition?  For those blissfully unaware of it, Reader's Theater started out as a teaching strategy wherein students read and perform from a script as a means of improving their literacy.

Sounds pretty straightforward, right?  Yet in Taiwan, where even the most trivial academic activities are turned into competitions, the idea of Reader's Theater as just a teaching strategy wasn't enough.  In Taiwan this teaching strategy was transformed into a fully-fledged competition, wherein students are forced to memorize (and later pretend to read) a script over a period of weeks.  These students are then forced to memorize a series of movements to accompany their script, and after about two months' time teams from different schools come together in the hope of winning first place in their respective city or county Reader's Theater competition.  Thus classmate is turned against classmate, child is turned against parent, and teacher is turned against teacher.

What's that, you say?  Sounds like the U.S. Civil War?  Why yes it does, though the Reader's Theater competition is far more polite.  And where it might be said that Stowe's Abolitionist novel Uncle Tom's Cabin helped ignite the War Between the States, we can't blame her for Reader's Theater.  No, for that we must blame other powers, perhaps far more sinister in nature than the slaveholding states represented in Uncle Tom's Cabin.

Uncle Tom's Cabin

Narrator: Hello everybody!  I'm Harriet Beecher Stowe, the author of this book!  I might be a little racist, I might be overwhelming in my missionary zeal, and I might not be the best at constructing tight, well-paced plots, but just the same here's the story of Uncle Tom!

Uncle Tom: Hi guys.  I'm Uncle Tom.  I'm a God-fearing slave in Kentucky.  I love my wife!  I love my fellow slaves!  And life is alright if you have Jesus!

Tom's Owner: Sorry Tom, I have to sell you down the river.  I don't have enough money to keep you!

Uncle Tom: That's sad!  What will happen to me now?  How will I get back to my wife and children?

Narrator: Uncle Tom gets sold down the river, to a man named St. Clare and his young, evangelical daughter.

Uncle Tom: Hey, life isn't so bad down here!  I miss my wife and children, but this St. Clare guy is nice!

St. Clare: I'm one of the good slave owners!  I don't beat my slaves!  They all love me!

His Daughter: And I'm good too!  Maybe we could set our slaves... free?

Uncle Tom:  Great idea!  What could go wrong?

His daughter: Oh no, I'm dying!

St. Clare: Oh no, I'm dying too!

Uncle Tom: Time to get sold down the river - again!

Narrator: Yes, Uncle Tom has a third owner, and this one is the worst of all!

Legree: Ha ha ha.  I like molesting these slaves!  I like whipping them!  Life is great!

Uncle Tom: Oh no!

Legree: Take that!  And that!  And that!

Narrator: Uncle Tome gets whipped to death!  But don't worry - he believes in JESUS, so he's going to heaven!  What's a whipping compared to eternal life?

Uncle Tom: Thanks, Jesus.  That whipping he gave me was bad, but hell is much worse!

Jesus: No problem, Uncle Tom.  Now if we could just solve this slavery problem...

THE END

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IN CONCLUSION: Uncle Tom's Cabin is a badly written piece of Abolitionist propaganda.  You could argue that its heart was in the right place, but Harriet Beecher Stowe was a terrible writer and Uncle Tom's Cabin is kinda racist.  Historic?  Definitely.  But also a real chore to get through.

2020年10月5日 星期一

Comic Book Interlude 12

Was visiting a nearby metropolis (Get it?  Get it?) the other day and happened upon some trade paperbacks.  What was I to do?  Buy them of course.  This stuff will probably seem like ancient history to anyone living in North America, but where I live American comics are few and far between.


1. Dark Nights: Metal by Scott Snyder and Greg Capullo

I remember hearing about this one years ago and being intrigued by the idea.  For whatever reason I forgot about it later on.

In Dark Knights: Metal the Justice League discovers a Dark Multiverse "beneath" the multiverse as they knew it.  Ruling over this Dark Multiverse is a godlike version of Batman known as Barbatos, and in his employ are several other versions of Batman culled from the same Dark Multiverse.  All of the evil versions of Batman have one thing in common, they evolved from an earlier Batman that cast his scruples aside and framed the war on crime in more Darwinian terms.

Fortunately for the Justice League, there's a magic metal that will put Barbatos and his minions out of commission, but they have to act fast because Earth is rapidly sinking (?) into the Dark Multiverse.

You can probably guess how it ends.  I thought it was... OK, but it's a far cry from what Grant Morrison has done with similar tales of magic and parallel worlds.  I think writer Scott Snyder was wise to throw physics out the window and instead offer a more "Silver Age" take on the Justice League, albeit one with a lot more violence.


2. Mister Miracle by Tom King and Mitch Gerads

Another series I'd been hearing about but forgot about later on.

Many years ago Brian Michael Bendis did a run on Moon Knight that I loved.  My favorite part of that run was Marc Spector hallucinating the entire Avengers, going out with them and having "adventures," and having to answer for his behavior later on.  It was great fun, and an interesting take on the character.

More recently, as everyone probably knows, the comic book Saga has broken records and become wildly popular.  I really enjoyed Saga when it first appeared, though I have to admit I lost touch with it a couple of years ago.

Tom King's Mister Miracle reminds me of both Bendis' run on Moon Knight and Saga.  It's got the unreliable narrator, it's got the mental health issues, it's got the human frailty, and it's got the day to day dramas that most superhero comics don't touch.  Is it well done?  Yes, but the art reminded me a bit too much of Bill Sienkiewicz and the story, again, reminded me of both Moon Knight and Saga.  Tom King has a good ear for dialog, but I was hoping for something more.  Maybe his version of Vision is better?


3. Infinity by Jonathan Hickman and Jim Cheung

Thanos or Darkseid?  I'd have to go with Darkseid.  He's got Kirby's Fourth World mythos behind him, the Anti-Life Equation, and he's been featured in some great stories.

Then again, when I started reading comics Thanos just wasn't very interesting.  He'd tangled with Adam Warlock, and he was starting to reappear in relation to Silver Surfer, but on the whole he came off like a Darkseid clone.  

I'm also not sure if it's fair to credit Jim Starlin with his "creation."  A lot of later comic book writers did all the heavy lifting when it came to Thanos.

Thanos aside, Infinity is REALLY long and doesn't offer much in terms of a story.  On the one hand there's Thanos menacing the Earth yet again, this time in search of his son, who he wants to kill.  On the other hand there's a race of aliens called The Builders, who are out to annihilate (?) the cosmos.  There are also some references to Marvel's "New Universe," and a subplot involving Atlantis and Wakanda going to war.  That's about it.  All in all it's a fairly vacuous exercise, and surprisingly so given what Hickman did later with the New Avengers.

Some elements of the Infinity storyline found their way into Avengers: Infinity War, so if you're an MCU fanatic there's that.

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