2026年10月23日 星期五

Thoughts on 1967-1968's Ultraseven 1


By 1967 the creators of the third Ultra series knew what they were about.  This show is a lot more streamlined that the earlier Ultraman, which is either a good or bad depending on why you like these shows.

A negative for me was the relative lack of kookiness.  Sure, Ultraseven retains the kaiju, slow motion martial arts, and vehicular coolness of the preceding series, but a lot of the sillier/more slapstick elements that made Ultraman so much fun are largely absent from Ultraseven.

This said, let's get into it, shall we?



This episode introduces the Ultra Guard, a subdivision within the Terrestrial Defense Force, a planetwide organization which defends the Earth from extraterrestrial threats.

As for the hero, Dan Moroboshi (Hayata and Akiko's son!), there's not a whole lot to say.  He shows up halfway through this episode, turns into Ultraseven, and is later inducted into the Ultra Guard.  His eyes glow a lot, he puts on a pair or ridiculous glasses before his transformation, and that's about it.

One big difference in this series is that our hero has capsule monsters that he can use to fight other kaiju.  These capsule monsters were one of the inspirations for Pokemon much later on.

The theme song is super catchy.  "Seven!  Seven!  Seven!"



Another vampire plant person?  Didn't we do this in Ultraman already?  The producers must have been very attached to the idea.

The vampire person's wife is hot though.  Prone to fits of hysteria, yes, but hot nonetheless.



The Ultra Guard investigates a spacecraft in the mountains and finds a hot girl in a bikini.  Sounds like a win, right?  But no, the hot girl in the bikini is actually another extraterrestrial invader, this one controlling the mighty Eleking from the safety of her spaceship!

I'm 80% sure that the young girl is played by the same actress who played Amazoness in the Japanese Spider-man TV show over ten years later.  I'm not completely sure, but there certainly is a resemblance.



A sub (?) gets transported into the depths of space and Dan somehow loses track of his Ultra Eye yet again.  Dude, put it on a chain or something?

Not entirely sure how Ultraseven manages to bring those stranded sailors/astronauts back through the Earth's atmosphere but whatever.



"Build the wall!"  Some scientist dude accuses Dan (gasp) of being an alien spy, but really HE'S the alien spy!  Dan's all like "WTF?" until he manages to turn the tables on the alien invaders.



This is definitely the most boring episode in both the original series and Ultraseven so far.  It crawls by like a lower grade version of The Twilight Zone or The Outer Limits until reaching an unexciting conclusion.

I'm a bit hazy on the details (I fell asleep halfway through), but Dan and Anne find this weird, shadowy alien in Anne's room, and they're all like: "Is this alien a friend or nah?" until they finally up their minds and end up repelling yet another alien invasion.  I hope the Ultra Guard are eligible for overtime, because protecting the Earth is a more than full time job.



A bit early for a widespread understanding of relative motion, but if they'd only had the stars behind the space station moving it would have looked SO much better.

The most hilarious thing about this episode is that the Ultra Guard never bothers to check the foreign woman for vital signs.  Having passed out after her encounter with the gas-guzzling alien she's just left there, unconscious, before the Ultra Guard leaves to investigate a gunshot nearby.



THIS, my friends, is why they instituted indoor smoking bans.  Not only cigarettes unhealthy, but they can also turn you into rage monsters intent on homicide!

It takes the Ultra Guard quite a while to put two and two together though.  After the gunman mentions smoking just before he loses the plot Dan gets a warning from the aliens to stay away from a particular town.  But what does he do, instead of investigate?  He goes back to headquarters, oblivious to the pack of cigarettes brought back there by his comrade!

"Space opium poppy seeds" sure do sound like a good time though.  Perhaps they work better in a muffin?



One of the weirder ones, but satisfyingly so.

In this episode an evil (probably alien) toymaker plans on using "hypnosis waves" to hypnotize the world's children, and Dan Moroboshi and Co. are tasked with bringing him down.

Androids in the 60s, it must be said, were on average very fragile.  Knock 'em over and that's it.  Super strength or no, bye bye android!

My favorite part of this episode was the glimpse at a 60s-era Japanese department store.  Such a glimpse is also present in one of the earlier Ultraman episodes where the Space Patrol meets a friendly monster.  It's always fun to see what people were buying back then.



Like episode 9 this is another of the weirder ones.  It feels a lot like something salvaged from the much earlier Ultra Q series.

Dan gets trapped in the fourth dimension by an adversary operating out of that extra dimensional space.  But hey, you might be asking, isn't the fourth dimension time?  No, my friends, not according to Ultraseven.  Through this episode we glimpse a netherworld full of balloons and long green ropey things, where Dan's powers are rendered useless and time moves much slower.

Not to worry, however, it all works out in the end.  This conclusion goes on to exhort us to keep an eye on our neighbors, because you never know where alien threats will manifest themselves.



Who the hell are these ridiculous Japanese cowboys living around Demon Mountain?  Where did they pick up those outfits, and why do they inflict those outfits on the rest of humankind?

And oh yeah, plot twist: Dan gets KILLED in this one, not long after the snakey, dragoney thing rather conveniently crashes on Demon Mountain.  Not to worry though, he comes back to life in the end.


12. Episode 12: From Another Planet with Love

This episode isn't available on YouTube.



This one's a real snoozefest.  I think they were going for Cold War paranoia but failed to pull it off.

The kaiju at the end is kind of fun though, something of a rehash of the starfish thing seen in the earlier Ultraman series.



Shape shifting aliens cause a ruckus after killing and/or impersonating several TDF scientists.  And to top it all off they have a robot capable of beating Ultraseven!

Given human history I can understand the Pedan's point.  We have tendency to offer "friendship" as a way of acquiring resources.  She's probably also right about that "exploratory rocket."  The human scientists probably had ulterior motives for sending it to their planet.

...not that the Ultra Guard spends much time pondering this topic.  They exhaust most of the second episode developing a super weapon to destroy the robot.



New title sequence!  Looks better than the sand settling effect used in the earlier episodes.

In this one a boy befriends an alien distrustful of humanity's motivations.  This alien, like the earlier Pedan (civilization), has a point.  This episode is unusual in that Ultraseven actually reasons with the alien following their initial battle, the alien deciding to go home of its own accord after that point.

Gotta wonder, however, at the inconvenience of living in Ultraseven's future.  They're regularly visited by aliens, but they're also using, for the most part, technology available to people during World War II.  How irritating would be it be to occupy a galaxies-spanning civilization that still communicates via radio waves?



Probably one of the "key episodes" if you're into this kind of thing.  In this one Ultraseven is tasked with rescuing his "doppleganger" from a mine cave-in, this doppleganger being the person he modeled his human form after once he'd arrived on Earth.

But didn't he state in the first episode that he was the son of Hayata and Akiko from the first series?  And if so, wouldn't he have had a human form already?

Mysteries within mysteries, riddles inside enigmas.  I doubt an explanation be forthcoming.  I'll just have to accept it and move on?

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2026年10月19日 星期一

"Batman: Year 100" by Paul Pope and Others (2006)


This graphic novel is set in the year 2039, one hundred years after Batman's first appearance.  Exactly how is Batman so spry at the ripe old age of 100+ years old?  I have no idea - the comic book doesn't say.

It's very well written though.  For the most part it's a detective story set in a future Gotham police state.  The Batman which appears in this police state is a figure forgotten by his city, and as such he's an enigma to those in power.

And as I type those words I realize that they sound a lot like a description of Frank Miller's much earlier Dark Knight Returns, but I think Paul Pope manages to put his own, unique spin on the idea of Libertarian Batman.  His art style also suits the subject matter, even if his way of rendering the character veers far from traditional depictions.

Appended to the end of this graphic novel is also a "Berlin Batman" story that I liked a lot.  What if Batman was born a Jew in Nazi Germany?  This story is more a question posed than a question answered, but it's an intriguing question nonetheless.

This Elseworlds series won two Eisner awards and I think it deserved both.  I wouldn't call it revolutionary in the way a few other Batman stories have revolutionized the medium, but it's still very good and I recommend it.

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"The New Gods" by Ram V, Evan Cagle and Others (2024)


Sometime (somewhere?) within DC continuity Darkseid dies - or is killed, I'm not exactly sure which - and in the literal and figurative vacuum left by his demise a new race of alien conquerors threatens New Genesis and its host of godlike denizens.

I was intrigued by the idea of this one.  I figured that Ram V, a newer, Indian comic book writer and Eisner award-winner, would bring some of his own culture into the story, and the result might be something resembling the Mahabharata or other Indian/Hindu epics of antiquity.

Is it?  Does it?  Yeah, in a sense it does, but it doesn't go far enough toward that extreme.  This take on Jack Kirby's famous Fourth World more resembles Jason Aaron's run on Thor, and lacks the philosophical/existential weight I was hoping for.  To make matters worse, the Justice League (somewhat inevitably) shows up near the end of the first volume, and from that point on the New Gods are more like supporting characters in their own story.

Darkseid?  He'll be back at some point, if he's not back already.  He's one of DC's most famous villains after all, and he can only remain on the shelf so long before someone decides to use him again.

The art in this series is good, but the narrative's very thin.  I liked the way the writer used Orion, but this take on the New Gods isn't the head trip I was hoping it would be.  It's a step in the right direction, but not a step far enough.  We needed to venture further out into the cosmos in this story; we needed to unmask reality and wonder at the majesty of creation.

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NOTE: The death of Darkseid triggered the in-continuity creation of the Absolute Universe, and is used to account for this universe's darker tone.

2026年10月15日 星期四

"Abbadon's Gate" by James S.A. Corey (2013)


"'If your next word is 'sorry,' ' he said, 'I'm going to hop over there and kick your ass.'"

Abaddon's Gate is the third book in S.A. Corey's The Expanse series.  The first two books in this series, Leviathan Wakes and Caliban's War have also been reviewed here.

Abaddon's Gate picks up where Caliban's War left off, with James Holden and Co. working odd jobs aboard their ship the Rocinante.  Free of his former association with the OPA and looking forward to profitable ventures in the near future, Holden yet again finds himself caught up in interplanetary politics after the Protomolecule creates a wormhole on the other side of the solar system.

I liked the beginning and end of this book, but the middle section was a real slog for me.  Unlike the first two installments in S.A. Corey's sprawling series could have been a lot shorter.

I did, however, enjoy the inclusion of Anna, a new character who adds a religious dimension to humanity's encounter with the unknown.  I think she poses some interesting questions throughout the book, even if some of the characters' attitudes toward her seem a little too charitable at times.

Is Abaddon's Gate terrible?  No, I wouldn't say that it is, but it's certainly not as good as the first two books and it effectively put me off reading the rest of the series.  It could be that Abaddon's Gate is the "Children of Dune part" of The Expanse series, and that the following books are better, but I'm in no hurry to find out whether or not this is the case.

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2026年9月22日 星期二

"Exhalation" by Ted Chiang (2019)


"Tibo is one of the oldest digients aside from the mascots, owned by a beta tester named Carlton.  He suspended Tibo about a month ago; Ana's glad to see that it wasn't permanent.  As the digients chatter, she walks her avatar over to Carlton's and talks with him; he explains that he just needed a break and now is feeling ready to give Tibo the attention he's been demanding."

Ted Chiang's bibliography consists of two short story collections: this one and Stories of Your Life and Others.  One of the stories in Stories of Your Life and Others was adapted into the movie Arrival.  He lives near Seattle in the state of Washington.

Exhalation collects nine stories and an afterword.  What follows is a synopsis of each story.

1. The Merchant and the Alchemist's Gate

A (very) observant Muslim stumbles upon a gateway to the past and future in the back of an alchemist's shop.

This story reminded me of Stanislaw Lem.  I liked both its historical setting and its sense of whimsy.

2. Exhalation

This story's a little tough to explain, but it involves lifeforms which operate on "air" living in an enclosed space.

It was my favorite story here by far.  Very weird but satisfyingly so.

3. What's Expected of Us

A story too brief to leave much of an impression, this one involves a gadget which challenges people's conceptions of their own free will.

4. The Lifecycle of Software Objects

It's the near future, and several tech industry types develop maternal (or paternal) feelings for the versions of AI in their charge.  This story brought Greg Egan's Permutation City to mind, though it lacked the resounding ending of that novel.

5. Dacey's Patent Automatic Nanny

An eminent Victorian develops an automated replacement for nannies.  In my opinion this is the weakest story here, and it would have benefitted from a venture into still darker territory.  As it is it's neither jokey enough nor disturbing enough to elicit much feeling on the reader's part.

6. The Truth of Fact, the Truth of Feeling

An exploration of memory's role in human relationships.  I liked the juxtaposition of the advent of writing in a small village and a father's reevaluation of his relationship with his daughter.  This tale makes a nice point about the accuracy (or inaccuracy) of memories and how this (in)accuracy is often self-serving.

7. The Great Silence

Endangered parrots and the possibility of life beyond Earth.  It tries to pull at the heartstrings but leaves you feeling annoyed with the parrots.

8. Omphalos

An archaeologist living in a world where Darwin never formulated his famous theory confronts some disturbing facts.  I liked this one a lot.

9. Anxiety is the Dizziness of Freedom

The last story here.  In a world where people are in constant contact with "paraselves" living in parallel universes, a recovering drug addict tries to get ahead.  It works well enough, but I think the point it tries to make about free will and character is a bit labored.

10. Story Notes

This section should have been left out.  It's not usually a good thing when an author explains what his/her/their stories are about and why.  Let the reader decide that.  Some of his asides are mildly interesting, but overall this section felt like padding.

On the whole I enjoyed this book and found it to be an easy read.  Ted Chiang is certainly one of the best science fiction writers working today, and I can't help but wonder if he'll ever sit down and write a novel to truly cement his reputation.

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2026年9月10日 星期四

"Stand on Zanzibar" by John Brunner (1968)


"The display that had caught their attention was of genetically moulded pets.  Processes that already worked well with viruses and bacteria had been applied to their germ-plasm, but on this more complex level the side-effects were excessively random; each pet on show probably stood proxy for five hundred that never left the lab.  Even so, the solemn, over-sized bushbaby in the window looked miserably unhappy for all the splendour of its purple pelt, and the litter of bright-red Chihuahua pups below staggered continually as though on the verge of epilepsy."

John Brunner was a British science fiction author.  His best known work is this one, Stand on Zanzibar, for which he won the Hugo for Best Novel in 1969.  According to many accounts he was a rather difficult person to work with, and towards the end of his life his deteriorating personal relationships were at least partly to blame for the majority of his books going out of print.

A note on the title: this book has absolutely nothing to do with Zanzibar.  In Brunner's time there was an adage that every person on Earth, if gathered together, would fit on the island of Zanzibar.  As Stand on Zanzibar is set in what was (for the author at least) the distant future, the Earth is even more overpopulated than it was in 1968.  The novel's title thus refers to the fact that in the book's "distant future" all of the Earth's people couldn't fit on the island of Zanzibar, and that this is why population controls were enacted.

This book is one of those "important" things like Gravity's Rainbow or Infinite Jest that certain, "more literate" people think you should read.  On this front they point to the novel's prescient aspects, given that some of the things Brunner postulates as existing in the future have actually come to be to some extent.  I can't give him too many points for his predictions, however, as I think the similarities between the world of Stand on Zanzibar and our own present day are merely lucky guesses.  This book's predictive capacity also pales in comparison with some other novels in the same genre, written around the same time.

Its plot is somewhat hard to explain.  The author even calls it a "non novel" at the book's close.  It has characters, and these characters do things, but there's no real overarching narrative here, at least not a narrative with any kind of conclusion.  People pop in and out of the story, many of them meeting grisly ends, but none of them are very likeable or easy to relate to, and even fewer of them have character arcs that sustain themselves for any length of time.

What plot this book has mostly centers around Donald and Norman, two roommates living in New York.  Norman is an executive at a firm managing the world's smartest computer.  Donald works as something called a "synthesist," someone who synthesizes various branches of human knowledge.  They aren't really friends and they aren't really adversaries.  They just kind of are.

In the course of the story Norman is drawn to the African nation of Beninia, an impoverished state whose people share a peculiarly nonviolent nature.  Donald, on the other hand, is drawn to the Pacific island of Yatakang, where a project to create a race of supermen is well underway.  The fates of both Beninia and Yatakang are underpinned by an understanding of genetics, and it is through Donald's and Norman's drive to understand these genetic factors that they become enmeshed in the local politics of their respective countries.

It's a lot to take in, and I don't think it amounts to much.  The "ending" of this book is particularly frustrating, as it's something of a cop-out involving pheromones and a geneticist unable to continue his work.  Another mark against Stand on Zanzibar is the fact that no one really comes off better or worse at the end of this novel, and that the only character that really develops is the book's AI, Shalmaneser, which doesn't feature in that much of the story.

I wouldn't recommend Stand on Zanzibar.  Certain prognosticators might stroke themselves over it, but I don't think there's much here for those uninterested in confirming their own biases.  In terms of science fiction novels that anticipate the future I think you'd be better served by Arthur C. Clarke's novels, or by some of Isaac Asimov's earlier works.

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2026年9月5日 星期六

Anime 2: The 1970s


This is the decade I really wanted to get into.  I've seen a lot of the anime from the 80s, and I've read a lot of the manga which inspired the anime of the 60s, but the 70s were, at least until I started writing this entry, a complete mystery to me.

If you've been reading this blog a while you'll be aware that I've been delving into the tokusatsu ("live action") shows of the same decade, and the anime (and manga) of the 70s are of course linked in many ways to the tokusatsu of the time period.  Shows like Kamen Rider started out as manga, shows like Space Battleship Yamato inspired manga, and programs like Ultraman later spawned manga and anime.

Some of these properties are still doing so today.  Mobile Suit Gundam and Doraemon, for example, remain vast media franchises with roots in the 1970s.  Properties like Demon Slayer and One Piece?  They're relatively new arrivals by comparison.


1. Space Battleship Yamato (a.k.a. "Star Blazers") (1974)

Leiji Matsumoto's masterpiece?  Maybe, but he did a lot of great stuff afterward too.

As mentioned in another recent entry I worshiped this show as a child.  Space Battleship Yamato follows the travails of the spaceship Yamato's crew as they attempt to retrieve the "Cosmo Cleaner" from the distant planet Iscandar.  The whole show is set on a timer, the action is not only fast but also furious, and the relationships between the characters are very compelling.  I highly recommend sitting down and watching all of the original 26 episodes from beginning to end.


2. Devilman (1972)

The manga's author, Go Nagai, also created Cutie Honey and Mazinger Z.  Some people credit him with creating the "super robo" genre, even though properties like Gigantor predate his work.

Devilman (both the manga and the later, toned-down anime version) is a lot darker than a lot of popular media of its time period.  It details a demon invasion of the the Earth from a subterranean realm, and the efforts of a young, demonically possessed man to thwart this invasion.  If you've arrived at this series from lighter fare such as Astro Boy and Golden Bat (as I did), you might find the coarseness of the characters hard to take, but give it time and it'll grow on you.


3. Brave Reideen (1975)

Anyone else remember the Shogun Warriors comic put out by Marvel in the late 70s?  This comic book, based on a toyline consisting of mismatched robots imported from Japan, included Reideen.  In the States we spelled his name "Raydeen," and the toy version of his likeness was a thing I coveted as a kid.  I knew another boy down the street who had one, and I pined for it daily.

Many point to Reideen as the beginning of the "transforming mecha" genre.  Reideen is able to transform into an awkward-looking, less-than-aerodynamic bird plane which sometimes slices his enemies in two.

When you think about it, Reideen's and Devilman's backstories have a lot in common.  Both shows feature a demon invasion that the protagonist has to fight, and both hearken back to ancient civilizations which are attempting to reassert themselves.  In Reideen's case both the robot and its pilot hail from the lost civilization of Mu, while in Devilman's case the monsters hail from an even more remote time period.

As a series Brave Reideen is a lot more fun and a lot less serious than Devilman, but I'm really not sure which I like better.  Were I a very young kid the answer would be Reideen, but if I were a teenager it would be Devilman.  Now?  At my more advanced age?  It's hard to say, but I liked both a lot.


4. Mobile Suit Gundam (1979)

The anime that launched a thousand models.  Honestly I didn't like this one as much as I thought I would.  The story's pretty thin, and most of the characters spend most of their time commenting on how cool the robot is.

This tale of intergalactic rebellion wasn't initially a hit in Japan.  It was the numerous models released in its wake that led to its widespread popularity in the 80s.


5. Captain Harlock (1978)

Another gorgeous space opera from Leiji Matsumoto.  Between this and Space Battleship Yamato I'd have to go with Matsumoto's earlier work, but Captain Harlock is still very good.

It might be more of an acquired taste for Western audiences though.  Many of its plot elements, even in comparison to the earlier Yamato, don't bear thinking about.  It's better approached as a kind of modern myth, complete with space princesses and battles against ancient evils.


6. Doraemon (1973)

I've seen more Doraemon than I can easily remember.  When I first moved to Taiwan I used both the manga and the anime to learn Chinese.  Needless to say, Doraemon is hugely popular in Taiwan and at least a couple other East Asian countries.  I've seen copies of the manga in Hong Kong, Thailand and South Korea.

For those not familiar with the character he's a "cat-type robot" from the distant future, using future tech to help a young boy learn about the wider world.  The manga and anime have gone on to spawn several high-grossing animated films, and in places such as Taiwan there is never any shortage of Doraemon toys, school bags and clothing.

I often wonder how well a property like Doraemon translates for Western audiences.  I've seen English versions of the manga, but it's debatable how well received the franchise is in Western countries.  A lot of Doraemon revolves around Japanese (and Japanese-inspired) modes of schooling, which would seem very alien to Western audiences.  But then again we've all been exposed to our share of Japanese culture, so maybe this perceived alieness isn't big an obstacle as I think it is.


7. 30,000 Miles Under the Sea (1970)

A boy, his pet cheetah, an undersea kingdom and a kaiju imported from the seafloor.  This one isn't famous but I liked it a lot.


8. Galaxy Express 999 (1979)

Another Leiji Matsumoto outing featuring more blonde, reed-thin women, an orphan in distress and a space train which goes from here to there without any visible means of propulsion.

Galaxy Express 999 is good, but of Matsumoto's three 70s creations this one's my least favorite.  It's just a little too whimsical for me, though I get why people like it.  I would, however, recommend against showing this one to young children.  There are a couple scenes involving the protagonist's mother which are very disturbing.

Fun Fact: To some extent Osamu Tezuka, the manga/anime icon of the previous decade, also boarded this particular hype train.  Undersea Super Train: Marine Express, featuring many of his more noteworthy characters, aired on Japanese television the same year.


9. Ryu the Primitive Boy (a.k.a. "Ryu, Cave Child") (1971)

Ryu and his hot girlfriend Ran explore a prehistoric world while Tyranno, a one-eyed T-Rex, stalks them at every turn.  The animation in this one isn't awesome, but some of the backgrounds are nice.  I think some of them might have been oil paintings.


10. Science Ninja Team Gatchaman (1972)

This is a big one.  Not only was it super popular, but it was also very much in line with the tokusatsu shows of the same decade.  Super Sentai (i.e. "Power Rangers") in particular was very influenced by it.  All of the elements are here: several colorfully suited characters, each with a vehicle, a shadowy, somewhat demonic evil organization and kaiju that require serious behavior modification.

This show crossed over into the American market as Battle of the Planets, though it wasn't nearly as popular in the U.S. as it was in Japan.

A live-action version was released in Japan as recently as 2013, and the Russo Brothers have a film in active development.

And aside from all of that, this show is kind of funny.  Dr. Nambu takes himself SO seriously, and it's hard not to smirk at many of the other characters' pronouncements.


11. Triton of the Sea (1972)

A lesser known effort from the legendary Osamu Tezuka.  In this one a strangely obstinate boy who is definitely NOT Aquaman explores his Atlantean (or perhaps Tritonean) heritage.  It's full of the usual cute animals, annoying girl sidekicks and monsters, but I found it enjoyable nonetheless.


12. Voltes V (1977)

Yet another super team, wearing super suits, driving super vehicles that combine into a still more super vehicle which might or might not be a robot.  By the late 70s giant robos were a BIG DEAL, and Voltes V is just another example of this trend.  It was a  sequel to Combattler V.

I can remember owning the toy as a kid, but the show somehow lacks the charm of Brave Reideen, which came out much earlier.  The animation also isn't very good.

Voltes V is pretty much interchangeable with other shows like Danguard Ace, Mazinger Z or other, similar titles from the same decade.  Having sat through several of these shows I can see the appeal of Mobile Suit Gundam, which was a more streamlined take on mecha.

According to Wikipedia this show was a huge hit in the Philippines, Indonesia and... Cuba?


13. Tekkaman (1975)

What's cooler than a hero with a bitchin' feathered hairstyle?  A SUPERhero with a bitchin' feathered hairstyle!

And what's cooler than a superhero with a bitchin' feathered hairstyle?  A superhero with a bitchin' feathered hairstyle AND a sweet, sweet 70s-style supersuit!

And what's cooler than all of that?  When the superhero with the bitchin' feathered hairstyle wearing the sweet, sweet supersuit also has a suit of armor (complete with spurs!), a pet robot that doubles as a "steed," AND a train that turns into a spaceship!

Tekkaman's plot bears a strong resemblance to Space Battleship Yamato, which was a big hit the year before.  Trouble is that the animation in Tekkaman is decidedly inferior.  It also lacks the pathos of Leiji Matsumoto's more famous work.

I've seen enough of the sequel, Tekkaman Blade, to say that it's WAY cooler.


14. Notes on the Above

There are some key series I'd still like to see.  Future Boy Conan, for example.  Other series, like Rose of Versailles and Anne of Green Gables, I've seen bits of on Taiwanese TV, but my knowledge of those shows is far from comprehensive.

In the course of writing/researching this entry I also watched a few lesser known shows like New Moomin, which was so weird it made me feel high.

I've also seen Beladonna of Sadness, which remains my favorite anime of the 70s.  Beladonna of Sadness is super sexual and super strange.  I highly recommend it.

Of the shows above I'd definitely revisit Captain Harlock, Ryu the Primitive Boy, Science Ninja Team Gatchaman and Triton of the Sea.  The others?  I've either seen all of them or I'm simply not interested.

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Note 1: As I discovered in the recent Anime 1: The 1960s entry a lot of the YouTube links for these shows are unreliable.  Here today, gone tomorrow - or else the person/entity who posted them on YouTube simply won't allow you to link their posts and/or channels to sites like this one.  Needless to say I watched a lot of this stuff on YouTube, though finding certain things took some work.

2026年8月6日 星期四

Anime 1: The 1960s and Still Earlier Examples


To start with, I'm leaning heavily on the Wikipedia article.  My own introduction to anime began in the 80s, and I have no doubt that a lot of the anime I then regarded as "new" was actually old news in Japan.

At the time I doubt many American kids even glimpsed the long and distinguished history that this art form had up to that point.  We knew that the robots were cool, we regarded some of the imported and often inadequately translated manga as intriguing, but that was about it.

So consider this entry as more of an attempt to supplement my own faulty education.  I'm hoping to understand some of the trends that led to the anime I knew as a boy, and perhaps to also find through lines from the oldest examples of anime to more recent efforts.  I may not get there but I'll try.

Some of the motivation for this entry also comes from the tokusatsu shows I've been watching.  At a certain point in the 80s improved animation techniques and storytelling methods led to anime's supplanting the live-action tokusatsu shows to some extent, and I'd like to take a better look at how that might have happened.


1. Katsudo Sashin (1907)

This is considered to be the first anime.  It's a simple, short loop of a student writing four characters on a blackboard.


2. Namakura Gatana (1917)

Ten years later Jun'ichi Kouchi, one of the three "fathers of anime" produced this extremely short silent film about a dim-witted ronin.  A lot of the animation from this period was lost in a great fire that took place in 1923, and Namakura Gatana was only recently rediscovered in 2008 at an antique shop in Osaka.


3. Ugokie ko Ri no Tatehiki  (1933)

This is one of the first anime to incorporate sound (the sound in the Namakura Gatana clip above was added later).  It's a fairly incomprehensible tale of shape-changing spirits playing tricks on each other, but its incomprehensibility is comparable to many American cartoons of the same time period.


4. Momotaro: Sacred Sailors (1945)

Japanese Imperial propaganda!  This is one of the weirdest things I've seen in a while, being a Disney-influenced discourse on Japan's right to liberate Asian people from their Western oppressors.  Watching funny animal friends pack parachutes, bayonet Allied opponents and dictate terms to captured Westerners is a very surreal experience.  The weirdest part is the fable about the island off the coast of Goa which somehow mandated Japan's divinely inspired mission.

I fell asleep in the middle of this one and had the strangest dreams.  After I woke up I had to go back and watch the parts I missed just to convince myself that yes, this movie actually happened.


5. Three Tales (1960)

This was the first anime ever shown on (Japanese) television.  It was aimed squarely at children and the animation is extremely primitive.  Historic, yes, but not really worth watching.


6. Instant History (1961-1964)

The first anime television series.  Like Three Tales this was aimed at kids and there's little in it to interest adults.  The video linked above is more of a discussion of the show with clips shown in the background.


7. Astro Boy (1963-1966)

The great granddaddy of them all, this anime's influence on subsequent creations cannot be underestimated.  The original manga's creator, Osamu Tezuka, created a host of memorable characters, everything from this show's titular character to Black Jack and Kimba the White Lion.

I watched the first five episodes.  Astro Boy is still an endearing character, and this show is both very wacky and a lot of fun.  Watching it in 2026 brought Steven Spielberg/Stanley Kubrick's 2001 film A.I.: Artificial Intelligence to mind.  I wonder, could Astro Boy have been an influence on Kubrick's much later film?


8. Gigantor (1963-1966)

Like Astro Boy above this series takes place in the year 2000.  How does it feel to live in the distant future?

It's not entirely clear whether Gigantor (a.k.a. "Iron Man 28," a.k.a. "Tetsujin 28") has a mind of his own or if the boy is controlling him.  Whichever the case, Gigantor and his youthful controller seem to be battling a shadowy criminal organization reminiscent of S.P.E.C.T.R.E. from the James Bond movies.  It's worth noting that the Ian Fleming novels appeared a few years before the manga which inspired the anime, and that Dr. No hit theaters a year before the anime aired on television.

I had a Gigantor toy when I was little.  It was a prized possession.


9. Speed Racer (a.k.a. Mach GoGoGo) (1967-1968)

Color is nice, but it's also a leap forward in terms of animation.

Speed Racer follows the travails of first name Speed last name Racer as he attempts to secure his father's place in the auto industry.  In hindsight it might seem an unlikely hit in the States, but it happened to appear at just the right moment in American culture, when young men were entertaining thoughts about cars, girls, and racing.  There's also another Bond connection, in that the Mach 5 was to some extent inspired by Bond's Aston Martin in the movie Goldfinger.

For the record I LOVE the 2008 film.  I think it captures the silliness of the anime perfectly.


10. Dororo (1969)

Osamu Tezuka's influence on anime and manga cannot, again, be underestimated.  He was behind Astro Boy, he was behind Princess Knight, and he was behind Dororo, perhaps the darkest and most disturbing of his many creations.

In Dororo a young orphan befriends a wandering swordsman out to recover lost body parts from a host of demons.  It's bloody, it's unsettling, and I loved it.  If you're in the mood for something weird I hightly recommend this one.


11. Princess Knight (1967)

No idea what Osamu Tezuka was smoking when he created this one but I sure would like some.  This show made me feel HIGH.

Also not sure how this tale of a gender-bending princess would be received in 2026.  She has to dress up like a boy, OK, but what about that scene with "the creator" passing out genders?  And what pantheon does that "creator" belong to, exactly?  Princess Knight's sidekick is an angel, but in the same conversation they mention Roman gods?

I dunno, this one's a headscratcher for sure.  So weird it's worth watching, but perhaps not worth thinking about too deeply.


12. The Golden Bat (1967)

Quite possibly the world's first superhero?  Depictions of the character predate Batman and Superman.

The anime arrived shortly after a live action adaptation featuring none other than Sonny Chiba.  

The story?  Well, most of the episodes I watched don't make complete sense, but apparently a girl is able to summon an Atlantean superman after discovering his tomb and reviving him in the lost capital of that vanished civilization.  The Golden Bat then proceeds to battle Nozo, a being with four differently colored eyes bent on world domination, and over the course of 52 episodes manages to best this adversary.

Notes on All of the Above:

A. I watched at least five episodes of #7-#12 above.  Dororo was my favorite by far.  I could watch all of them again except for maybe Princess Knight, which is hard to watch without the aid of drugs.

B. The 1960s anime discussed above might have been the most popular/influential, but there are dozens more shows that aren't discussed in this entry - everything from Attack No.1 to Cyborg 009.

C. Momotaro: Sacred Sailors is worth a look.  It offers a unique insight into Imperial Japan at the end of WWII.

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