2023年12月27日 星期三

The Alien Franchise


I've been rewatching the Alien movies out of order.  I started with Prometheus, moved on to Alien: Covenant, and from there went back to 1979's Alien and its attendant sequels.  I skipped the Alien vs. Predator movies because I never liked them.  Also because they don't exist.

I swear, Prometheus and Alien: Covenant have to be two of the most frustrating movies ever made.  On the one hand both movies are full of great visuals, great scenes and moments of  stomach-churning violence, while on the other their respective stories just don't add up to satisfying films.  Both movies were a fantastic waste of Michael Fassbender, but at the same time I'm glad he elected to do them.


1979's Alien is classic.  I've seen this movie more times than I can remember.  It was the movie that launched Sigourney Weaver's career, H.R. Giger's contribution was groundbreaking, and I think those that haven't seen it will find that it's aged extremely well.  Yes, the monitors on the spaceship look extremely dated, but the performances in this movie are rock solid and the script is airtight.  Modern viewers might grow restless at its slow pace, but it builds an impressive amount of tension over its two hour runtime.

I always thought Veronica Cartwright deserved more credit for this movie's success.  All of the big fear reactions in Alien are hers, and it's her terror-stricken face that really sells the movie.  Alien minus her frantic screaming and flailing would have only been half as good.


In my opinion James Cameron's Aliens is almost, but not quite as good as Alien.  It's an inventive movie full of great action, wonderful set design, and spectacular camera work, but I don't know if it sets a mood as successfully as Ridley Scott's 1979 original.  Like any sequel it builds off of what came before, and I think saying that Aliens is as good as Alien overlooks the fact that creating the original was no mean feat.  There are also scenes in Aliens that seem to interrupt the flow of the movie, such as the scene in which Ripley confronts Burke over his underhanded dealings.  This scene was certainly necessary, but in the context of an action movie it's unnecessarily long.


Alien 3 (a.k.a. "Alien Cubed") was a disappointment.  We often speak of director David Fincher in reverent tones, often forgetting that yes, he also directed this exercise in depression.  The script for this movie underwent MANY revisions, by several teams of writers, and Fincher promptly disowned the final product.  I agree with James Cameron that killing several of the characters from Aliens off was like "a slap in the face," but my issues with this film run much deeper.

I haven't seen the Assembly Cut of Alien 3.  Many people say it's much better.  Science fiction legend William Gibson also wrote another version of the screenplay early on in the development process, and his screenplay was later turned into an audiobook.


Alien: Resurrection?  Definitely better than Alien 3, but not the slam dunk many of us were hoping for.  Alien: Resurrection is set 200 years after the events of Alien 3, and was directed -- confusingly enough -- by Frenchman Jean-Pierre Jeunet.  He did this one after The City of Lost Children and before Amelie.  I'm sure Sigourney Weaver was enthusiastic about his inclusion, but he was out of his depth in this franchise.

Weirdly enough, the script for Alien: Resurrection was penned by Joss Whedon, and involves a "reincarnated" Ripley confronting a new, mutant strain of xenomorph.  I love the scene in which Ripley discovers the failed experiments, but the rest of this movie is extremely forgettable.

Alien: Resurrection is the furthest into the future the series ever went.  Joss Whedon wrote a sequel set on Earth, but Sigourney Weaver's ambivalence killed that project.  By that point an "Alien vs. Predator" movie was already under discussion, but both Weaver and Cameron hated the idea.


It's a good thing they never made those Alien vs. Predator movies, right?

Instead of the Alien vs. Predator movies, which we must agree never, ever happened, we have Alien: Romulus, which should be arriving in theaters next summer.  This movie is set between Alien and Aliens, with very few details available at the time of writing.  Fede Alvarez, who directed the Evil Dead reboot, is behind this one.  I'll have more of an opinion about it when I see the trailer.


Is there still life in this franchise?  I'd have to say that yes, there is.  Disregarding the rich (if confounding) world Ridley Scott's Prometheus and Alien: Covenant introduced us to, I think the concepts from Alien, Aliens and their two sequels could still serve as inspiration for a good seventh installment.

Not counting Alien vs. Predator or Alien vs. Predator: Requiem of course.  It's a good thing those two movies were never made, right?


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2023年12月19日 星期二

"Land of Milk and Honey" by C. Pam Zhang (2023)


"We cackled with the hysteria of escapees.  She seized my hand.  So you get it.  The same systems and rationales that led us to this point, that have reduced global biodiversity by ninety-six percent in the last century -- we can't cave to shortsighted demands.  That's why we hide most of our animals and crops belowground.  We bribe the officials to stay away, and we lie.  They'd destroy our work if they found it.  Give this land over to humans and it would be gutted, stripped, in a week."

C. Pam Zhang is a Chinese American writer.  Aside from Land of Milk and Honey she's written one other book, How Much of These Hills is Gold.

In Land of Milk and Honey a mass of "smog" resulting from an unexplained agricultural experiment in the American Midwest covers the Earth, resulting in a widespread loss of biodiversity.  The protagonist, an American refugee living in Europe, gains employment at a high altitude scientific research facility, both refining her craft as a chef and learning firsthand to what lengths the rich will go in their simultaneous denial and acceptance of an end to the world order they rely upon.

More than that I will not say, mostly because this is a short book.  In Land of Milk and Honey we observe a writer at the height of her prowess, telling a story that is, as far as I could ascertain, airtight in every respect.  Has this book been optioned as a movie?  If not, someone at a studio really needs to get on that.

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2023年12月15日 星期五

"Chip War" by Chris Miller (2022)


"After initially accusing Mark Shepherd of being an imperialist, Minister Li quickly changed his tune.  He realized a relationship with Texas Instruments could transform Taiwan's economy, building industry and transferring technological know-how.  Electronics assembly, meanwhile, would catalyze other investments, helping Taiwan produce more higher-value goods.  As Americans grew skeptical of military commitments in Asia, Taiwan desperately needed to diversify its connections with the United States.  Americans who weren't interested in defending Taiwan might be willing to defend Texas Instruments.  The more semiconductor plants on the island, and the more economic ties with the United States, the safer Taiwan would be..."

Chris Miller is an Associate Professor of International History at Tufts University.  Besides Chip War he's written three other books, all of which explore Russian economic policies.

Chip War begins, predictably, with the birth of the semiconductor industry.  From there it moves on to the development of this technology in the United States and the export of semiconductor manufacturing processes into Asia.

But the technology, of course, is only half of the story.  There are also geopolitical factors at play, many of which go back to the Cold War, and some of which extend to increasing tensions between China and the United States.  Caught between the two superpowers is the tiny island nation of Taiwan, where most of the cutting edge semiconductor manufacturing technology happens to be located.

I think Chip War offers a good overview of why the world depends on the Taiwan Semiconductor Manufacturing Corporation, and also why Taiwan is of such strategic importance.  It's not just Taiwan's presence along major shipping lanes, and it's not just a Western desire to encircle China.  It's also an industry centered around a very, very important fabrication facility in Taiwan, the existence of which both attracts and repels its much larger, communist neighbor.

If you're interested in the topic I think you'll find Chip War a rewarding read.  It's not as in-depth as it pretends to be, and the geopolitical ramifications of this "chip war" could have been explored in greater detail, but it's a good introduction to the topic, if not the summative work I hoped it would be.

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2023年11月24日 星期五

Still More 80s Movies


1. 3:15 (1986)

The Plot: A few narcotically disinclined students stand up against the whitest gang Los Angeles has ever seen.  Remember Adam Baldwin?  No relation to Alec?  I'd forgotten all about him as well.

Where Are They Now?: After appearing in Stanley Kubrick's Full Metal Jacket the following year, Baldwin was cast in countless supporting roles over the next several decades.  He's also done a ton of TV and voice work.

Besides Baldwin, Mario Van Peebles and Gina Gershon might be familiar.  Peebles plays the leader of the school's black gang, a group of better-dressed dudes who add absolutely nothing to the plot, and Gershon plays one of the Cobrettes, the female branch of the Cobras.

Overall: Three O'Clock High followed a similar trajectory, but did so much better.  This movie suffers from bad editing and worse sound.



The Plot: Charles Bronson and Wilford Brimley square off for control of a miner's union in this TV movie.

Where Are They Now?: Bronson and Brimley have gone on to their great reward. Ellen Burstyn is still one of the best actresses working today. A fun thing about this movie is the appearance of Keanu Reeves toward the end. He was around 22 at the time,  and Act of Vengeance was one his earliest onscreen roles. 

Fun Fact: Bronson turned down Lee Marvin's role in The Delta Force to do this movie.

Overall: It's WEIRD to see Bronson and Burstyn onscreen together, but he holds his own and the story, based on an actual incident, is compelling.



The Plot: Australian giallo?  Something like that.  A young woman's dead father warns her away from her coming nineteenth birthday, and as you can imagine the strange occurrences multiply from that point on.

Where Are They Now?: Nobody in this movie went on to Hollywood fame and fortune. Most of them, in fact, had their careers firmly behind them, in the 1970s. The lead actress's claim to fame is (briefly) playing Mel Gibson's wife in Mad Max.

Overall: It's an extremely forgettable retread of Rosemary's Baby with a twist ending thrown in.


4. Amityville III (a.k.a. "Amityville 3-D" or "Amityville III: The Demon") (1983)

The Plot: A skeptical investigative reporter buys the titular haunted house.  You can probably guess the rest.  The elevator scene is damn silly, but it builds up a decent amount of tension over the course of 1.5 hours.

The ending of this movie, by the way, freaked me the f*&k out as a kid.  I'd forgotten the name of the film, but that bit with "the well" gave me nightmares for the longest time.

Where Are They Now?: You may recognize scream queen Candy Clark from appearances in Blue Thunder, The Man Who Fell To Earth and American Graffiti.  She'd go on to bit parts in many films and television shows.  Her most recent screen appearance was in 5 Weddings, a movie I haven't seen.

And hey look!  Meg Ryan and Lori Loughlin!  Ryan would of course go on to bigger and better things, and Loughlin would play Rebecca in the Full House TV show several years after this movie.  She was arrested in a big college bribery scandal a few years ago.

Director Richard Fleischer had quite a history in Hollywood.  He started directing in 1946 and ended his career with 1987's Million Dollar Mystery.  He directed a lot of good movies, but he directed a lot of bad ones as well.  It may surprise you to know that the same guy who directed 10 Rillington Place, Soylent Green and Fantastic Voyage also directed The Jazz Singer, Conan the Destroyer and Red Sonja.

Overall: It's not bad.  The Amityville franchise was never one of the better horror franchises, but I think I can say that this is one of the best entries in the series?


5. Android (1982)

The Plot: A mad scientist creates an android on a space station, a group of escaped criminals arrive, and that's about it.  Most of this film is shots of people walking down corridors.

Where Are They Now?: Klaus Kinski died in 1991.  The Hollywood phase of his career is not remembered fondly.  His last movie was Kinski Paganini in 1989.

Don Keith Opper (a.k.a. "Max 404") would go on to appear in the Critters movies.

Brie Howard, who plays the female escapee here, has the most interesting biography.  She was lead vocalist for the band Fanny back in the 70s.  In the 80s she was doing TV and low budget movies like Android, but she's also had quite a career as a drummer.

Overall: One of the most uninteresting science fiction movies I've ever seen.  There might have been a big, German, philosophical, World On a Wire-type story somewhere in the script, but there's little evidence of it in Android.


6. Misunderstood (1984)

The Plot: Gene Hackman stars as a widower in North Africa trying to reconnect with his sons.

Where Are They Now?: Gene Hackman retired from acting in 2004. He co-writes historical novels with another author now.

Henry Thomas appears in The Fall of the House of Usher series. At the time he did Misunderstood he was still well known for his role as Elliott in E.T.

Director Jerry Schatzberg was a much bigger deal in the 70s. He didn't do much in the 80s.

Overall: Hackman gets angry, Thomas mopes around, and the ending tries to jerk tears it hasn't earned. If I were you I'd give this one a miss.



The Plot: A gang of sadistic, atrociously dressed thugs terrorize a small town, and it's time for a team of Vietnam vets to take back the streets.

This movie reminded me of how big the Missing In Action films and The A-Team were, and how large the Vietnam War loomed over the 80s.

Where Are They Now?: Most of these guys were television actors.  The most famous of them might be Lawrence Hilton-Jacobs, who played "Boom Boom" on Welcome Back Kotter.

Overall: It's super low budget, and it often veers into Troma territory.  I recommend cracking a cold one and spending an afternoon with The Annihilators.  It's good for a few chuckles.



Miles "Tarzan" O'Keefe and Laura "Emmanuelle" Gemser in the same movie?  With Joe D'Amato directing?  F%$king sign me up, man!  I knew I'd be all over this film in the first five minutes.

The Plot: Ator, a character that's NOT Conan the Barbarian, does battle with the Spider Kingdom.

Where Are They Now?: Miles O'Keefe's "acting" career seems to have ended in the early 2000s.  His Wikipedia entry sayeth not what he's up to now, if anything.

Laura Gemser is something of a mystery.  She's still alive somewhere, but it's hard to separate online rumors from fact.

Joe D'Amato died in 1999.  His career was very, very long and he experienced more ups and downs than most.

Overall: Where The Annihilators is so bad it might be good, Ator is so bad it's definitely good.

Further Viewing: There's a whole series of Ator films.  Welp, there goes my weekend!



The plot of this one is even murkier than the plot of the first.  Part of it rips off Conan the Barbarian, and another part is so ridiculous you'll be laughing out loud.

The Plot: Ator uses the sciency power of sciency science to secure "the nucleus," an atomic weapon created by a scientist who enjoys wearing robes and handing out platitudes that don't make a great deal of sense.  "After death all levels are the same."  Sure, dude, have a great day.

Where Are They Now?: Lisa Foster, who appears in this movie as the scientist's daughter, went on to a career behind the camera as a visual effects artist.

Overall: Even more gloriously terrible than the first movie.  Could've used more boobies and/or gore, but then again it had to pass the Italian censorship board...


10. Iron Warrior (1987)

The third film in the Ator series, with Alfonso Brescia directing instead of Joe D'Amato.  Also much higher production values in this film -- perhaps to its disadvantage?

The Plot: A freshly braided Ator does battle with... a witch?  An evil goddess?  I just watched it and I'm not entirely sure.  This one feels a bit like something film school students might have made over a weekend.  More style and less substance.

Where Are They Now?: Alfonso Brescia was never in danger of winning an Academy Award.  He passed away in 2001.

Overall: It's not as delightfully silly as the first two Ator installments.  Those responsible wanted to buy the rights to Conan the Barbarian and continue that series, but once they found themselves unable to do so they made this into another Ator film instead.  Keep your eyes peeled.. that set look familiar?  Yes, that's the seaside town from 1980's Popeye!

I won't be reviewing the fourth Ator film, Quest for the Mighty Sword here, because it came out during the following decade.


11. Scared to Death (a.k.a. "Scared to Death: Syngenor" and "The Aberdeen Experiment) (1980)

According to Wikipedia the director created the monster suit first, after having seen Ridley Scott's Alien.

The Premise: A monster lurks beneath the streets of Los Angeles, and a private investigator is charged with tracking it down.

Where Are They Now?: Director William Malone went on to do Creature, House on Haunted Hill and FeardotCom.

Overall: I'm not exactly sure what it is about this movie, but it feels like porn is about to break out at any moment.  The "Syngenor" (synthesized genetic organism) looks kind of cool, but overall Scared to Death lacks atmosphere and resembles too many other movies.

Fun Fact: There was a sequel, Syngenor, in 1990.


12. Avenging Force (1986)

How did he go from the bayou to the "headquarters" to the mansion?  Were they all right next to each other?

The Premise: Michael "the Dude" Dudikoff and the black guy from American Ninja take on folk-rock band Pentangle, best known for their song "Basket of Light."

Kidding about that last part.  "The Pentangle" are a group of rich white dudes who like hunting "the most dangerous game," and OF COURSE they end up hunting Dudikoff, and OF COURSE he turns the tables on them before the end credits begin their inevitable roll down the screen.

Where Are They Now?: The Golan Globus team brought director Sam Firstenberg over from -- you guessed it -- American Ninja.  He continued to direct lower budget films up until the early 2000s.

Michael Dudikoff is still around.  Like Sam Firstenberg he's doing low budget movies.

Steve James (the black guy) died in the 90s.  He had even more Golan Globus cred than Dudikoff.  Besides appearing alongside Dudikoff in American Ninja he also appeared alongside Chuck Norris in The Delta ForceAvenging Force was supposed to be a sequel to The Delta Force, but things didn't pan out that way.

Overall: How do you like your 80s action cheese?  This movie ticks off all the boxes save gratuitous nudity.


13. Parasite (1982)

Demi Moore, before she was famous, and Cherie Currie from The Runaways!

The Premise: A doctor (Virologist?) creates a parasite with the disadvantageous habit of killing its host.

Where Are They Now?: Director Charles Band went on to a long, long series of horror movies you've probably never heard of.

Demi Moore is still going strong.  Her next movie, The Substance, sounds like it could be interesting.  I always felt that G.I. Jane was a really underrated film.

I kid you not, these days Cherie Currie's main job is making chainsaw sculptures.  She still does movies and music, but yeah, chainsaw sculptures.

Overall: Shades of Cronenberg, but neither intellectual nor icky enough.


14. Wavelength (1983)

Cherie Currie again, this time paired with pre-Revenge of the Nerds Robert Carradine.  Oh, and a soundtrack by Tangerine Dream!

The Premise: A young woman receives a telepathic S.O.S. from aliens trapped inside a government research facility.

Where Are They Now?: Robert Carradine divides his time between low budget movies and low budget TV shows.  His last big movie was Django Unchained, which he's only in for about a minute.

Overall: This movie will remind you a lot of John Carpenter's Starman.  VERY few Hollywood movies are completely original, and are often the product of several botched attempts.

I'd give Wavelength a passing grade, but the military's actions toward the end don't make a lot of sense.  Besides this, more effort should have been put into the aliens' appearance.


15. Basic Training (1985)

A Skinemax movie if there ever was one.  It goes from zero to nude before the opening credits start rolling.

The Premise: A young, prudish woman goes to work at the Pentagon.  Forays into sex and sexual harassment ensue.

Where Are They Now?: Nobody in this movie went on to do anything of note.

Overall: You wouldn't know it from the YouTube comments, but this one is pretty bad.



Mad Max via the rapidly contracting Italian film industry.

The Premise: The Rangers dispense justice in a post-apocalyptic wasteland.

Where Are They Now?: Director Joe D'Amato is discussed above.  None of the cast members went on to fame and fortune post-2020 Texas Gladiators.

Overall: Crucifying the priest in the beginning of the movie was a nice touch.  Aside from this a very forgettable movie.


17. Schizoid (1980)

The Premise: A killer stalks women attending group therapy sessions.

Where Are They Now?: Klaus Kinski is discussed above.  Surprisingly enough, Christopher Lloyd is also in this.  He'd go on to do Back to the Future of course, and most recently he appeared in the third season of The Mandalorian.

Overall: A by-the-numbers slasher pic that doesn't offer much of a plot twist.



Man, what a weird-looking dude.

The Premise: A thief fresh from prison tries to rob a castle... and finds himself caught in a trap!

Where Are They Now?: Lazar Rockwood more recently appeared on the Witchblade TV series.  His costar Bonnie Beck never escaped the low budget horror genre.

Overall: Wall-to-wall terrible acting and an uninteresting story.  Watching this one was a chore.



The CGI in this one hasn't aged well.  It seems obvious to me that someone in Japan saw Tron one too many times, and their attempt to blend Tron-style CGI and anime  isn't always successful.

The Premise: Star Wars meets the Green Lantern Corps?

Overall: Along with Act of Vengeance above and Evilspeak below this is one of the three genuinely good movies here.  In terms of the genre it's unsurprising, but I think E. E. "Doc" Smith would have been happy with the finished product.


20. Evilspeak (1981)

The Premise: A young man bullied in military school finds the answer to his dilemma in SATAN.

Where Are They Now?: It may surprise you to know that the star of this movie, Clint Howard, is director Ron Howard's younger brother.  He still does bit parts in movies and TV.

Overall: Clint Howard is a good actor and the direction was competent.  They just needed to turn up the volume a bit -- make the headmaster more sadistic, the bullies more calculating in their cruelty, and the protagonist more pathetic.  Had they done so the "payoff" at the end would have been even more satisfying.  Evilspeak is a good movie, but with a slight nudge it would have been even better.

Fun Fact 1: The church where they filmed this movie burned to the ground three days after filming was concluded.

Fun Fact 2: None other than Anton Levay was a fan of Evilspeak.

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2023年11月5日 星期日

"The Third Reich" by Roberto Bolano (2011)


"Today's events are still confused, but I'll try to set them down in orderly fashion so that I can perhaps discover in them something that has thus far eluded me, a difficult and possibly useless task, since there's no remedy for what's happened and little point in nurturing false hopes.  But I have to do something to pass the time."

Roberto Bolano has been discussed here before.  I reviewed 2666 nine (!) years ago, and sometime after that I read The Savage Detectives.  I like some of his work, and he's certainly influential, but I can't say he's my favorite Central/South American author.

I'm happy to say that The Third Reich is a lot easier going than the two other Bolano novels discussed here.  It was written in 1989, about ten years before either 2666 and The Savage Detectives, and it offers a more restrained version of the same author, someone much more focused on telling a good story.  Unpublished during Bolano's lifetime, The manuscript for The Third Reich was discovered among his papers after his death.  It dates back to a period in his career when he was known more as a poet.

The Third Reich is centered around a celebrated player of a war strategy game vacationing in Spain, where he plans on writing a groundbreaking article detailing a new strategy he's invented.  Along for the ride is his girlfriend and two German friends staying at another hotel, and as the player struggles with writer's block he bumps into several sinister local characters, chief among them the enigmatic El Quemado, a disfigured man tending paddle boats on a nearby beach.

The Third Reich reminded me a lot of Hermann Hesse, an author I'm sure Bolano was familiar with.  Hesse's The Glass Bead Game shares with The Third Reich a game which is never fully explained to the reader, and moreover a game which serves a symbolic function in the story.

Thankfully -- in my case at least -- that's where the similarities between The Glass Bead Game and The Third Reich end.  The Glass Bead Game bored me to tears when I read it in high school, and I'm happy to say that The Third Reich was much easier going.  It might flub the ending (knowing Bolano, I was expecting something far more horrific), but it remains engaging throughout.  Overall it's very "German-by-way-of translation," and this take on German themes by a Spanish-speaking writer has, I think, enough novelty to recommend it.

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2023年10月25日 星期三

"The Wanderer" by Fritz Leiber (1964)


“The people of Earth responded to the Wanderer catastrophes as necessity constrained them, or did not constrain them."

A lukewarm review of Fritz Leiber's Gather, Darkness! can be found here.  In hindsight I view that book as a lesser A Canticle for Leibowitz, given that both novels place the Middle Ages in the distant future, hoping thereby to shine a light on how Western culture both does and does not change over time.

Fritz Leiber is better remembered for his fantasy books.  He's counted alongside Robert E. Howard as one of the "fathers of sword and sorcery," a reputation I can neither affirm nor dispute since I haven't read any of his fantasy novels.  I can say, however, that Fritz Leiber is no Robert E. Howard.  

Which isn't to say he's an altogether bad writer.  The Wanderer, compared to Gather, Darkness! at least, is a more satisfying effort, even if it's a less straightforward (and less easily pigeonholed) attempt at storytelling.

In this Hugo-winning novel a new planet appears out of nowhere, destroys the moon, and begins to orbit the Earth.  The effect of this new satellite on humankind, as you might expect, is complete chaos.  Giant tidal waves sweep away entire countries, earthquakes ravage infrastructure, and society breaks down as those left alive struggle to find safety.

All in all a good start, but as with Gather, Darkness! the author hasn't quite thought through some of the story elements.  The first half (although somewhat boring) works well enough as a survival story, and could have been an opportunity to discuss the nature of human beings in the face of an existential threat, but the second half, involving a rebellious faction of extraterrestrials living on the Earth's new satellite, feels less like the conclusion to the first half than something the author brought in from another narrative altogether.  There are some good ideas in there, but by and large the two halves don't hold together.

Another issue with this book is its characters, who are neither interesting nor consistent.  Some of them are merely present as observers, while others are abandoned soon after they become interesting.  Particularly galling are the "weed smokers" who expire early on in the story, who seem to be little more than a collection of jokey stereotypes.  I make no assumptions, but it seems to me that Fritz Leiber had few if any friends who weren't white.

All of which is a shame, because I think a more reflective writer could have written the hell out of The Wanderer.  It needed a more philosophical focus, but the premise had potential.

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NOTE: This is probably the last science fiction novel I'll be reviewing for a while.  I've read all the books I bought in the States and I think I need a break from rayguns and rocketships.

2023年10月12日 星期四

"Driftglass" by Samuel R. Delany (1971)


"The wind over his shoulder carried a smell I first thought was the machine.  Imagine a still that hasn't bathed for three months.  He flew very well."

Samuel R. Delany is a writer of both fiction and science fiction.  He has served as a Professor of English, Comparative Literature and Creative Writing at several American universities.  Driftglass is a collection of his short stories.

The Star Pit is a rather meandering story about a starship mechanic and his grudging love for a young boy.  The story posits the idea of "goldens," a race of hormonally adapted individuals who are capable of intergalactic travel.  Sounds good, right?  But the idea of these "goldens" is never tied into the overall narrative in any meaningful way, and for the most part it reads like a closeted gay man's plea for affection.

The next story, Dog in a Fisherman's Net, might be the best story in this collection.  Definitely not science fiction however.  This tale, centered around a death in the family and a submerged temple, works well up until the very end, when the protagonist makes a statement about himself that sounds both very forced and out of keeping with his character.

Corona has to do with telepathy.  It's not a bad story, but there are many similar stories from the time period and this one doesn't add much to the genre.

Aye, and Gomorrah is about a race of sexless, genetically engineered people who make a living by fulfilling the rest of humanity's sexual desires.  I like the idea, but the author doesn't take it anywhere meaningful.

Driftglass, the story for which this collection is named, dives into a world of merpeople busied with industrial pursuits.  It's one of the strongest stories in this collection.

We, in Some Strange Power's Employ, Move On a Rigorous Line is dedicated to Robert Zelazny, author of Lord of Light, which has also been reviewed here.  If you've read Lord of Light this story of "devils" and "angels" makes a certain kind of sense, but it's definitely one of the least accessible stories here.

The following tale, Cage of Brass, is somewhat weak.  It reads like a more modern take on Crime and Punishment or maybe one of Edgar Allen Poe's stories, but the concept of post-homicidal guilt really didn't need the "prison" setting.  I also felt that this setting could have been used to much greater effect by an author able to cut his or her stories down to their barest essentials.

High Weir is more like what I usually encounter in these late 60s/early 70s sci-fi anthologies.  A team of researchers makes a startling discovery on Mars, and what they learn in the course of their investigations drives one of them insane.  I think it's a worthy effort, even if I'm not sure whether or not the plot point involving the hologram makes any sense.

The next-to-last story, Time Considered as a Helix of Semi-Precious Stones is where I really struggled.  The protagonist is thoroughly uninteresting, his predicament seems irrelevant, and for people that live in the future none of the characters in this story seem to be trading in any noteworthy technologies.

Night and the Loves of Joe Diconstanzo closes out the book.  It's not terrible, but it seems like the sort of thing that Philip K. Dick did much better.  Dick would have trimmed this narrative right down to its core, and he would have added an ending that made you question your reality.  Samuel R. Delany, however, never accomplishes this task.

With all of the stories above considered, I can't recommend Samuel R. Delany.  I get that he's won awards and enjoyed a certain standing in the science fiction community, but I didn't find anything in this collection that made me want to read other books by the same author.  

To some extent he seems, like Ray Bradbury, to be a science fiction author who doesn't really want to be writing science fiction.  I also get the feeling that the concepts introduced in his stories would be better handled by authors more able to cut to the heart of the stories they are telling.

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2023年9月20日 星期三

"Black Legion of Callisto" by Lin Carter (1972)


“'And what are they?' Arkola growled.  'I confess I can see no other choice but to either pay the price the Zanadarians ask, or refuse to pay it and face a battle.'"

Didn't I recently state that I wouldn't be bothering with any of Lin Carter's fantasy novels?  That I did, but unbeknownst to me at the time, I'd already purchased one of these fantasy novels within a larger assortment of science fiction paperbacks by various authors.

Black Legion of Callisto is probably best described as "John Carter on One of Jupiter's Moons."  It's more professionally written than Time War, another book by the same author reviewed here recently, but it borrows a lot from both Edgar Rice Burroughs and Robert E. Howard.  In the midst of the Vietnam War an agent of the U.S. government finds himself stranded on an alien world, and after a series of adventures detailed in a previous novel he enlists in the titular Black Legion.

Some of the story points in this novel don't make a great deal of sense, but it does seem like the kind of book I would have loved in my early teens.  I was obsessed with both Robert E. Howard and H.P. Lovecraft at that age, and Black Legion of Callisto ticks off many of those boxes.  Is it good?  No, not really.  Is it corny?  Yes it is.  Is it entertaining?  Eh, it's OK.  You're not likely to remember much of the plot after finishing it, but I didn't find it especially hard to get through.

One part of this book that hasn't aged well, however, is the introduction, in which the author describes the terrestrial career of his hero.  This introduction, saluting "our brave boys in Vietnam" and wishing them the best of luck in their endeavors, doesn't sit well today, and considering that the "final boss" of this book is something of a Fu Manchu/Asian stereotype, it's pro-American interventionist stance is even harder to swallow.

Black Legion of Callisto is the second of eight in Carter's Callisto series.  I'd like to say that I won't read the others, but who knows?  I might just find myself with another pile of science fiction/fantasy paperbacks at some point, and another entry in this series might be found within it.  At any rate I definitely won't seek them out.

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2023年9月19日 星期二

"Cirque" by Terry Carr (1977)


"It was the Millipede, his dark, liquid eyes glaring at her with the impersonality of a holograph image.  Its fur glowed golden in the sun, creating a halo around its head.  It was touching her with one of its forefeet."

Terry Carr was a noted publisher of fanzines and editor of science fiction anthologies.  He wrote three novels between 1963 and 1977, of which Cirque was the last.

In Cirque an extraterrestrial visits a future Earth to witness an event which will transform the galaxy.  Along the way he's joined by Nikki, a woman cycling through a series of personalities with the aid of a powerful drug, and Robin, a young girl eager to find meaning in a society where individualistic searches for truth are at the center of daily life.

Reading Cirque in 2023, I was reminded of so many "trippy" science fiction novels from the 60s and 70s, everything from Lord of Light to The Eden Cycle, most following in the wake of Frank Herbert's aphoristic Dune, another novel heavy on both philosophy and religion.  Was "Religious Science Fiction" ever considered a valid genre?  "Philosophical Science Fiction?"  Or were these examples of the form too spread out in time to have been grouped together that way?

I have no answer to that question, but I can say that Cirque is at best a middle-of-the-road effort, lacking the depth of more philosophical works, while also lacking the action that would have made it more accessible to less intellectually inclined readers.  Its conclusion is also something of a non-event, in that the "revelation" experienced by various characters seems rather obvious from the beginning, and thus not worth constructing an entire narrative around.

I will say this though, Cirque could be the basis for a good science fiction movie.  With a little polishing the ending would work much better in a visual medium, and by edging Cirque's characters into more extreme ideological positions the story could be a lot more involving.  There's a more compelling story in there, somewhere, it's just that the author failed to bring it to the surface.

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2023年9月9日 星期六

"Tales from the White Hart" by Arthur C. Clarke (1957)


"One of the reasons why I am never too specific about the location of the 'White Hart' is frankly, because we want to keep it to ourselves.  This is not merely a  dog-in-the-manger attitude: we have to do it in pure self-protection.  As soon as it gets around that scientists, editors and science fiction writers are forgathering at some locality, the weirdest collection of visitors is likely to turn up.  Peculiar people with new theories of the universe, characters who have been 'cleared' by Dianetics (God knows what they were like before), intense ladies who are liable to go all clairvoyant after the fourth gin -- these are the less exotic specimens."

Arthur C. Clarke has been discussed here several times already, so I'll dispense with the short biography and bibliography.  Needless to say, I regard him as one of "the greats," and I consider his Childhood's End to be a must-read science fiction novel.  During his lifetime he was often grouped alongside Asimov and Heinlein as one of the three masters of the genre.

This said, Tales from the White Hart is definitely one of his lesser efforts.  In the introduction the author describes this collection as an assortment of "scientific tall tales," a type of story which was never going to find a wide audience.  Science fiction is, after all, a genre that leans on scientific concepts for a sense of verisimilitude, while most of these stories invert that very premise, introducing narratives predicated on an incomplete or faulty understanding of the scientific concepts they are predicated upon.

One of the stories in this collection might have been the inspiration for Little Shop of Horrors, though there was an earlier story by another author that might instead be the inspiration for that film.  Sentient, carnivorous plants weren't unknown to science fiction writers in the 50s, though the initial publication of Clarke's story was much closer to the time in which Charles B. Griffith wrote the screenplay to Roger Corman's movie.

This anthology was, I thought, simply OK overall, with the story What Goes Up being the standout.  This story, featuring a nuclear power plant that goes "anti-gravitational," should be required reading for anyone writing comic books.  It's unique in that it only follows its particular line of reasoning so far, and after that point it throws up its hands, leaving the reader to sort plausibility from unfounded speculation.

Which leads me to wonder how much of a future the "scientific tall tales" genre ever had.  It is, in Clarke's hands at least, a fun exercise, but given the rate at which science fiction ages I'm not sure how much of need there is for it.  If you don't believe me go back and read some science fiction from the 1950s.  Tall tales?  Almost all of the science fiction written during that time could have fit that definition, given how little the general public knew about astrophysics, quantum mechanics and related topics.  I would agree that given the tenor of the Space Race more people at the time were better acquainted with the general scientific concepts available to them, but we've learned a lot since that time, and our reservoir of knowledge is only growing.

For that matter there's Jules Verne to consider.  Tall tales?  From Earth to the Moon says hello.

All told (heh heh), Tales from the White Hart is a short, rather amusing book and I can't fault it overmuch.  It's worth a read if you're already acquainted with Clarke's more famous books, but if you aren't I'd give it a miss.

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