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2026年6月7日 星期日

(Japanese) Spider-Man (1978-1979) 2


"Spider Strings!"

"Spider Machine GP7!"

"Marveller!"

"Change Leopardon!"

Yes, it's time for another round of the Japanese Spider-man TV show, my lowkey sexual obsession with "Amazoness" continuing unabated.

This entry brings me up to 28 episodes out of 41.  That's all I could find on YouTube.  I'd love to watch the remaining 13 episodes, but alas, I couldn't find them online.  

(I even tried searching by スパイダーマン! )



Spider-man helps a boy with a heart condition.  Not much happens in this episode, even if Spider-man FINALLY figures out Amazoness' secret identity as the editor of his girlfriend's newspaper.



Professor Monster and his Iron Cross Army try to blow up a dam AND flood the city of Tokyo with gas that they plan on igniting afterward.  The Iron Cross Army be gangsta like that.

And that's one tough dog.  Not only does it walk off two bullets, but it later falls off the side of a damn and fights off several henchmen.

Not sure what the boy was doing in the mountains in the first place.  Maybe looking for his dad?  But how would he know where his dad was?



A pro wrestler wants to become "the strongest one there is," and ends up getting turned into a "machine bem" that resembles the Thing.



Spider-man helps a boy bullied by classmates while the Iron Cross Army, for inexplicable reasons, commits a series of extremely low level crimes across the Tokyo area.  Can't help but feel sorry for the mom accused of stealing 5 million yen.  That was a low blow, Amazoness, even for you!

And how many boys had fathers killed in car accidents in late 70s Japan?  Judging by this show it was A LOT.



Definitely one of the weirder ones.  I'd put this alongside the cat demon episode.  Spider-man meets an alien boy with mind powers who takes him to a secret village in the mountains where the locals (who can all fly) are planning to sacrifice the boy's sister to a monster in a lake.  Amazoness gets a new outfit in this one, and I'm not a fan of the new look.  Maybe they thought she was too drab in earlier episodes?



Funny how you bad guys keep running into Takuya, isn't it?  It's almost as if he's... Spider-man?

In this one the Iron Cross Army kidnaps a girl (so much kidnapping!) who might have the power of precognition. 



This is one of the more random ones.  An Interpol guy gets caught spying on the Iron Cross Army, and Spider-man helps him escape their clutches.  But why not carry the guy once he's injured?  Isn't Spider-man strong enough?  And why bother to commandeer the helicopter if they weren't going to escape in it?  And why not take the guy directly to the hospital, so he could see his son another day?



One of Professor Monster's more skeletal henchmen goes around stealing people's blood for his boss.  In the midst of that Spider-man rescues a blind little girl.  Can you guess who the little girl's father is?



Watch your back, Takuya, some dude's buying your girlfriend presents behind your back!

Shortly thereafter Takuya stumbles upon - I kid you not - a private club where people gamble on rabbit races, chick races and spider fights.  Go figure.  Was that really a thing in Japan at the time?  I kind of doubt it.

It should be noted that at this point in the series Spider-man not only has a spider sense but also X-ray vision and the completely inexplicable ability to know when someone's trying to contact him.  By this point his powers are pretty much all over the place.

And naturally the "sorceress" running the club turns out to be one of Professor Monster's Machine Bem.  She resembles a lower grade Mysterio.



Spider-man meets A BOY WHO THROWS COCKROACHES ON PEOPLE and who at one point PUTS A COCKROACH IN ANOTHER BOY'S MOUTH.  Yeah, if you enjoy that kind of weirdness this show is for you!

And as you'd expect the machine bem at the end is a cockroach.  Why wouldn't it be a cockroach?  Of course it's a cockroach!!



A former jewel thief is tortured to death by the Iron Cross Army, and they create clone (?) to trick the thief's son into divulging the location of a hidden gem.  But as you'd expect Spider-man shows up, and so much for the missing gem, the Iron Cross Army and their giant crab monster.

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2026年5月8日 星期五

Thoughts on 1966-1967's Ultraman TV Show 2


I'll watch Ultraman, love it for a while, and then need to take breaks.  One can only endure so much silliness for so long.

My rather loose plan is to watch all of the original Ultraman TV series, splitting its 39 episodes into three entries for the sake of my own sanity.  After these three entries I might move on to Ultraseven, the show's sequel, but it's early yet and I might change my mind later.  Ultraseven has 49 episodes (not counting the banned episode), and watching all of them would take up a fair chunk of my life.

Anyway, on to this installment of Ultraman!



Another Iran connection!  The monstrous Pestar begins his rampage in the Iranian oilfields, and is only later spotted in the vicinity of Tokyo.

In this one Ide goes off the rails and blows up part of Tokyo Bay, leading to his going too far in an attempt to extinguish a fire at an oil refinery later in the same episode.  The team forgives him of course, primarily because he's the comic relief, and without him the show would be way too serious.  Can't have that now, can we?

Pestar is one of the weirder-looking Ultraman villains.  He's basically two guys in a starfish-shaped suit holding a head between them.



Akiko gets MAD after a pearl-loving monster threatens Japan's pearl crop!  The rest of the Science Patrol chides her over this, but what do men understand of a woman's love for pearls?

One of the scenes near the end of this episode resembles a paid advertisement for Japan's pearl industry.  Akiko selects a pearl necklace, pearl earrings and a pearl ring at the local jewelry store while smiling lovingly at the camera.

I'm assuming that Akiko and Ide are dating by this point in the series.  Why Ide, Akiko?  Hayata's a much better choice!



Cosmic rays make a boy's crude drawing come to life because SCIENCE.  The Science Patrol shows up to handle business as usual, but they make everything worse to the point where Ultraman has to take out the (monster) trash.

Might want to bring some good weed along for this one.  The monster in question disappears at sunset and then turns into a star.  This monster could have also, I assume, been defeated with an eraser.



They loosened things up a bit for this one, with a rocket bound for Venus meeting Alien Baltan from an earlier episode.  Baltan doesn't seem to have the same powers as he did in that earlier episode, but he's still up to no good and Ultraman still gives him a good thrashing in the end.

Ultraman has a couple new powers in this one as well.  He's able to shoot beams from his eyes, and he can throw an energy disc that cuts his opponents in half.



Things get weird again in this one, with a "fourth dimensional foe" that transports unsuspecting people into another dimension.

Four-Dimensional Monster Bullton is kinda fun.  It's able to mess with the laws of physics.



Alien Zarab turns into a fake Ultraman to make everyone think the real Ultraman is BAD!

And hey Tokyo, are we at all worried about the residual effects of that radioactive cloud that was hanging over the city?  Or how easily your governmental institutions were tricked by an alien walking around with a portable translation machine?



The Science Patrol and an archaeologist (?) discover a time capsule from the lost civilization of Mu.

Knowing what we now know about the show, what happens next?

1. They conduct a rigorous scientific examination of the time capsule and its contents, exercising strict protocols regarding the preservation of the find and possible biological contaminants, or:

2. The time capsule winds up in a truck, lightning strikes it, and monsters are unleashed upon an unsuspecting Japanese populace.

I felt sorry for the red monster.  It was kind of cute, but it gets melted by the green monster before Ultraman even shows up.



The ghost of a dead boy inhabits an archeopteryx.  But OF COURSE it does!  Happens all the time!

And in the end they just decide to let this one go.  Why?  Because Akiko randomly decides that it's wrong to interfere with archeopteryxes inhabited by ghosts.  She says it, everyone else buys that line of reasoning, and that's that.



Akiko almost breaks through the glass ceiling keeping her down at work, only for the annoying boy to show up in the jet on the way to her first solo mission.

Later on the jet crashes and she gets knocked out.  What's the annoying boy to do?  Naturally, being the more rational, capable male he is, he takes control of the situation, setting the stage for the Science Patrol's defeat of Poison Gas Monster Kemular.

At the end of this episode Akiko wakes up in the hospital, the guys have a laugh over their supposed male superiority, and she's effectively been put back in her place.  I get that it was 1966, but this episode annoyed me nonetheless.  It really is quite chauvinistic.

Come on, Science Patrol, do better!



One of the more memorable episodes, featuring a plot which is in some ways reminiscent of the Fantastic Four comics that Marvel produced around the same time.

In this one a race of underground people who lack eyes impersonate a French member of the Science Patrol in an attempt to use Ultraman for EVIL.  Their plans almost succeed but for one flaw: the fact that they perish in direct sunlight.  The monster in this episode is more of an afterthought, but this episode gets surprisingly creepy and intense for a show aimed at kids.



Could have been a tearjerker, but they rush through the story so fast there's no time to feel anything about it.

And how the hell does the Paris HQ guy know Jamila's backstory?  How did he or anyone else observe all of that stuff happening?  A spacecraft gets lost, goes all the way to another planet, and they just assume that the monster is a returned astronaut?

This episode is, I think, the first to establish that the Ultraman series takes place in the future.  The French HQ guy refers to the Cold War as happening in the (distant) past, so there you go.

Not that this has anything to do with anything, but Jamila kind of reminded me of Belial, the insane conjoined twin from the movie Basket Case.  Someone ought to reboot that movie...



Bonus points for Akiko in a wetsuit.  She's kinda hot at times.  Or maybe I've just been watching too much Ultraman.

In this one Abyssal Undersea Monster Gubila disrupts the operation of a new undersea science base, while some "President" guy freaks out and endangers everyone else on board.



One of the more random episodes.  Everybody gets worried about a comet that looks as if it's going to strike the Earth and render humankind obsolete, then they all kind of forget about it and start worrying about Red King, a monster that previously consumed a few hydrogen bombs before retreating into "the Japanese Alps."

Of all the episodes I've seen so far this one is the most "pro wrestling."  An abominable snowman thing and a dragon-y thing with shower curtain wings square off in a mountain plateau, and after Red King arrives it only gets more ridiculous.  At one point the monsters are tapping one another into the "ring," with the result that Red King emerges victorious - only to be dismembered by Ultraman soon after.



This and the following episode are two halves of the same story.

An ancient dinosaur called a "Gomorasaurus" is revived from his ancient slumber after the Science Patrol tries to airlift him back to Japan for the sake of an exhibition.

And then Ultraman actually loses!  Yep, in this one Ultraman gets his ass BEAT, and in the midst of that resounding defeat a monster-positive young boy winds up with Hayata's beta capsule.  What will happen next?  Stay tuned for next week's exciting conclusion!



The funny thing about this episode is how the Science Patrol makes it a point of honor to protect Osaka Castle from Gamora, only to stand by and watch as he rips it to shreds minutes later.

I would tend to agree with the kid and his dad in this episode.  Given the number of monsters I've seen in this show, it doesn't seem like there'd be much point in evacuating anywhere.  Maybe there's a kaiju under our apartment building, maybe there isn't.  Maybe there's one coming to our city, maybe there isn't.  Why worry?

Ultraman rips Gamora's horn off at the end of this episode.  Seems a little harsh to me.  Gamora was just chilling on his South Pacific island after all, it wasn't like he wanted to visit Japan.

27 Down, and 12 More to Go!!  Here Comes Our Ultraman!!

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2026年4月8日 星期三

Super Sentai in the 70s


The Super Sentai series is the last of the big 70s tokusatsu shows I'll be discussing here.  I'll work my way back through the Ultraman and Spider-Man episodes I haven't yet seen in the near future, but it seems unlikely that I'll revisit Super Sentai or Kamen Rider anytime soon.

To recap some of what has come before, tokusatsu was (is) a specific genre of effects-heavy show which aired on Japanese television.  This genre owes some of its stylistic leanings to the ancient Japanese art of Kabuki.  There are examples of the genre from the very beginnings of Japanese film to the present day.

In the popular imagination the first tokusatsu show was Godzilla in the 1950s.  The Godzilla series, influenced by the Western King Kong, featured giant monsters doing battle, a science-based team of "experts" tasked with protecting Japan from these monsters, and other motifs that will be familiar to anyone who's seen giant monster movies.

Godzilla was followed by Ultraman in the 60s, a show in which a giant alien does battle with a "monster of the week."  After a brief lull in the genre, Ultraman was followed by Kamen Rider in the 70s.  Kamen Rider introduced the transformations, cybernetic humans and other tropes often associated with tokusatsu today.

Super Sentai, released in 1975, also helped formulate the genre.  In Super Sentai we see a large cast of unlikely heroes, these opposing shadowy groups bent on world domination.  Super Sentai, created by the same man who created Kamen Rider and often shown alongside that earlier program, ups the ante on Kamen Rider, giving us an entire team of costumed superheroes instead of just one.

Super Sentai would, two decades later, give rise to the American show Mighty Morphin Power Rangers, a distinctly Western take on the genre which intercut footage of American actors and actresses with footage from the original Japanese TV shows.

Anyway, on to the show itself!


Gorenger Episodes 1 and 2

This is the original series, also known as Himitsu Sentai Gorenger.  The plot of both episodes is extremely minimal, involving four individuals (a kind of Mod Squad, if you will) recruited by a secretive military guy who gives them battle suits.

The funniest part of both episodes is the weird soccer thing they do at the end.  The pink one makes an explosive ball, they kick it back and forth, and then the red one jumps and kicks it into the bad guy, thus rocking him like a hurricane.  Neither of the two bad guys who conclude the first two episodes are especially smart, and the assorted henchmen who attack our heroes seem to do so entirely at random.


J.A.K.Q. Episodes 1 and 2

Check the company logo on the playing cards.  Yep, Nintendo!  In the 70s that's what they were better known for.

As an occasional player of poker it bothers me that the best hand we can muster with this team (assuming that their leader Joker is "wild") is a straight.  They're all wearing suits, after all - why not make them wear the same suit?  Royal flush to the ace - that would feel much better.

Besides, Texas hold 'em is a better game anyway.  Change Joker's name to "Ten," make them all clubs (seems appropriate, given how much they fight), and then you'd have a nice royal flush to the ace.  Five cards and five cyborgs suited up nicely.

The bad guys in this series are named Crime with a capital "C."  It gets a little confusing sometimes, but yes, that's both their name and what they do.  They spread crime so that they can call themselves Crime.  Seems like the name might make it hard to keep a lower profile, but whatever.

The more ridiculous parts of this show are their helmets, which they'd have quite a bit of difficulty seeing through.  There's also the "Covack" finishing move, which combines "atomic, electric, gravitational and magnetic forces" in one go.  Our four heroes don't have a giant robo - at least not in the first two episodes - but rather a flying plane which looks decidedly uncool and less than aerodynamic.

All of the above said, the girl in the hot pants is kinda hot, even if she can't, in my humble opinion, hold a candle to Spider-Man's "Amazoness."  I think what really does it for me with Amazoness is the scowling.


Battle Fever J Episodes 1 and 2

This is the Super Sentai series which would close out the 70s.  It ran in 1979.

Weirdly enough, like Spider-Man this show was also a co-production between Toei and Marvel.  It was supposed to feature Captain America (!), but that idea fell apart somewhere along the way.

Instead of Captain America we get Miss America, an American-born espionage agent who does battle in a revealing leotard.  At some point in the tokusatsu shows producers got wise to the fact that having a sexier member of the team was more attractive to young boys, and given the popularity of shows like Sailor Moon this might have been a selling point for young Japanese girls as well.

Battle Fever J pits our cybernetic heroes against Egos, an organization that wants to get rid of "bad technology" in favor of their own "good technology" which predates modern civilization.  If you ask me the whole thing sounds a lot like a metaphor for Scientology, but even if it's there such a metaphor would have been lost on a Japanese-speaking audience - at least in the late 70s.

The bonkers part of Battle Fever J is that each of the cyborgs have dance moves representing their geographical region.  Oh, and they also (somehow) jump into the sky and make letters with their bodies before launching their final attack.

Gotta love how the team puts together seemingly random facts to uncover a sinister plot in the second episode.  Some guy in a car accident?  A girl's suicide?  A man who gets a promotion at work?  Way to connect the dots, Battle Fever!

This team, by the way, does get its own giant robo.  It doesn't get used in the first two episodes, but there are scenes of it under construction.

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NOTE: It's not that I wouldn't enjoy more Super Sentai and Kamen Rider.  It's just that Toei keeps a tight grip on those shows, and what I've discussed here was all that I could find on YouTube.

2026年3月30日 星期一

Kamen Rider (1971- 1979)


I would have been all over this show when I was little.  Unfortunately I grew up in the States, and Kamen Rider wasn't really a thing over there.

After Ultraman's (temporary) fading from the public consciousness in the late 60s, Kamen Rider represented a newer kind of tokusatsu,  tokusatsu being a genre of effects-heavy TV shows dominating Japanese television at the time.

What you see below is a discussion of the earliest 12 episodes available on YouTube.  This show had a long run on Japanese TV, and the episodes below represent only a fraction of it.


Kamen Rider (1971-1973) : Episode 1

Takeshi Hongo, one of countless "70s motorcycle dudes" gets kidnapped by Shocker, a worldwide terrorist organization which changes him into a cyborg.

This show has a lot more kung fu fighting than Ultraman, which is also in keeping with the time.  The women in it are a lot more attractive than what you'll find in Ultraman as well.  Nothing against Akiko, who is definitely the cutest member of the Science Patrol, but she seems a lot more remote and hard to relate to than the women of Kamen Rider.

That said, Kamen Rider makes about as much sense as Ultraman - maybe even less so.  The various members of Shocker appear and disappear, reemphasizing a spider/insect theme, but very little is resolved in the first episode.  They don't even bother to explain why Kamen Rider and his motorcycle are able to transform.


Kamen Rider (1971-1973) : Episode 2

Kamen Rider battles the Bat-Man, a batlike creature that infects his victims with a virus for which only he has an antidote.

By this point the professor's daughter finally realizes that Hongo didn't kill her father.  Took her long enough!

One thing Kamen Rider had over the Ultraman show is that it had a manga to draw from.  This meant that story elements carried over into subsequent episodes, making the show a lot more engaging in terms of narrative structure.  Ultraman's predictable silliness is one of its strong points, but after a while it can seem repetitive.  There's slightly more story in Kamen Rider to hold the viewer's attention.


 Kamen Rider (1971-1973) : Episode 3

Continuing the bug theme established in episode one, this episode introduces the evil Scorpion Man, a guy who - freakily enough - is able to unleash an army of man-eating scorpions against his opponents.

Never mind that the "poison" sprayed from the tails of these scorpions melts its human prey instantly.  Man eating?  What's left to eat?


Kamen Rider V3 (1973-1974) : Episode 1

There's no second season on YouTube.  Instead we skip to the third season, which was Kamen Rider V3.

This season retains Hongo from season 1, with the addition of another rider who is, I assume, the star of season 2.  Hongo plays a mentor to the new rider, cyborging him up after yet another botched assassination attempt by the bad guys.

Shocker seems to have been dispatched by this point.  In V3 they're replaced by Destron, a rather Catholic organization also bent on world domination.

Zooka, the bazooka-wielding turtle, and Scissors, the pincer-wielding agents of Destron, outshine the season 1 foes in terms of sheer ridiculousness.  Scissors is also more coldblooded than previous foes, killing V3's entire family before his eyes.


Kamen Rider V3 (1973-1974) : Episode 2

Scissors is also a real d*ck.  He and his cronies are intent on blowing up Tokyo with a nuclear bomb, and to make matters more annoying he feels the need to yell "Scissors!" every time he appears.

V3 finally gets him in the end though, just before the riders from seasons 1 and 2 haul Zooka out into the ocean, where the nuclear bomb he was carrying detonates.  They swear they'll be back, but how?  Are they nuclear bomb-proof?


Kamen Rider X (1974) : Episode 1

Lower and lower budgets, but the weirdness seems to escalate and I'm loving it.  70s weirdness beats all other kinds of weirdness.

In Kamen Rider X we meet X Rider, yet another young man cyborged (or in this case "cyzorged") up by his father, some kind of biotechnology researcher.  His father - as one does - then uploads his consciousness into an undersea lair for his son's future use.

Kamen Rider X pursues a Greco-Roman theme.  X Rider's first opponent is Neptune, a sea-thing that spits deadly bubbles at our hero, and Neptune is followed by Panic, a rather limp-wristed enemy who wields a hypnotizing flute.

One obvious upgrade: this version of Kamen Rider can flip his entire bike, not just his body.  More flipping for your money!


Kamen Rider X (1974) : Episode 2

X Rider tries to figure out who his girlfriend really is while dealing with the whole flute thing.  I dunno man, it doesn't make a lot of sense.  By the end of this one his AI "dad" decides to blow himself up in order to teacher X Rider self-reliance (or something), and we learn that next episode's foe will be Hercules.

And oh yeah, the villainous organization in this season is GOD.  This makes for a lot of fun bits of dialogue in the English translation, phrases like "tomorrow we do battle with GOD in earnest" or "GOD must be defeated."  It's like a philosophical conversation at certain points, with Rider X convincing himself that he can either outmuscle or outsmart the deity.  Can he?  Stay tuned and find out in next week's episode!!


Kamen Rider Amazon (1974-1975) : Episode 1

I don't know what the writers of this season were smoking but I sure would like some.

This Kamen Rider's more like Tarzan.  He gets a blood transfusion (?) that gives him the ability to turn into a lizard (?).  After arriving in Japan (or maybe before that, in the Amazon) he has to contend with the Ten-Headed Demon, a villain who might remind you of the floating head from John Boorman's Zardoz.

Along the way Kamen Rider Amazon befriends a young boy and his two hot sisters.  The bad guys attack these new friends (of course), and the result is a thorough ass whooping administered by the new Kamen Rider.


Kamen Rider Amazon (1974-1975) : Episode 2

Kamen Rider Amazon fights Spider Beastman in episode 1, and in episode 2 he battles Vampire Bat Beastman, a loathsome character who feasts on human flesh.  Kamen Rider Amazon doesn't even kill this foe, instead allowing him to return to his base where the Ten-Headed Demon does the job himself.  A fitting reward for failure!

Kamen Rider Amazon is, I must say, my favorite Kamen Rider series/season by a mile.  It's weird, it makes almost no sense at all, and it's GREAT.  There were 24 episodes in this series, and providing I find them online later I'll be sure to watch the rest.


Kamen Rider Stronger (1975) : Episode 1

Our newest "electric human" is Kamen Rider Stronger, a badass dude with plenty of 70s attitude and bellbottoms to match.  This Kamen Rider comes equipped with a girl sidekick (or is it "sidechick?"), Electrowave Human Tackle, who comes dressed as a ladybug in a miniskirt.

Their enemies in this iteration are Black Satan, a criminal organization also - you guessed it - bent on world domination.

In episode 1 Black Satan tries to steal a hovercraft.  Why?  I have no idea!


Kamen Rider Stronger (1975) : Episode 2

Kamen Rider Stronger and Electowave Human Tackle stop Black Satan from commandeering a lighthouse.  And why did Black Satan want the lighthouse in the first place?  Again, I have no idea.

The villain in this one is a wolf thing that can turn itself into gas.  The wolf who smelled it, in other words, probably dealt it.   Oh, and in this episode we learn about Kamen Rider Stronger's origins, which make about as much sense as all the other Kamen Riders' origins.


Kamen Rider Skyrider (1979) : Episode 1

The Kamen Rider that can fly!  A bit strange how he can basically fly wherever he wants independent of both wind conditions or any source of propulsion... but whatever.

This version of Kamen Rider seems to have scaled back the weirdness a bit, which is either a plus or a minus depending on how weird you like your Kamen Riders.  The Mount Fuji of weirdness, if you will, is definitely Kamen Rider Amazon, and from Stronger onward things are (relatively) more beholden to the laws of physics and causation in general.

Shocker returns in this installment, by the way, rechristened Neo-Shocker after the humiliations suffered in prior seasons.

One has to wonder at these evil organizations bent on world domination.  They keep turning the exact wrong guys into cyborgs.  Maybe a more thorough interview process was in order?  Followed by a background check and psychological testing for evil?

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