顯示具有 jonathan 標籤的文章。 顯示所有文章
顯示具有 jonathan 標籤的文章。 顯示所有文章

2026年3月16日 星期一

Smartphones, the Internet and the Future


Exhibit A: The Anxious Generation by Jonathan Haidt (2024).  The author, a noted social psychologist, paints a grim picture of how smartphones, social media and "safetyism" is affecting our youth.  He recommends raising the online age of consent to the age of 16 from its present age of 13, not allowing children to own smartphones until the same age, and creating more opportunities for free play.  He also encourages parents, schools and governments to enact rules and laws that reflect children's physical, emotional and developmental needs in relation to emerging technologies.


Exhibit B: How to Save the Internet by Nick Clegg (2025).  The author, a former British politician and Meta employee, describes the threats to an "open internet," and how these same threats might be addressed.  He details previous government actions to circumscribe the internet, concerns over privacy, concerns over how the flow of data across borders threatens those in power, and strategies which might be employed by both Big Tech and national governments to ensure that the internet remains the valuable resource which it presently is.

My Thoughts: I liked Haidt's book and I agree with it completely.  It's well-researched and chimes with what I've observed as both a father of two girls and a teacher of younger children.  Haidt's book is, if a little dry, very concise and to the point.  We definitely need to give more thought to how the prevalence of screens and the popularity of platforms such as Instagram and Facebook are affecting our kids.  Dumping them in front of an iPad or a phone for hours might seem harmless, but this is actually far from the case.

I liked Clegg's book a lot less.  He makes some good points, but at times his idealism verges on whimsy.  He also spends a lot of time apologizing for Meta, a company he hangs much of his reputation on.  It isn't a good look.  Much of what's in this book was known to me already, and the sources he cites are very haphazard.  He even takes shots at Haidt's book in one chapter, though I think he largely mischaracterizes that other, better work.

Given its title, Clegg's book had two responsibilities, these being: 1) explain why the internet needs saving, and 2) explain how it can be saved.  I don't think that it accomplishes either task, though I do agree with many of the points its author makes.  

I often found myself wishing that Nick Clegg had removed himself from the arguments he makes a little more.  Too much of this book depends upon claims that he knows things simply because he worked at Meta.  It's too much like asking us to take certain bits of evidence on faith.  I have no reason to believe that he was informed of every study Meta ever performed, just as I have no reason to believe that he was always among those (or even informed by those) making decisions at that company.

Unlike Haidt, Clegg also takes forever to reach his points.  He tends to circle around ideas with words, never actually embracing them until far too many paragraphs, pages and even chapters have gone by.  He could have taken lessons from Haidt's more concise, more academically rigid approach.  More of what Clegg writes could be have also been backed up with (solid) research.  Personal anecdotes only go so far toward convincing the skeptical.

Critics have attacked Haidt for creating a "moral panic" along the lines of many such panics triggered by new technologies.  Yet despite these criticisms (which Clegg echoes), Haidt's work stands on its own and deserves the praise it has received.  Clegg's book, on the other hand, is shoddily done (perhaps even ghostwritten), and deserves to be passed over.  He (or his ghost writer) voices valid concerns for the future of the internet, but I'm sure that these concerns have been voiced better elsewhere.

Related Entries:

2023年8月6日 星期日

"House of X / Powers of X" by Jonathan Hickman and Others (2019)


 Anyone else find Hickman's Secret Wars disappointing?  It started out as this enormous, ambitious thing and then just kind of ended.  I began that comic book series expecting a conclusion that would shake the Marvel Comics universe(s) to its very core, but what I got -- or seemed to get -- was an ending less than spectacular.

Don't get me wrong, I loved Hickman's run on New Avengers up to that potentially reality-altering comic book crossover event.  Those New Avengers comics exceeded my expectations on every level, and perhaps that was part of the problem, in that they set me up for disappointment later on.  The author, it would seem, had no way of topping or completing what he'd done on New Avengers, and what we were left with in Secret Wars was a half-concluded conclusion, a less-than-epic final chapter to a bloated run of excellent, good and mediocre comics that we all felt coerced into reading.

But perhaps I'm projecting here.  I don't, after all, know what YOU felt about Secret Wars.  Maybe you loved it the way I loved New Avengers.  Maybe you consider it a masterpiece.

If so, I can only hope that you'll forgive me for saying that Hickman's House of X and Powers of X are head and shoulders above Secret Wars, and that they are works of such shattering scope and consistency that I doubt they'll be eclipsed by any other comic book series for many, many years to come.  They represent not only the summation of what Hickman's done in previous comics, but also the summation of the X-men's collective comic book history, right back to X-men #1 in 1963.

The premise?  It's somewhat hard to encapsulate, but let's say it involves a combination of reincarnation and precognition, with the X-men beginning anew on the sentient island Krakoa.  It's a story spanning millennia, and it involves a number of X-men friends and foes coming together as a way of ensuring mutantkind's continued existence.  And did I mention that Nimrod is one of the featured characters?  I always loved Nimrod.

Hats off to everyone involved in the creation of this series.  I'll probably read it again at some point.  It's mind-bending in the best sense of the term.

Related Entries:

2023年5月30日 星期二

"Pathogenesis" by Jonathan Kennedy (2023)


"The Christian faith skyrocketed because it provided a more appealing and assuring guide to life and death than paganism during the devastating pandemics that struck the Roman Empire in the second and third centuries CE."

Jonathan Kennedy is a professor at Queen Mary College in London.  He teaches Politics and Global Health, and he has a PhD in Sociology.  Pathogenesis is his first book.

In this book the author charts both the evolution of human beings and the evolution of human societies in conjunction with the occurrence of pandemics throughout our history.  Yellow fever, malaria and the plague feature most prominently in this narrative, with later chapters focusing on more modern maladies such as cholera, AIDS and COVID-19.  The book concludes with a short chapter on future pandemics, and how our current institutions might address the appearance of such pandemics by putting more collective emphasis on public health.

It's a very readable book and I got through it very quickly.  I was, however,  a bit disappointed by the weight given to both Antiquity and the Age of Exploration, since I was reading the book for more perspective on COVID-19.  A historical analysis was definitely warranted, but this book doesn't have much to say about pandemics during this or the previous century.  That, I think, was the kind of discussion this book should have been building toward.

I'd recommend Pathogenesis, but this really isn't the sort of post-COVID retrospective I was looking for.

Related Entries:

2019年4月9日 星期二

"Purity" by Jonathan Franzen (2015)


"He put his glasses back on and stared straight ahead.  A ghost was in the room with them.  'It's not possible,' he said.  'I don't have a daughter, and even if I somehow did, what are the chances of her living under my roof?"

According to Wikipedia, Jonathan Franzen's most famous novels are The Corrections and Freedom, neither of which I've read.  He was close to winning the Pulitzer Prize for Fiction, and he's been referred to as a "great American novelist" by at least one major news outlet.  Purity is his most recent book, and was released five years after Freedom.

In Purity, a young woman goes in search of a father she's never known.  She does so over the objections of her eccentric mother, who's cut all ties with their shared past.  In her search the young woman crosses paths with a number of other people, all of whom have knowledge of her missing parent.

It starts out well, and I liked the main character from the beginning.  Her struggles with student debt and sexual insecurity make her very accessible, even if her neuroses seem a bit over the top at times.  By the end of the novel I was happy she'd found some kind of closure in her life, though certain elements of her sexuality seemed a bit too dictated by the story the author wanted to tell.

Where this book struggles is in the middle, with all of the other characters.  Every woman in this book is a manipulative neurotic, and every man is a cowardly intellectual.  After a while it began to seem like they were all doppelgangers for one another.  As a reader I wanted to like them, but at times they seemed pointlessly eccentric, as if the author made them that way for the sake of stringing the plot along.  I get that he was making some point about the male-female dialectic, and perhaps also how younger generations might transcend this dialectic, but including female characters who weren't manipulative neurotics and male characters who weren't cowardly intellectuals would have given this story a lot more depth.

And then there's the ending.  Kind of a let down if you ask me.  All of that personal drama just to end like that.  It was very frustrating.  And Purity isn't short either.

Would I recommend this book?  No, not really.  I just don't think it's worth the effort.  But would I read another book by Jonathan Franzen?  Yes, I think I would.  There's enough in Purity to make me curious about his more famous efforts, and I think those other novels are probably much better.

Related Entries:

"Artemis" by Andy Weir (2017)
"A Little Life" by Hanya Yanagihara (2015)
"The Fishermen" by Chigozie Obioma (2015)
"China Rich Girlfriend" by Kevin Kwan (2015)