2022年2月27日 星期日

Some Other Movies From 1971


The Top Movies of 1971

Fiddler on the Roof, Billy Jack (wonderfully terrible), The French Connection (still great), Summer of '42, Diamonds are Forever (Mr. Wint and Mr. Kidd!), Dirty Harry (classic), A Clockwork Orange (also classic), Carnal Knowledge, The Last Picture Show (one of the best movies ever made), Willard, Sunday Bloody Sunday (really overlooked), Klute (very good), The Boy Friend, The Go-Between, The Hospital (marvelously overwrought) and Shaft (the beginning of blaxploitation).


Popular Albums of 1971

Aqualung by Jethro Tull, Master of Reality by Black Sabbath, The Yes Album by Yes, L.A. Woman by The Doors, Imagine by John Lennon, Sticky Fingers by The Rolling Stones, Who's Next by The Who, Led Zeppelin IV by Led Zeppelin, 11-17-70 by Elton John, Electric Warrior by T-Rex, What's Going On by Marvin Gaye, Hunky Dory by David Bowie, Nursery Cryme by Genesis, Shaft Soundtrack by Isaac Hayes, Fragile by Yes, There's a Riot Goin' On by Sly and the Family Stone, Weather Report by Weather Report, At Fillmore East by The Allman Brothers Band, and Tapestry by Carol King.

...and I could go on.  Pardon my French, but 1971 was a great f&%king year for music.  Check out this list at Udiscovermusic for more excellent tunes.  The albums listed there should keep anyone busy for quite a while.


1971 Books Later Adapted Into Movies

The Exorcist by William Peter Blatty, Fear and Loathing in Las Vegas by Hunter S. Thompson, The Lorax by Dr. Seuss, The Day of the Jackal by Frederick Forsyth, Mrs. Brisby and the Rats of NIMH by Robert C. O'Brien, The Winds of War by Herman Wouk, Maurice by E.M. Forster and Hell House by Richard Matheson.


Major Sporting Events of 1971

The Baltimore Colts defeated the Dallas Cowboys to win the Superbowl, the Pittsburgh Pirates won the World Series, the Milwaukee Bucks won the NBA Finals, Joe Frazier defeated Muhammad Ali in Madison Square Garden, Eddy Merckx won the Tour de France, the Montreal Canadiens won the Stanley Cup and Billie Jean King won the U.S. Open.


Comic Books in 1971

DC Comics published New Gods #1, the Squadron Supreme first appeared in Avengers #85, Mister Miracle first appeared in Mister Miracle #1, Ra's a Ghul first appeared in Batman #232, Swamp Thing first appeared in House of Secrets #92, Neal Adams began his run on The Avengers, and John Stewart made his first appearance in Green Lantern #87.


Excellent

1. Walkabout

A brother and sister learn to survive after being stranded in the Australian Outback.  Nicholas Roeg directed this movie, which was one of the first movies in the "Australian New Wave" movement.  It's a beautifully photographed film, led by the doubly beautiful Jenny Agutter.

2. The Decameron

Pier Paulo Pasolini's bawdy take on the Middle Ages.  It's the first movie in Pasolini's "Life Trilogy," coming a year before The Canterbury Tales and three years before The Arabian Nights.  I haven't read Boccaccio's stories, but even to someone with my superficial knowledge it's obvious that the original work was more a point of departure than something faithfully reproduced on film.  I think this might be my favorite of the three films in the trilogy.


About as Early 70s as You Can Get

1. The Abominable Dr. Phibes

Vincent Price stars as a disfigured man out for revenge.  As with the sequel the sets are the real highlight, and the inexplicable plot points only add to the movie's charm.  I'm pretty sure those bats are fruit bats... and would grasshoppers really eat their way through someone's face?  If you can suspend your disbelief (possibly with the aid of alcohol), this movie's a good time.

Someone should remake The Abominable Dr. Phibes.  In the right hands it would be a winner.

Fun Fact: Caroline Munro IS in this one, but her name doesn't appear in the credits.  This is because she was under contract with Hammer Films at the time, and thus unable to receive either a screen credit or payment from a competing studio.  She talks about the experience in this interview at around the 16 minute mark.

Sadness: There were several sequels planned to follow the second film, Dr. Phibes Rises Again, but unfortunately these sequels never happened.


Weird Enough to be Worth Your Time

1. The Blood On Satan's Claw

Pairs well with 1973's The Wicker Man.

Were I in charge of remaking this movie, I'd probably set it in the modern day, and add a chemical spill.  A chemical spill would add another dimension to the skin transformations seen in this movie, casting doubt on the characters' belief in the supernatural.  Aside from that this story of a demonic presence in the English countryside still works very well, and the ending is very satisfying.

Fun Fact: The director of this movie is distantly related to author H. Rider Haggard, who wrote King Solomon's Mines.

2. The Hunting Party

So... they give her some peaches and the rape thing is OK?  We're all friends now?

Parts of this movie haven't aged well, but it does have a lot going for it.  Oliver Reed stars as an outlaw who kidnaps Candice Bergen in the hope that she'll teach him how to read, with Gene Hackman as her outraged husband, the local sheriff.  I like the fact that everyone in this movie (minus Bergen's character) is a bastard, and I like that it was willing to cross a certain line, but yeah, it's not exactly a "female empowerment" type movie.  Then again, being a woman in the Old West wasn't an easy thing to be regardless.

Critics at the time despised this movie.  I think, however, that it's aged better than some other films from the same period.  Just compare this to whatever John Wayne was doing at the time.  It's a bit tactless, yes, but it's also a lot more convincing that whatever the Duke was dishing out that year.  

Oh, and if you enjoyed Hackman's performance in Unforgiven he's all over this movie, doing pretty much the same thing.

3. The Hellstrom Chronicle

The "science" at play in this documentary is little more than biblical thinking infused with paranoia, but I sometimes miss documentaries like this one.  The 70s was a great decade for disturbing documentaries, of which this movie is a prime example.  Anyone else fondly remember In Search Of... with Leonard Nimoy?  That show really freaked me out as a young boy.

Fun Fact 1: Despite its largely fictitious nature, this film would go on to win the Oscar for Best Documentary in 1972.

Fun Fact 2: This movie is the inspiration for Frank Herbert's novel Hellstrom's Hive.  Some of the concepts in Hellstrom's Hive, which revolved around an insect-like society, were later incorporated into his Dune novels.  If you can manage to track down a copy of Hellstrom's Hive it's a good book.


Some Good Ones

1. 10 Rillington Place

A landlord takes advantage of ignorant neighbors out of a lust for murder.  Great performances from Richard Attenborough and John Hurt here, even if the events after the trial stretch on a bit too long.  It's a wonderfully understated movie that deals with (for the time) taboo subject matter.  The director, Richard Fleischer, would go on to do Soylent Green two years later.

2. And Now for Something Completely Different

Parts of it are still funny, but this Monty Python movie hasn't aged nearly as well as Holy Grail, Life of Brian or Meaning of Life.  This was the troupe's first film after their run on television, and was also an attempt to break them into the American market.  Terry Gilliam's animation overwhelms the movie, but if nothing else this led to Monty Python and the Holy Grail not long after.

3. Fiddler on the Roof

The biggest movie of 1971.  As stated elsewhere I'm not big on musicals, but this story of a patriarch in a village populated by Russian Jews in undeniably good.  Topol was at the height of his career, and Norman Jewison's direction does an excellent job of balancing the drama, the songs and a sense of location.

4. Twins of Evil

Ah, such twins.  At the risk of sounding crude, I'd like to be the meat in that sandwich.

In this Hammer Films production Peter Cushing stars as the local vampire hunter, with various villagers joining him in battle against the forces of Satan.  OF COURSE it's about vampires, and of course the (ambiguously) good prevail in the end.

Those twins though.  According to Wikipedia they were real life Playboy Playmates.  Click here and repent later.


Uh... Don't Hold Your Breath On the Remake

1. Pretty Maids All in a Row

Was this the first teen sex comedy?  Teen sex... dramedy?  I don't know, but it's going pretty far back into the vault.

Knowing what we now know about Rock Hudson, it's weird watching him in a movie where he "guides" a young high school student toward sexual maturity.  And what is Telly Savalas's job in this movie, exactly?  For a police detective he seems to have a lot of time to hang around in the local high school, interviewing young girls.  And then, to top it all off, this movie takes a WEIRD left turn into a crime/suspense-type subplot, only to revert back - at the last minute - to some kind of carefree sex romp wherein we all get to forget about all the murders that have taken place and how none of them have been explained to anyone's satisfaction.

A bad script aside, for me it was hard to make moral judgements about these characters.  It was 1970 when they filmed this thing, the Summer of Love wasn't far into the rearview mirror, and I really wasn't sure what parts of this movie to take seriously and what parts to dismiss as humor.  Whatever this movie is, you might give it a look if you have the time.  If you manage to unlock the secret that makes this movie tick let me know in the comments.

Fun Fact 1: This movie was written and produced by Gene Roddenberry, and James "Scotty" Doohan appears in it as a policeman.

Fun Fact 2: They originally wanted Joe Namath for the lead, and Angie Dickinson's role was first offered to Brigitte Bardot.

Fun Fact 3: Around a decade later Rock Hudson would turn down the role of Trautman in First Blood.


Some Bad Ones

1. Richard Pryor: Live & Smokin'

As far as stand up comedy goes it's definitely historic, but is it funny?  I didn't find it to be so.  By watching the movie you can tell that Pryor had a future as a performer.  You can also tell that a lot of his humor came from a dark place.  But yeah, the whole "black vs. white" thing has been done to death since, and after the first few minutes the homophobia and misogyny started to wear on me.

2. Trinity is Still My Name

Terence Hill bumbles his way through another spaghetti Western, this time without Peter Fonda to pick up the slack.  It's probably the most European Western I've ever seen, with weird, semi-humorous detours through saloons, restaurants and wide open spaces that don't necessarily add up to a coherent plot.  It was the highest-grossing Italian movie up to that point.

Fun Fact: Terence Hill (a.k.a. Mario Girotti) was in McCabe & Mrs. Miller the same year.  His appearance in that other, better American movie was extremely brief however.  He was only in it for a few seconds as a townsperson.

3. The Magnificent Seven Deadly Sins

...and then he eats the duck in the shower!  And he gets a stomachache!  And his doctor enjoys the "pudding!"

HA HA HA HA HA!!!

Hasn't aged well.  Monty Python's Graham Chapman wrote parts of the skits, but the sexual innuendo and people at cross purposes aren't exactly comedy gold.

4. Throw Away Your Books, Rally in the Streets

The general pattern seems to be quotes, followed by weird montage, followed by something sexual.  This Japanese film sure is arty, but I can't say it's entertaining.  Wikipedia says it's about "Japan's descent into materialism," but I wasn't feeling that.  It was a real struggle to get through.

5. Countess Dracula

"Elizabeth Bathory" does what comes unnatural.  Like a lot of Hammer horror films you can predict a lot of the movie from the opening credits: carriages passing down wooded lanes, wardrobe recycled from countless other movies, hot women, boobs, castles and occasional splashes of blood.  The first 3/4 of this movie is well written, but the last fourth really drags.


Oh, and NOT from 1971, but a Decent Overview of the Time Period

1. 1971: The Year That Music Changed Everything

Documentary on the music and musicians of 1971.  It's too political for its own good, it completely overlooks some of my favorite bands, and the connections they imply between social trends and certain musicians seem more like a case of wishful thinking than a reflection of the time period.  Just the same there's a lot of good footage in this documentary, some of it restored and some of it available for the first time.   Yes, in some ways it's like listening to Steve Jobs' iPod, but that doesn't make any of the music in this documentary less awesome.

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2022年2月22日 星期二

"The Morning Star" by Karl Ove Knausgaard (2021)


"Tove was asleep on the sofa below the window.  Her mouth was open and she was snoring.  She was lying on her back with one hand on her chest, her feet flat on the sofa, knees in the air, legs splayed.

"It was over, I thought to myself.  At least for now."

Karl Ove Knausgaard is a Norwegian author.  His bibliography goes back to 1998, and he's extremely popular in his own country.  His books, which often touch upon Christian theology, have won several awards, though almost all of these awards are specific to Scandinavia, and to books written in Scandinavian languages.  I'm not sure what to make of the Wall Street Journal's claim that he's "one of the 21st century's greatest literary sensations," especially since we're only 22 years into the present century.

In The Morning Star several people in small town Norway go about their daily business, their routine interrupted by the appearance of a new star in the sky.

And then...

...nothing.  Really, nothing.  They do something, something else happens, and then they notice the new star in the sky.  That's it.  This book comes to no conclusion, unless you count the essay at the end, in which the author discusses the possibility of life after death.  No one learns anything, no obstacles are overcome, and no one is better or worse off.  The narrative - if the whole thing can be called a narrative - just ends at a certain point, without any kind of resolution.

Call me crazy, but in my opinion the author's half-baked ideas on religion, history and culture weren't worth the effort it took to get there.  Life after death?  How about writing a complete novel?  How about fulfilling the unspoken promise you made when you wrote the first chapter?  The ending of this book - if you can call it an ending - just screams writer's block to me, and after forcing myself through the 666 pages of The Morning Star I can only come to the conclusion that I shouldn't have bothered.

"One of the 21st century's greatest literary sensations?"  The New York Times and I will have to agree to disagree on this one.

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2022年2月15日 星期二

Some Other Movies From 1972 (2)


For further background on the year in film, please refer to the Some Other Movies From 1972 entry.

The following things happened in 1972:
  • Kurt Waldheim became Secretary-General of the U.N.
  • The first scientific hand-held calculator was introduced.
  • Pakistan began its nuclear weapons program.
  • Anti-British riots took place throughout Ireland.
  • The Winter Olympics were held in Sapporo, Japan.
  • President Nixon visited China for 8 days, ushering in a new era of U.S.-China relations.
  • The U.S. military resumed bombing of Hanoi and Haiphong in Vietnam.
  • Okinawa was returned to Japan after 27 years of U.S. military occupation.
  • The Watergate scandal began with the arrest of five White House operatives outside the offices of the Democratic National Committee.
  • Idi Amin declared that he would expel 50,000 Asians from Uganda.
  • China and Japan normalized relations.
  • The arcade version of Pong was released.
Linked entries can be viewed in their entirety on YouTube.


Excellent

1. The Other

A boy living in rural isolation harbors a sinister secret.  Viewers watching this in 2022 - provided they've seen enough horror movies - will see the plot twist coming from miles away, but that doesn't make this film any less creepy.  I don't want to spoil the movie for anyone, but if you watch carefully there are many symbols/clues strewn throughout the movie.  Many of these symbols/clues add another dimension to the plot.

Fun Fact: John Ritter is in this.

2. Across 110th Street

Yaphet Kotto and Anthony Quinn star in this rock solid crime thriller centered around money stolen from the Mafia.  And if I've learned anything from movies like this, it's that you don't steal money from organized crime.  They will come and find you.  They will make your life unhappy.

The director knew what he was doing, the acting is on point, and the soundtrack seals the deal.  Even the most loathsome character in this film is at least somewhat sympathetic, and the scenes are staged in the most economical manner possible.  This is the kind of movie Quentin Tarantino's been trying to (re)make since the start of his career.

Critics at the time were almost universal in their hate for this movie, but it does score high on sites such as Rotten Tomatoes.  For my part I think the critics of 1972 just weren't ready for it.  Yes, it's similar in some ways to TV cop shows of the time, but compare this to the kind of movies that Tarantino and Scorsese have been praised for, and its prescience becomes obvious.

Fun Fact 1: Burt Young (Paulie in the Rocky movies) is in this for a second.

Fun Fact 2: Director Barry Shear, who came to this movie from a career in television, also directed the cult classic Wild in the Streets.

Fun Fact 3: Yaphet Kotto would appear opposite Roger Moore in Live and Let Die the following year.  Even though his father was from Cameroon he was somehow also raised Jewish.  To complicate the man even further, he was a vocal supporter of Donald Trump.  He also died in the Philippines last year under mysterious circumstances.

Fun Fact 4: Anthony Quinn, who served as producer, only took the role after Kirk Douglas and John Wayne (!) passed on it.  He originally wanted Sidney Poitier for Yaphet Kotto's role, but the residents of Harlem protested that Poitier was "too Hollywood."

3. Frenzy

I didn't know Hitchcock was still making films as late as 72.  You can see him in the crowd just before the first body is discovered.

In Frenzy a "sexual deviant" is assaulting and killing young women in London, and a man down on his luck is accused of the murders.  It was lavishly filmed, and the scenes involving the chief inspector and his wife are great.  As with many Hitchcock movies, it gets a bit too psychological for its own good, but its still a meticulously crafted movie full of wonderfully flawed characters.

4. Roma

Fellini's masterpiece, and also a consistently interesting movie.  There's a lot to unpack in this one: fascism, the old vs. the new, the ancient vs. the modern, religion and even food.  My favorite parts were the discovery of the frescoes and the ecclesiastical fashion show, but then again having favorite parts assumes that I grasped the entire movie, that I understood its various parts in relation to one another.  I'd have to watch this movie again to appreciate it fully.  As it is I feel that I have the outlines of what the director was trying to do, but there are definitely aspects that I missed.


Some Good Ones

1. Avanti!

A wealthy American travels to Italy to secure his father's body.  Jack Lemmon stars, again under the direction of Billy Wilder, and yes, like The Front Page this movie was also adapted from a play.  I liked Avanti! a lot more however.  It feels less like a play, with the director adding plenty of exterior shots and dialogue that feels less forced.  I also enjoyed the chemistry Lemmon shares with costar Juliet Mills.

This movie got me thinking about one of my favorite 70s films, 1973's Save the Tiger, which also featured Lemmon.  I think that Save the Tiger, a far more naturalistic movie, was probably more of a stretch for the actor, given his history in movies like Avanti! and The Front Page.  Movies like Avanti! are definitely worth a look, but it's obvious why his performance in Save the Tiger earned him an Oscar in 1974.

2. The Heartbreak Kid

The Heartbreak Kid, The Goodbye Girl... I'm sensing a theme here.  I've never been a huge Neil Simon fan, but this is definitely my favorite of his screenplays.  Charles Grodin stars as an insincere man who gets exactly what he wants, with Cybill Shepard as a younger woman who falls into his desperate orbit.  It's a little longer than it needs to be, but director Elaine May adds a lot of nuance to this story of "love" lost and found again.

Is it still funny though?  No, not really, but it's still very good.

3. The Cowboys

John Wayne leads a group of young boys on a cattle drive.  There are dozens of John Wayne movies I haven't seen, but this one is my favorite so far.  The Shootist was good, but this one is even better.  I especially liked Roscoe Lee Brown, who plays the cook.

Fun Fact: One of those boys look familiar?  That's Robert Carradine, brother of David and Keith.  He'd go on to play Lewis Skolnik in Revenge of the NerdsThe Cowboys was his first movie.

4. The Mechanic

Charles Bronson stars as an assassin, with Jan-Michael Vincent as his protege.  I wasn't buying the twist at the end (Bronson knew all along, right?) and it spends a bit too much time on Jan-Michael Vincent's character, but other than that it's a solid movie with a lot of atmosphere.  Certain scenes, in particular the party and the suicide attempt, feel like they belong to the previous decade.  Director Michael Winner also oversaw the first three Death Wish movies.

I haven't seen the 2011 remake, which features Jason Statham.  I have the feeling the remake has little in common with the original.

Fun Fact: In the original script Bronson's and Vincent's characters were lovers.

5. The Getaway

Steve McQueen and Ali MacGraw star in this Peckinpah-directed heist movie.  Walter Hill wrote the script, so you know it's going to be a double dose of manliness.  I liked it, but I have trouble with McQueen's character's reputation as some kind of mastermind.  He always seems one step behind everybody else, rather than the opposite.

Fun Fact 1: This was almost a completely different movie.  Peter Bogdanovich was originally hired to direct, with author Jim Thompson on board to write the screenplay.  Unfortunately (?) McQueen and Bogdanovich didn't get along, and the result is The Getaway.

Fun Fact 2: In 1972 Ali MacGraw was voted the world's top box office star.  Much of her popularity was due to 1970's Love Story, which was a massive hit.  After The Getaway she took a five-year break from acting, reappearing with Kris Kristofferson in the not-nearly-as-good Convoy, which Sam Peckinpah also directed.


Good?  Bad?  No Idea.

1. Play It Again, Sam

Woody Allen.  No thanks.


Some Bad Ones

1. The Harder They Come

Jimmy Cliff plays... Jimmy Cliff... to a point.  I get the novelty of this movie - and I like a lot of those songs too - but it also features some truly bad acting and an extremely low budget.  It's interesting to see Jamaica during that time, but I just barely made it through this one.  It ends how you'd expect it to end, and its historic nature (it was the first Jamaican film ever, and introduced reggae to an international audience) doesn't make it any less derivative.

It has a high score on Rotten Tomatoes, but we'll have to agree to disagree on this one.  A lot of the praise it receives seems condescending to me, as if no one expected better from those producing the film.  Those who disagree might take a look at Touki Bouki, a Senegalese film released two years later.  To me the difference in quality between the two films is obvious.


Tuesday Weld stars as a mentally unstable actress, with Anthony Perkins as her sexually ambiguous best friend.  I'm guessing it worked better as a novel?  The movie is by turns melodramatic and pretentious, topped off by an ending that falls extremely flat.


Yawn.

1. Solaris

I tried...

...but I was also warned beforehand.  I watched Tarkovsky's Stalker not long ago, and like Stalker Solaris bored me to death.  Film critics will call me crazy, but I'd take the Soderbergh version any day of the week.  For the record, Stanislaw Lem's novel is one of my favorite books.


So Bad It's Good


You've seen The Thing, right?  Or, going still further back, The Thing From Another World?  OK, now imagine the "thing" from The Thing, but instead of shapeshifting and/or absorbing people it has telepathic powers.  And it's stuck in the frozen body of an abominable snowman.  And the frozen body of the abominable snowman is stuck on a train... with Christopher Lee and Peter Cushing.

It makes about as much sense as you'd expect.  By the time Telly Savalas shows up (as a Cossack!), you're either along for the ride or you've already disembarked at the last station.


Shock Tactics

1. The Last House on the Left

I recently watched a review in which the reviewer referred to The Gore Gore Girls as the only movie that "made him feel sleazy for watching it."  The Last House on the Left is along the same lines.  It's NOT a movie you should take seriously, but even so it does make you feel kind of dirty.  It's the first movie Wes Craven directed, and you can tell he would have made it even more extreme if he'd been able.

Note Sean S. Cunningham in the opening credits.  He'd go on to direct Friday the 13th in 1980, and he was involved in the production of John Carpenter's Halloween before that.  Of the three directors I'd have to say that Wes Craven is the most overrated.  He definitely had his finger on something, but in terms of craftsmanship I'd rank him below the other two.

Fun Fact 1: This movie started out as an adaptation of Ingmar Bergman's The Virgin Spring.

Fun Fact 2: Sherriff's deputy Martin Kove look familiar?  He also played the evil karate instructor in The Karate Kid.

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2022年2月6日 星期日

"Move: The Forces Uprooting Us" by Parag Khanna (2021)


"It's common today to hear pronouncements about the 'death of globalization.'  Generations past have presumed the same about their times.  Yet much like Europe after World War I, each period of retrenchment is followed by an even wider and deeper globalization wave.  So it shall be again.  Oil trade may decrease, but digital exchange is exploding.  Trade in manufactured goods has ebbed, but capital flows and cryptocurrencies are thriving.  Populism and the pandemic have tightened some borders, but climate change will drive ever more people across them.  Remember the most fundamental truth about humanity through the ages: We keep building connectivity across the planet - and we keep using it.  Mobility is destiny."

Parag Khanna is the founder of FutureMap, a global strategic advisory firm.  Other books he's written include Connectography and The Future is Asian.  He has a PhD in Economics.

The above quote pretty much sums up Move, his latest book.  And while I agree with his thesis I can't say that I got much out of his proposed solutions to issues such as climate change, overpopulation and various forms of inequality.  His mode of thinking could be described as utopian, with little thought for the real world problems that stand between us and this future he proposes, wherein people flow across borders toward higher elevations and freely migrate to more attractive labor markets.

Taken as a work of scholarship this book begs a lot of questions.  Yes, there's a bibliography in the back, but which of the works listed apply to which parts of the book, and do they all agree with the author's thesis?  In forming his arguments he paints in very broad strokes, listing data points which support his ideas but seemingly unable - or unwilling - to synthesize what the authors of all those other books, articles and studies were really driving at.  At times Move resembles a Master's thesis written via Wikipedia, in which the student has hurriedly compiled "evidence" without really considering whether or not all of the weightier works consulted would have fallen on the same side of history.

There's also an alarming number of personal anecdotes in this book.  Yes, the author seems widely traveled, and yes, he may represent a larger trend toward mass migrations of peoples over the surface of the globe, but at times this book feels like little more than an expression of his personal experiences, or even an attempt to advertise his consulting firm.  Is he painting a future of "humanity on the move" out of a desire to assist that humanity to better understand itself?  Or is this book just a calling card, intended for display in the offices of his startup?

Take this passage, for example:

"But as Asia's resurrection illustrates, in the long run societies with larger populations tend to become wealthier, as they aggregate and spread innovations that make their citizens more prosperous."

What does this mean, exactly?  Asia is a continent comprised of many, many countries, and many of these countries are far from any "resurrection," whatever that means.  And do larger populations really tend to become wealthier?  And wealthier compared to what?  Compared to previous populations or smaller populations?  How are we measuring wealth in this instance?  How are we quantifying innovations?  How are we determining prosperity?  It all seems to make sense at a cursory glance, but upon further reflection it's either glaringly obvious or completely unclear.  You'd think that someone trained in economics would be able to come to more definitive conclusions, but in this book this is rarely the case.

In this book's defense, I will say that the author provides some memorable turns of phrase.  He's a polished writer, if not a polished scholar.  And I don't disagree with the message behind this book.  The climate is changing, and issues of national sovereignty are definitely leading to economic inefficiencies and humanitarian crises all over the globe.  It's just a shame that these points weren't argued more convincingly, by someone less apt to generalize.

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