2026年4月12日 星期日

Still More 00s Movies 2: 2002 - 2004

I'll be adding to this as I go along.  As with all the other "Still More..." entries I'll be listing these films from "best" to "worst."


1. Osama (2003)

A girl tries to pass for a boy in Taliban-controlled Kabul.  This movie isn't an easy watch, but it'll likely stay with you long after you've seen it.  It was the first movie filmed in Afghanistan since 1996, and it remains the highest-grossing Afghan film of all time.

A Silver Lining: The star of this film, Marina Golbahan, escaped Afghanistan after Osama's release and now lives in France.



Say what you like about Mel Gibson, he knows his way around a war movie.  This particular war movie follows the U.S. Army into scenic Vietnam, where predictable tragedies occur.

This movie's no Full Metal Jacket or anything, but I think it does a nice job of balancing the soldiers' lives against what their wives were going through at home.  The Viet Minh forces, for that matter, are also shown in a more sympathetic light.

The director, Randall Wallace, also wrote Braveheart and frequently collaborates with Gibson.  At the time of writing he's trying to crack a sequel to The Passion of the Christ, and if that sequel's as bonkers as I hope it will be I'm sure I'll love it.

Fun Fact: Clark Gregg is in this.  It was years before he appeared in Iron Man.


3. Hulk (2003)

It's one of the clunkiest comic book movies ever made, but keep in mind that back in 2003 there weren't a lot of other examples to draw from.  Sam Raimi's Spider-Man had come out, but up to that point the other big comic book movies consisted of 1989's Batman, its sequels and the Superman movies.

Ang Lee and his scriptwriters were cutting from whole cloth, and this production had a very troubled history to boot.  The dialogue is on par with the creature features of a much earlier decade, some of Hulk's backstory is butchered, and much of the plot relies upon Thaddeus "Thunderbolt" Ross making inexplicable decisions.

There's also that "drama class" scene near the end, which is both ridiculous and completely out of left field.  "Oh yeah, never mind the fighting we were doing just minutes ago.  Let's give Bruce a moment alone with his father!"

With all of that said I still think that Hulk is an inventive movie with some redeeming features.  Eric Bana might not have done as much with the character as Ed Norton, but he's a solid lead and the cast is definitely stacked.  Jennifer Connelly and Sam Eliot also deserved awards for mouthing some of those lines with straight faces.

I can remember seeing this one in the theater.  My verdict back then?  I gave it a passing grade.  My verdict now?  It's still worth seeing.  It might be a failure in some respects, but it's an interesting failure nonetheless.

Fun Fact 1: Sam Eliot appeared in this the year after We Were Soldiers (above).  In both movies he plays an Army Ranger.

Fun Fact 2: A sequel incorporating Grey Hulk, the Abomination and the Leader was planned and quickly shelved when Universal failed to meet its 2004 deadline to start filming.


4. S.W.A.T. (2003)

I can remember seeing posters for S.W.A.T. in the theater after seeing Hulk (above).

In S.W.A.T. Samuel L. Jackson assembles a team of... non-Avengers in his battle against crime.  In this endeavor he's joined by fellow Marvel alumnus Jeremy Renner and Colin Farrell, whose career was in something of a death spiral at the time.

The first thing that struck me about this movie is how YOUNG Jackson, Renner and Farrell look in it.  Then again it was 23 years ago, so yeah, that tracks.

As cop movies go it's not bad.  Extremely formulaic, yes, but not bad.  If nothing else Michelle Rodriguez is very beautiful, and I enjoyed watching her scenes.  Her specific role in this movie?  Uh... don't ask me, I was distracted by the tank top.

Fun Fact: Developed from a 70s TV show, this movie went through its share of development hell before entering production.  At one point Arnold Schwarzenegger was attached to star, then Mark Wahlberg, then Paul Walker.  At one point Zack Snyder was also announced as director, though he left soon after to do Dawn of the Dead.


5. Anger Management (2003)

I've started and stopped this film so many times.  I finally watched it straight through recently.  It's not bad.  Jack Nicholson's character is interesting, and Adam Sandler holds his own as the straight man.  It's not hilarious or anything, but as comedies go it's miles better than some other examples of the genre listed below.


6. Take Away (2003)

Australian movie in which the owners of two fish and chips shops team up to fight the local branch of a nationwide burger chain.  Take Away was never going to win any awards, but its funny moments are still, for the most part, funny.

Fun Fact: Rose Byrne is in this.  I had no idea she was Australian!


7. I Spy (2002)

Owen Wilson and Eddie Murphy star in this largely unfunny adaptation of the 60s TV show.  To give Murphy some (possibly undeserved) credit, he actually is funny in this movie, but in terms of plot and character development it goes absolutely nowhere fast.

Fun Fact 1: The 60s show featured Robert Culp and Bill Cosby.  Knowing what we now know about Cosby, I kinda hope they take another pass at the concept.

Fun Fact 2: Famke Janssen appeared in this between X-Men and X2: X-Men United.



8. D.E.B.S. (2004)

Low budget, girl-centric take on the spy genre which leans heavily on the physical attractiveness of its leads.  It'll probably remind you of nothing more than a slightly more mature version of the Spy Kids franchise.  Jordana Brewster had already appeared in The Fast and the Furious and Devon Aoki would later appear in Sin City.

Fun Fact 1: Director Angela Robinson later helmed Professor Marsten and the Wonder Women, a very overlooked movie.

Fun Fact(s) 2: Both Jordana Brewster and Devon Aoki have interesting backgrounds.  Brewster is half-Panamanian, and her Brazilian mother appeared on a 1978 cover of Sports Illustrated.  She's also a direct descendant of two passengers aboard The Mayflower.

Devon Aoki is the daughter of wrestler Rocky Aoki, owner of the Benihana restaurant chain and publisher of Genesis magazine.  She was a celebrated model before her appearances in a handful of films.  She retired from acting in 2009.


9. Daddy Day Care (2003)

During the year in which Hulk rampaged through San Francisco the Flash was racing through Eddie Murphy's living room.  Daddy Day Care is a lot more cohesive than I Spy (above), but for all its cohesiveness it's even less funny.  It was, of course, aimed squarely at kids, but there are plenty of kid's movies that adults can also enjoy.


10. Big Trouble (2002)

Dave Barry - remember him?  In case you don't he was a noted humorist at the time, his syndicated column appearing in newspapers all over the States.  Come to think of it, newspapers - remember those?

Tim Allen, an actor I've always found annoying, stars in this big screen adaptation of one of Barry's novels.  It's all very Pulp Fiction-y, right down to a mysterious case that various characters lug around.  Heavy D's and Omar Epps' scenes are amusing, but the rest of this film is a real drag.

It was, like I Spy above, a massive bomb.  Tim Allen would live to fight another day, but I doubt many studios were banking on him after this point.

A Red Flag: Check the runtime: 1 hour and 17 minutes.  With the possible exception of lower-budget horror, any feature film shorter than 1 hour and 30 minutes made after the 70s is probably bad.


11. Uncle Nino (2003)

An estranged Italian uncle brings an American family back together.  A better screenplay would have had the rest of the family veer further away from the self-absorbed father's wishes, but as it is they all mope around and suffer his wrath in silence.

Not sure if this movie was extolling the virtues of family or repression.  What I do know is that after this movie and Laguna I'll be wary of Joe Mantegna vehicles in the future.


12. Cheaper by the Dozen (2003)

Steve Martin, another actor I find consistently irritating.

This movie's a desert entirely devoid of laughter.  Hanging in the sky is Steve Martin's smug face, with not even the smallest chuckle in sight.  You're tired, you're bewildered, you're thirsty for laughter, but you somehow know that mirth is not to be had in a place such as this.

Is Steve Martin concerned about your predicament?  Not in the slightest!  He's already cashed the check.  He's already on to his next underwhelming movie.  Fare thee well, traveler.  Good luck... you'll need it.



Insipid teen romance involving a small town, peer pressure, angsty, angsty late 90s and early 00s Alternative music, and THE LORD.  It was adapted from a Nicholas Sparks novel, so if you've seen The Notebook you'll know where you stand with this one.

This movie, unlike some others discussed here, was a financial success.  It made over $47 million against a $11 million budget.


14. Garfield: The Movie (2004)

Bill Murray voices an unconvincing CGI cat in this adaptation of a comic strip that you might remember but probably don't think about much (if at all) in 2026.  And somehow this movie made a TON of money!  Go figure!

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2026年4月10日 星期五

"Shakespeare: The World as Stage" by Bill Bryson (2007)


"...and all other London playhouses, with the exception of the Globe, relied on other entertainments, particularly animal baiting, to fortify their earnings.  The pastime was not unique to England, but it was regarded as an English specialty.  Queen Elizabeth often had visitors from abroad entertained with bearbaiting at Whitehall.  In its classic form, a bear was put in a ring, sometimes tethered to a stake, and set upon by mastiffs, but bears were expensive investments, so other animals (such as bulls and horses) were commonly substituted.  One variation was to put a chimpanzee on the back of a horse and let the dogs go for both together.  The sight of a screeching ape clinging for dear life to a bucking horse while dogs leaped at it from below was considered about as rich an amusement as public life could offer."

Bill Bryson's One Summer and The Body were also reviewed here a while ago.  He's good for a quote or two, though I can't think of anything he's written that's really stuck in my memory.  He definitely has a way with words, but in the realm of ideas the books of his I've read seem to fall short.  Maybe he's said more meaningful things in other parts of his extensive bibliography?

Whatever the case, this slim volume introduces what we know and don't know about Shakespeare.  As it turns out we don't know much, but nevertheless what we don't know is enough to take up 196 pages.  This approach to Shakespeare's life is something of a cop-out, but it's consistently engaging and never overstays its welcome.

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2026年4月8日 星期三

Super Sentai in the 70s


The Super Sentai series is the last of the big 70s tokusatsu shows I'll be discussing here.  I'll work my way back through the Ultraman and Spider-Man episodes I haven't yet seen in the near future, but it seems unlikely that I'll revisit Super Sentai or Kamen Rider anytime soon.

To recap some of what has come before, tokusatsu was (is) a specific genre of effects-heavy show which aired on Japanese television.  This genre owes some of its stylistic leanings to the ancient Japanese art of Kabuki.  There are examples of the genre from the very beginnings of Japanese film to the present day.

In the popular imagination the first tokusatsu show was Godzilla in the 1950s.  The Godzilla series, influenced by the Western King Kong, featured giant monsters doing battle, a science-based team of "experts" tasked with protecting Japan from these monsters, and other motifs that will be familiar to anyone who's seen giant monster movies.

Godzilla was followed by Ultraman in the 60s, a show in which a giant alien does battle with a "monster of the week."  After a brief lull in the genre, Ultraman was followed by Kamen Rider in the 70s.  Kamen Rider introduced the transformations, cybernetic humans and other tropes often associated with tokusatsu today.

Super Sentai, released in 1975, also helped formulate the genre.  In Super Sentai we see a large cast of unlikely heroes, these opposing shadowy groups bent on world domination.  Super Sentai, created by the same man who created Kamen Rider and often shown alongside that earlier program, ups the ante on Kamen Rider, giving us an entire team of costumed superheroes instead of just one.

Super Sentai would, two decades later, give rise to the American show Mighty Morphin Power Rangers, a distinctly Western take on the genre which intercut footage of American actors and actresses with footage from the original Japanese TV shows.

Anyway, on to the show itself!


Gorenger Episodes 1 and 2

This is the original series, also known as Himitsu Sentai Gorenger.  The plot of both episodes is extremely minimal, involving four individuals (a kind of Mod Squad, if you will) recruited by a secretive military guy who gives them battle suits.

The funniest part of both episodes is the weird soccer thing they do at the end.  The pink one makes an explosive ball, they kick it back and forth, and then the red one jumps and kicks it into the bad guy, thus rocking him like a hurricane.  Neither of the two bad guys who conclude the first two episodes are especially smart, and the assorted henchmen who attack our heroes seem to do so entirely at random.


J.A.K.Q. Episodes 1 and 2

Check the company logo on the playing cards.  Yep, Nintendo!  In the 70s that's what they were better known for.

As an occasional player of poker it bothers me that the best hand we can muster with this team (assuming that their leader Joker is "wild") is a straight.  They're all wearing suits, after all - why not make them wear the same suit?  Royal flush to the ace - that would feel much better.

Besides, Texas hold 'em is a better game anyway.  Change Joker's name to "Ten," make them all clubs (seems appropriate, given how much they fight), and then you'd have a nice royal flush to the ace.  Five cards and five cyborgs suited up nicely.

The bad guys in this series are named Crime with a capital "C."  It gets a little confusing sometimes, but yes, that's both their name and what they do.  They spread crime so that they can call themselves Crime.  Seems like the name might make it hard to keep a lower profile, but whatever.

The more ridiculous parts of this show are their helmets, which they'd have quite a bit of difficulty seeing through.  There's also the "Covack" finishing move, which combines "atomic, electric, gravitational and magnetic forces" in one go.  Our four heroes don't have a giant robo - at least not in the first two episodes - but rather a flying plane which looks decidedly uncool and less than aerodynamic.

All of the above said, the girl in the hot pants is kinda hot, even if she can't, in my humble opinion, hold a candle to Spider-Man's "Amazoness."  I think what really does it for me with Amazoness is the scowling.


Battle Fever J Episodes 1 and 2

This is the Super Sentai series which would close out the 70s.  It ran in 1979.

Weirdly enough, like Spider-Man this show was also a co-production between Toei and Marvel.  It was supposed to feature Captain America (!), but that idea fell apart somewhere along the way.

Instead of Captain America we get Miss America, an American-born espionage agent who does battle in a revealing leotard.  At some point in the tokusatsu shows producers got wise to the fact that having a sexier member of the team was more attractive to young boys, and given the popularity of shows like Sailor Moon this might have been a selling point for young Japanese girls as well.

Battle Fever J pits our cybernetic heroes against Egos, an organization that wants to get rid of "bad technology" in favor of their own "good technology" which predates modern civilization.  If you ask me the whole thing sounds a lot like a metaphor for Scientology, but even if it's there such a metaphor would have been lost on a Japanese-speaking audience - at least in the late 70s.

The bonkers part of Battle Fever J is that each of the cyborgs have dance moves representing their geographical region.  Oh, and they also (somehow) jump into the sky and make letters with their bodies before launching their final attack.

Gotta love how the team puts together seemingly random facts to uncover a sinister plot in the second episode.  Some guy in a car accident?  A girl's suicide?  A man who gets a promotion at work?  Way to connect the dots, Battle Fever!

This team, by the way, does get its own giant robo.  It doesn't get used in the first two episodes, but there are scenes of it under construction.

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NOTE: It's not that I wouldn't enjoy more Super Sentai and Kamen Rider.  It's just that Toei keeps a tight grip on those shows, and what I've discussed here was all that I could find on YouTube.

2026年4月6日 星期一

(Japanese) Spider-Man (1978-1979) 1


You'd think that the American Amazing Spider-Man TV show would be some kind of influence on this show, but no, this doesn't seem to be the case.  American comic book culture had enough purchase in Japan to make the licensing of the character in Japan possible, but after those responsible for the Japanese TV version acquired the character they pretty much ran with the idea, retaining only the costume and character's powers.

The biggest influences on the Japanese TV show were, rather, the tokusatsu shows that preceded it.  Given Spider-Man's buglike nature Kamen Rider was an obvious influence, but the creators really threw everything they had into the show, giving us a kaleidoscopic vision of Spider-Man complete with transforming robots, aliens, monsters, and characters who feel the need to announce their superpowers with special words.

This show ran for 41 episodes.  I'll be reviewing 14 this outing, and the remaining 27 might get reviewed in future entries.



Spider-Man does NOT live in New York!  Spider-Man is NOT bitten by a radioactive spider!  Spider-Man is NOT a high school student!

Instead he is, like Kamen Rider before him, another "70s motorcycle dude."  This particular 70s motorcycle dude, Takuya Hamashiro by name, finds an alien who's been imprisoned in a cave for 400 years with a whole lot of spiders, and this alien, a refugee from planet Spider, gives our hero spider extract which, of course, gives him spider powers.

Then some of the bad aliens show up and sh*t goes DOWN.  Suddenly Spider-Man has a weird bracelet thing, and he uses this bracelet to summon Marveller, his flying ship, or his sweet, sweet spider car.

There's also some kind of revenge subplot in there, but I can't quite remember what happened.  Wikipedia says his father was killed by the bad aliens, but I must have blinked and missed it.



Professor Monster's henchwoman is kinda hot.  I'm not that evil or anything, but I wouldn't mind serving underneath her.

Hitomi, while we're talking about the women of Spider-Man, is kinda dumb.  It's like dude, your boyfriend was here just a second ago, how are you not aware that he's Spider-manning on the side?  Aren't you supposed to be a reporter or something?

This one goes into more of Spider-Man's backstory, detailing the exploits of the guy who gave Spider-man his powers.  It is a timeworn tale of murder, attempted revenge, and unexpected cave diving.  Not that they never bother to explain WHY our hero was chosen to receive the spider extract, despite the fact that space guy was in the cave waiting to find someone for 400 years.



Spider-man's super car, the GP7, can also fly.  This comes in handy when the Marveller is circling overhead.  If the monster is too much for the GP7 he can switch to the Marveller mid-air.  Then?  OF COURSE it's Leopardon time!

In this one the baddies create a fake Spider-man to ruin Spider-man's reputation and draw him out of hiding.  Aside from that there's A LOT of flipping.



Spider-man finally meets Professor Monster!  Prof Monster gets the bright idea to write a computer program which will determine Spider-man's fate (or something), the outcome of this program being a death match with Mer-Man.

Hitomi, girl, you can probably do better than your present boyfriend.  He's not emotionally supportive and he's got a secret life you know nothing about.



A young boy witnesses the Iron Cross Army up to no good, and after they hit him with a truck (!) Spider-man decides to donate blood to help the kid recover.

Surprisingly the kid DOESN'T develop spider powers by the end of the episode.  I feel like the writers really dropped the ball on that one.

The robot vs. kaiju battles at the end are fast becoming the weak points of every episode.  Spider-Man struggles for a bit, he calls forth Marveller, he changes Marveller into Leopardon, and Leopardon does the same three moves before dispatching his foe with Sword Vigor.  Was all this done for the sake of merchandising?  Or just to save film?



This is one of the more boring ones.  Professor Monster's sexy henchwoman spends a lot of time in the forest chasing people.



If I ever buy one of the toys its' going to be Spider-Man's car, the GP7.

If you're watching this show for the sake of sheer ridiculousness you might start with episode 1 and then skip to episode 7, because episode 7 is where things REALLY get silly.

In this one a rock band writes a hit song about Spider-Man, and Professor Monster gets the bright idea to replace the band with cyborgs who will sing/play the song at a frequency which drives Spider-Man crazy.  The resulting "Spiderman Boogie" is a song I will never, ever be able to get out of my head.



Probably my favorite episode thus far.  Professor Monster's henchmen dig up a cat demon from the Edo Period and turn it into a still more formidable cat demon monster.  Spider-Man later gets wise to the plot and uses magic to irritate it before thoroughly stomping it with Leopardon.

Gotta love Spider-Man holding beads and burning both a statue of a cat and a magic spell written on paper.  I'll take Buddhist/Shinto Spider-Man over all others!

Bonus points for actual cats, one of which Spider-Man saves from the cat demon monster.



Like episode 8 another favorite.  Matters take a turn for the weird after Professor Monster uses a beetle monster to spy on Spider-Man and his immediate family.  Somewhere along the line the beetle monster falls in love with Spider-Man's sister and even steals a dress for her from a local store.



A snake woman lures men to their deaths in a mountain house.  Turns out she knew Spider-Man's alter ego back in the day, and her conflicted loyalties spell the end of Professor Monster's nefarious plans - at least in this episode.

Thankfully by this point in the series they vary the penultimate robot-monster showdown a bit.  



The abridged version?  The one on YouTube is the standard 23+ minutes.

There are some slightly upgraded special effects in the movie, and also the addition of an INTERPOL character who appears off and on in later episodes.  The INTERPOL stuff complicates the show in a good way.



For all its corniness this episode is weirdly affecting.  In this one Spider-Man gets poisoned and the boy from episode 5 shows up again to provide him with a much-needed blood transfusion.



A young woman becomes a "modified human" as both a way of getting her boyfriend back and becoming a top model.

Oddly enough no Leopardon in this episode.  Only Spider-Man swearing revenge for the hundredth time.  For someone set on revenge he sure does let Professor Monster and Amazoness slip through his fingers a lot.



"Machine Bem, Biker Monster!"

A biker is turned into a cyborg-chameleon hybrid (or something) and Takuya (a.k.a. Spider-Man) resolves some daddy issues.

Not sure why Professor Monster would want to tool around town in a tricked-out hearse but oh well.



Big Bat tries to divine Spider-Man's secret identity by making him look like a chump.  You can probably guess how it ends.

"Change!  Leopardon!"

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2026年4月2日 星期四

"Children of Memory" by Adrian Tchaikovsky (2023)


"They tell each other how great they were and will be, because a fake future's easier to face than the truth of more dead harvests."

Adrian Tchaikovsky's Shards of Earth was also reviewed here a while back.  The two books are surprisingly different.

In the distant future a crew of spacefarers visit a colony established on a distant world long before their civilization came to be.  This colony represents an earlier, more primitive strain of humanity, separated from our spacefarers by millennia of unrest, exploration and evolution.  After one of the crew descends to the surface of the planet, events quickly spiral out of their control, and as they race to uncover a still more ancient mystery they find themselves increasingly embroiled in both colonial politics and the planet's troubled ecology.

Children of Memory is a flawlessly written book.  I admire Tchaikovsky's way with words.  He paces the whole thing to perfection, holding back on certain details until just the right moments.  He's a masterful storyteller, and this is not the kind of praise I give out often.

This said, there are a lot of "smart dumb books" in the science fiction genre, and this might be yet another example.  It's hard to discuss the ending of this novel without giving too much away, but let's just say that the book's conclusion hinges upon an artifact left behind by an earlier, non-human civilization, and the way in which the spacefarers are able to manipulate this technology seems implausible.  This aspect of the novel reminded me a lot of the movie Independence Day, in which Earth scientists somehow manage to hack a massive alien spaceship with whatever version of Windows they were using at the time.

The more linguistic/existential parts of this novel are great, however.  I just wish that the twist at the end hadn't been so disappointing.  It's the kind of story that makes a great deal of emotional, if not logical sense.  The future technologies at play in the book are never discussed or explored in any detail, leaving the whole thing feeling somewhat hollow in parts.  Even so, from the vantage point of the little girl at the center of the story this novel is still satisfying, even in the presence of its technical shortcomings.

I'd give this one a slightly higher grade than Shards of Earth.  I have issues with both books, but Children of Memory is much more involving.

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