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2026年7月3日 星期五

Absolute Batman Vols. 1 and 2 by Scott Snyder and Nick Dragotta (2025 and 2026)


This Batman, described as a "genius of violence" by none other than this comic book universe's Alfred Pennyworth, is a lot more badass than the Batman you're probably used to.

Is he rich?  No, he was born poor, in Crime Alley, where he developed several lasting friendships with people who were, in "normal" DC continuity, his adversaries.

Does he have a chip on his shoulder?  Yes, he does, but for different reasons.  In the Absolute universe his father, a teacher, was killed during a school field trip, and his mother is still living.

Are bats relevant to his becoming a masked vigilante?  Yes, but not in the same way.  Instead of falling into a cave full of bats on his parents' estate, he gets pushed into the bat house during a shooting which leads to his father's death, and he never develops the same fixation on that animal.

Is he an unassuming, normal-looking guy outside of his costumed adventures?  In a way yes, in another way no.  He does work a regular job, but he's also a HUGE individual - hulking even - with an interest in things like poker and boxing.

Is he the world's greatest detective?  Not in the conventional sense, no.  This Batman is more of a strategist ready to get his hands dirty.  What he wages against Gotham's criminal element is more of a war with serious casualties, and he has zero qualms about taking lives in the process.

Does he have a Robin?  Lord I hope not.  The Wikipedia entry detailing his exploits in volume 3 (which I have yet to read) mentions that the Absolute Deathstroke makes an appearance with "an army of Robins" later on.  I sincerely hope Robin isn't introduced as part of a lame attempt to tone this character down and/or make him more "relatable."

How about his rogue's gallery?  Scott Snyder has, I think, made them all better.  Gone are the more cartoonish adversaries of yesteryear, to be replaced by truly terrifying individuals acting out nearly unimaginable levels of trauma.  The Bane of this series is SCARY, and even relatively minor villains such as Black Mask are very sinister.

By this point Absolute Batman represents over a third of the Absolute Universe's total revenue.  I totally get this.  I've read bits of Absolute Superman, Absolute Martian Manhunter and Absolute Flash, and Absolute Batman outshines them all in terms of consistency, attention to detail and sheer badassery.  

It should also be said that volume 2 far outshines volume 1 in terms of awesomeness.  If you've only read volume 1 and wondered what the big deal was, I highly encourage going back and reading volume 2 immediately.  Volume 2 is METAL, upping the ante considerably on all the weirdness hinted at in volume 1.

I plan on reading volume 3 later this summer.  For that matter I'd like to take another pass at Absolute Martian Manhunter (which I enjoyed) and track down Absolute Wonder Woman, which I haven't read yet.  At this point in time DC is BURYING Marvel in terms of comic book sales, and for evidence one need look no farther than the two trade paperbacks discussed here.

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2025年9月8日 星期一

Hey Kids!! Comics!!



1. Gideon Falls Volume 1: The Black Barn by Jeff Lemire, Andrea Sorrentino and Dave Stewart

Of the three comic books discussed here Gideon Falls is my favorite by far.  Jeff Lemire has a great ear for dialogue, and he adds enough exposition without crowding the story.  Andrea Sorrentino's art is by turns beautiful and eerie, and the way she (he?) uses panels in this book is a wonder to behold.

A Catholic priest assigned to the Gideon Falls parish stumbles into some mysterious happenings around town, while a psychiatrist treating a "schizophrenic" discovers that there's more to his "delusions" than meets the eye.  From that point on the weirdness only escalates, and I'm looking forward to reading the other five volumes in this series if and when I come across them.

There's been a TV adaptation of this comic book series in the works for a while, but no news on its progress since 2019.  It would seem that COVID derailed it.


2. Tokyo Ghost: The Atomic Garden by Rick Remender, Sean Murphy and Matt Hollingsworth

My second favorite of these three comic books.  It's got that early 80s Frank Miller/Neuromancer/Martial Law vibe, and although it's somewhat derivative I'm thinking the second installment is probably much better.  Yes, first impressions are important, but sometimes you have to give writers time to set up a story.

In the distant future two lovers, one of them hopelessly addicted to technology, journey to Japan to fulfill a contract.  Rick Remender's dialogue is well done, and Sean Murphy's art has a kinetic quality that jumps off the page.

A movie adaptation was in development, but no news since 2021.


3. Night of the Ghoul by Scott Snyder and Francesco Francavilla

My least favorite of these three comics.  The art is suitably spooky, but Scott Snyder needed to slow things down and explain the plot better.  What's going on with that basement beneath the retirement home?  And why does the son character randomly leave the car and start exploring a sewer during a rainstorm?  And what does the mom character having early onset Parkinson's have to do with anything?

A film adaptation could work, but whoever wrote the screenplay would need to flesh out the the story elements better.  As it is this is more of an outline than an actual horror comic in itself.

When I think about it, Scott Snyder does this kind of thing a lot.  He'll start out with an interesting premise and then laze his way through the rest of the story he's set up.  Dark Knights: Metal is probably the worst example of this tendency.  Cool idea, but it went nowhere fast.

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2025年2月11日 星期二

"Generation X" by Scott Lobdell, Fabian Nicieza and Others (1994-1995)


It's the early- to mid-90s, dudes!  Time to get extreme!  I'm talking about MASSIVE shoulder pads!  I'm talking about MORE pouches!  I'm talking about BIG, ridiculous guns that would be almost impossible to shoulder!  I'm talking about ponytails, tiny, thin feet, and cool-sounding names like "Phalanx," and "Emplate" (whatever that's supposed to mean) and "Chamber!"

Yes, it's time to carefully unsheathe our double-bagged, holographic comix with their embossed 3D trading cards.  It's time to carefully open these "spare copies" (NO CRINKLING) of Generation X and get down to business!

But hold on a minute!  I'll have you know that these X-men aren't your parents' X-men!  No, no no!  These X-men are way more broody than those other X-men... these X-men have ISSUES!  And not just double-bagged, holographic with the the embossed trading card issues!  By "issues" I mean that they get dark!

It could have worked.  The problem is that the villains in this series outshine the heroes, and what might have been an interesting little horror comic fails to stay in its lane.  Every time the more colorful, more "adult" X-men show up it really kills the mood, and the costumes these new heroes are saddled with could have been done away with entirely.  

Leaving them in street clothes would have worked a lot better, and ramping up the horror elements would have improved Generation X even more.  As it is it's a decidedly lukewarm effort, a slightly darker take on the Image titles that were probably outselling Marvel titles at the time.  Youngblood it ain't, (Jim Lee's) X-men it ain't, and they failed to venture into Swamp Thing territory, which would have been a more natural fit.

Oh well.  For the record I enjoyed it.  I can't say I remember most of the character's names, I can't say I remember what most of the plots were about, but it was an enjoyable detour back into a time when the comics industry was in a state of flux, and when a signed copy of Generation X might have been something that someone actually wanted.

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2023年2月6日 星期一

"Undiscovered Country" Volumes 1-3 by Scott Snyder, Giuseppe Camuncoli and Others (2020-2022)


I'm not that familiar with Scott Snyder.  I think I read some Superman comics he wrote, a series spotlighting different times in Superman's life?  Something like that.  I didn't finish the series.

I'm also unfamiliar with the artist on Undiscovered Country.  This fact isn't that unusual though.  I'm unfamiliar with many artists working today.

The story?  It's somewhat difficult to encapsulate, but long story short it's the future, America has gone "off grid," and several representatives from what's left of the rest of the world venture into the mysterious blank spot on the map that used to be the United States.

Thereafter these representatives are tasked with "walking the spiral," i.e. passing through all 13 of the former America's sovereign states.  Each of the 13 zones they pass through represents a failed attempt at utopia, the first being a Libertarian, Mad Max-style place where anything goes, the second being a Matrix-type world where the distinction between human and machine is less significant, and the third being a kind of amplified Hollywood, where dreamers engage in unfettered acts of creation.

Eh, it's OK.  All in all it reminded me of One Piece, though One Piece is of course more whimsical.  Undiscovered Country isn't quite boring, but it does seem very derivative at times.  This type of "future assessment of a postapocalyptic America" has been done to death in comics, Watchmen, The One and Give Me Liberty providing but a few examples.  And besides that, something like One Piece is just more fun.  Repetitive, yes, but more fun.

I probably won't be continuing with this series.  As it is I've read through 18 chapters of it, and I can't see future installments improving much upon what's already been published.


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